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This Book Is Primarily An Introduction To The Magnificient World Of The Khajuraho Temples, Their History, Patronage, Court Culture, Religion, Iconography And The Distinctive Features Of Sculptures And Architecture.
Illustrations: 101 colour plates and 125 b/w illustrations Description: The book offers a closer view of the divinities and their configurations, particularly in the major Hindu temples of Khajuraho. It concentrates on the iconic schemes and patheons of two magnificent temples, one a rare preserved shrine of Vaikuntha-Vishnu and the other dedicated to Siva. It highlights the important cult of the Yoginis and the syncretic role of Surya in Khajuraho's pantheon. In the process of viewing the temple as a whole and its images within a well-integrated scheme, several earlier non-specified images could be seen in their proper context and for the first time identified and interpreted. The images of planetary divinities on the podium around the Lakshmana temple, or the Sveta-dvipa scene (Back Cover) are some such new interpretations offered in the book. The book presents an account of the topography of this medieval sacred centre, its patrons, the Chandella rulers, and erudite court culture. The elite's love for double-entendre is revealed in the sculptural art as well as poetic stanzas of their inscriptions on temples. The language of puns and enigma (sandhya-bhasha helps us in understanding the significance of erotic sculptures which apparently are sensual figures but actually conceal a deeper symbolism.
Dani鬯u's masterpiece on the Hindu temple, now translated for the first time into English, provides a stunningly illustrated tour of the major temple complexes of India.
An updated version of the critically-acclaimed Divine Ecstasy: The Story of Khajuraho, this is an eye-opening book on one of India's most fascinating heritage sites and is indispensable reading for all those interested in rediscovering India's cultural past. Includes 67 photographs.
The object of this volume is to provide within a moderate compass a compendious account of the history, institutions, and culture of ancient India from the dim ages of antiquity to the establishment of Moslem rule. It has not been planned to meet the needs of any particular class of readers. Its primary purpose is to serve alike students, scholars, and all others, interested in the study of ancient Indian history, as a book of ready use and reference. The pages which follow every attempt has been made to avoid presenting a mass of the dry bones of historical fact or over-burdening the account with intricate discussions on knotty problems of history, on the one hand, and giving a mere general and readable survey of India's long and fascinating past, on the other. I have endeavoured to tap and utilise properly the available sources of information, literary, epigraphic, and numismatic, and also to embody and set forth in a consistent manner the results of up-to-date researches on different topics and epochs. All the materials have been patiently sifted and critically examined with the sole desire to arrive at historical truth and scientific accuracy; and the unfortunate tendency, manifest in some modern publications, to extol or decry without warrant any of the manifolds aspects of India's panoramic story, has been scrupulously eschewed This book gives an authoritative, up-to-date, and compendious account of the history, institutions and culture of India from the earliest times to the advent of the Moslem period. It is based on all available materials - literary, epigraphic, and numismatic - and is written in a most elegant, sober, and lucid style. The author brings to bear upon his task not only profound scholarship and critical acumen but also scrupulous regard for historical truth, the accuracy of facts and impartiality of judgement. The merit of the book has been enhanced by an exhaustive Bibliography and a comprehensive Index. Students, scholars and the general reader alike will find the book highly interesting, useful and valuable for study and references.
- A privileged visual journey through one of the most famous Indian heritage sites Situated in the northern Indian state of Madhya Pradesh, Khajuraho is renowned as much for the elegance of its architecture as for the sensuality of its sculpture. Khajuraho has become one of the unmissable sights for any traveler to India, and owes its international reputation to the lavishness of its numerous Hindu shrines. Formerly an important political and religious center, it is thought to have contained up to ninety-five temples, as the many ruins concealed under otherwise-anonymous hillocks scattered throughout the valley attest. Only twenty-five survive. The earliest mention of Khajuraho dates from the seventh century. After the collapse of the Candella kingdom, the site experienced almost four centuries of oblivion, and the once proud city-state turned into a sleepy village nestling in what had become an arid basin for several months of the year. British hunters rediscovered it quite by chance at the beginning of the nineteenth century. Since then, the area has undergone several phases of restoration, as befits one of the leading sites of the world's cultural heritage. The highly unusual nature of its temple depictions has given this area a somewhat 'scandalous' reputation, unleashing, over the years, interpretations of all kinds.
S.K. Sullerey Is Professor And Head, Department Of Post Graduate And Research In Ancient Indian History, Culture And Archaeology At Rani Durgavati Vishwavidyalaya, Jabalpur (M.P.).
Through lucid visual analysis, accompanied by drawings, this book will allow readers to appreciate the concepts underlying designs that at first sight often seem bewilderingly intricate. The book will be divided into six parts that cover the history and development of the design and architecture of Indian temples.