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Danny Callaghan is just out of jail and enjoying a quiet drink in a Dublin pub when two men walk in with guns. On impulse, he intervenes to rescue the intended victim, petty criminal Walter Bennett, and finds himself dragged into Dublin's murky underworld. As the police grope for answers and Danny struggles to protect those he loves, the rising tensions between the gangs threaten to erupt into a bloody showdown. Dark Times in the City portrays a society stumbling from prosperity to uncertainty - where cocaine and easy money have fuelled a ruthless gang culture and a man's impulsive decency may cost him the lives of those who matter most.
John Milton is, next to William Shakespeare, the most influential English poet, a writer whose work spans an incredible breadth of forms and subject matter. The Complete Poetry and Essential Prose of John Milton celebrates this author’s genius in a thoughtfully assembled book that provides new modern-spelling versions of Milton’s texts, expert commentary, and a wealth of other features that will please even the most dedicated students of Milton’s canon. Edited by a trio of esteemed scholars, this volume is the definitive Milton for our time. In these pages you will find all of Milton’s verse, from masterpieces such as Paradise Lost–widely viewed as the finest epic poem in the English language–to shorter works such as the Nativity Ode, Lycidas,, A Masque and Samson Agonistes. Milton’s non-English language sonnets, verses, and elegies are accompanied by fresh translations by Gordon Braden. Among the newly edited and authoritatively annotated prose selections are letters, pamphlets, political tracts, essays such as Of Education and Areopagitica, and a generous portion of his heretical Christian Doctrine. These works reveal Milton’s passionate advocacy of controversial positions during the English Civil War and the Commonwealth and Restoration periods. With his deep learning and the sensual immediacy of his language, Milton creates for us a unique bridge to the cultures of classical antiquity and medieval and Renaissance Christianity. With this in mind, the editors give careful attention to preserving the vibrant energy of Milton’s verse and prose, while making the relatively unfamiliar aspects of his writing accessible to modern readers. Notes identify the old meanings and roots of English words, illuminate historical contexts–including classical and biblical allusions–and offer concise accounts of the author’s philosophical and political assumptions. This edition is a consummate work of modern literary scholarship.
Excerpt from Kerrigan's Quality When it became known throughout the neighbourhood that Martin Kerrigan had bought the Big House, dissatisfaction prevailed dispersedly, concentrating itself in the one double and one single row of roofs which form the nucleus of Glenore. It was the unpopular act of an unpopular person; There were obvious reasons why the purchase, by whomsoever effected, should be generally disapproved. The house had stood empty time out of mind; that is to say, only venerable people like old Juggy Caffrey remembered when it used to be now and then occupied by Sir John Hutchinson, the last of his line. Since his death the demesne had lain practically derelict, and to the inhabitants of Glenore had in some measure become what the conveniently situated wreck has been to the castaways of fiction, from Robinson Crusoe downwards. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Here are reproductions of 98 authentic baseball cards representing 104 great players of baseball's Golden Age, from 1880 to 1940. Included are superstars such as Babe Ruth, Joe DiMaggio, Bob Feller, Lou Gehrig, Ty Cobb, Dizzy Dean, and many other famous names in the history of baseball, from John McGraw and Connie Mack to Rudy York and Leo Durocher. Each card is an authentic reproduction of the original, with a full-color illustration of the player on one side and the original information and advertising on the reverse. This book represents a collection of rare baseball cards which would take years of searching and thousands of dollars to match.
The debut novel in a stunningly lush, intensely sexy new Victorian and Scottish-set historical romance series.
“Borges’s composed, carefully wrought, gnarled style is at once the means of his art and its object—his way of ordering and giving meaning to the bizarre and terrifying world he creates: it is a brilliant, burnished instrument, and it is quite adequate to the extreme demands his baroque imagination makes of it . . . . Absolutely and most vividly original.”—Saturday Review The seventeen pieces in Ficciones demonstrate the gargantuan powers of imagination, intelligence, and style of one of the greatest writers of this or any other century. Borges sends us on a journey into a compelling, bizarre, and profoundly resonant realm; we enter the fearful sphere of Pascal’s abyss, the surreal and literal labyrinth of books, and the iconography of eternal return. More playful and approachable than the fictions themselves are Borges’s Prologues, brief elucidations that offer the uninitiated a passageway into the whirlwind of Borges’s genius and mirror the precision and potency of his intellect and inventiveness, his piercing irony, his skepticism, and his obsession with fantasy. To enter the worlds in Ficciones is to enter the mind of Jorge Luis Borges, wherein lies Heaven, Hell, and everything in between.
A miniature edition of some of the most exquisite medieval manuscripts.
More than fifty years after Algerian independence, Albert Camus’ Algerian Chronicles appears here in English for the first time. Published in France in 1958, the same year the Algerian War brought about the collapse of the Fourth French Republic, it is one of Camus’ most political works—an exploration of his commitments to Algeria. Dismissed or disdained at publication, today Algerian Chronicles, with its prescient analysis of the dead end of terrorism, enjoys a new life in Arthur Goldhammer’s elegant translation. “Believe me when I tell you that Algeria is where I hurt at this moment,” Camus, who was the most visible symbol of France’s troubled relationship with Algeria, writes, “as others feel pain in their lungs.” Gathered here are Camus’ strongest statements on Algeria from the 1930s through the 1950s, revised and supplemented by the author for publication in book form. In her introduction, Alice Kaplan illuminates the dilemma faced by Camus: he was committed to the defense of those who suffered colonial injustices, yet was unable to support Algerian national sovereignty apart from France. An appendix of lesser-known texts that did not appear in the French edition complements the picture of a moralist who posed questions about violence and counter-violence, national identity, terrorism, and justice that continue to illuminate our contemporary world.
A charming ne’er-do-well returns to his haunted Irish hometown to uncover the truth about his mother in this “supernaturally skilled debut” (Vanity Fair) and turns the town—and his life—upside down. Having been abandoned at an orphanage as a baby, Mahony assumed all his life that his mother wanted nothing to do with him. That is, until one night in 1976 while drinking a pint at a Dublin pub, he receives an anonymous note implying that she may have been forced to give him up. Determined to find out what really happened, Mahony embarks on a pilgrimage back to his hometown, the rural village of Mulderrig. Neither he nor Mulderrig can possibly prepare for what’s in store… From the moment he arrives, Mahony’s presence completely changes the village. Women fall all over themselves. The real and the fantastic are blurred. Chatty ghosts rise from their graves with secrets to tell, and local preacher Father Quinn will do anything to get rid of the slippery young man who is threatening the moral purity of his parish. A spectacular new addition to the grand Irish storytelling tradition, Himself “is a darkly comic tale of murder, intrigue, haunting and illegitimacy…wickedly funny” (Daily Express).