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" The Civil War scene in Kentucky, site of few full-scale battles, was one of crossroad skirmishes and guerrilla terror, of quick incursions against specific targets and equally quick withdrawals. Yet Kentucky was crucial to the military strategy of the war. For either side, a Kentucky held secure against the adversary would have meant easing of supply problems and an immeasurably stronger base of operations. The state, along with many of its institutions and many of its families, was hopelessly divided against itself. The fiercest partisans of the South tended to be doubtful about the wisdom of secession, and the staunchest Union men questioned the legality of many government measures. What this division meant militarily is made clear as Lowell H. Harrison traces the movement of troops and the outbreaks of violence. What it meant to the social and economic fabric of Kentucky and to its postwar political stance is another theme of this book. And not forgotten is the life of the ordinary citizen in the midst of such dissension and uncertainty.
In Creating a Confederate Kentucky, Anne E. Marshall traces the development of a Confederate identity in Kentucky between 1865 and 1925, belying the fact that Kentucky never left the Union. After the Civil War, the people of Kentucky appeared to forget their Union loyalties and embraced the Democratic politics, racial violence, and Jim Crow laws associated with former Confederate states. Marshall looks beyond postwar political and economic factors to the longer-term commemorations of the Civil War by which Kentuckians fixed the state's remembrance of the conflict for the following sixty years.
Rebels on the Border offers a remarkably compelling and significant study of the Civil War South's highly contested and bloodiest border states: Kentucky and Missouri. By far the most complex examination to date, the book sharply focuses on the "borderland" between the free North and the Confederate South. As a result, Rebels on the Border deepens and enhances understanding of the sectional conflict, the Civil War, and Reconstruction. After slaves in central Kentucky and Missouri gained their emancipation, author Aaron Astor contends, they transformed informal kin and social networks of resistance against slavery into more formalized processes of electoral participation and institution building. At the same time, white politics in Kentucky's Bluegrass and Missouri's Little Dixie underwent an electoral realignment in response to the racial and social revolution caused by the war and its aftermath. Black citizenship and voting rights provoked a violent white reaction and a cultural reinterpretation of white regional identity. After the war, the majority of wartime Unionists in the Bluegrass and Little Dixie joined former Confederate guerrillas in the Democratic Party in an effort to stifle the political ambitions of former slaves. Rebels on the Border is not simply a story of bitter political struggles, partisan guerrilla warfare, and racial violence. Like no other scholarly account of Kentucky and Missouri during the Civil War, it places these two crucial heartland states within the broad context of local, southern, and national politics.
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Camp Nelson, Kentucky, was designed in 1863 as a military supply depot for the Union Army. Later it became one of the country's most important recruiting stations and training camps for black soldiers and Kentucky's chief center for issuing emancipation papers to former slaves. Richard D. Sears tells the story of the rise and fall of the camp through the shifting perspective of a changing cast of characters—teachers, civilians, missionaries such as the Reverend John G. Fee, and fleeing slaves and enlisted blacks who describe their pitiless treatment at the hands of slave owners and Confederate sympathizers. Sears fully documents the story of Camp Nelson through carefully selected military orders, letters, newspaper articles, and other correspondence, most inaccessible until now. His introduction provides a historical overview, and textual notes identify individuals and detail the course of events.
The fifteenth and sixteenth states to join the United States of America, Kentucky and Tennessee were cut from a common cloth -- the rich region of the Ohio River Valley. Abounding with mountainous regions and fertile farmlands, these two slaveholding states were as closely tied to one another, both culturally and economically, as they were to the rest of the South. Yet when the Civil War erupted, Tennessee chose to secede while Kentucky remained part of the Union. The residents of Kentucky and Tennessee felt the full impact of the fighting as warring armies crossed back and forth across their borders. Due to Kentucky's strategic location, both the Union and the Confederacy sought to control it throughout the war, while Tennessee was second only to Virginia in the number of battles fought on its soil. Additionally, loyalties in each state were closely divided between the Union and the Confederacy, making wartime governance -- and personal relationships -- complex. In Sister States, Enemy States: The Civil War in Kentucky and Tennessee, editors Kent T. Dollar, Larry H. Whiteaker, and W. Calvin Dickinson explore how the war affected these two crucial states, and how they helped change the course of the war. Essays by prominent Civil War historians, including Benjamin Franklin Cooling, Marion Lucas, Tracy McKenzie, and Kenneth Noe, add new depth to aspects of the war not addressed elsewhere. The collection opens by recounting each state's debate over secession, detailing the divided loyalties in each as well as the overt conflict that simmered in East Tennessee. The editors also spotlight the war's overlooked participants, including common soldiers, women, refugees, African American soldiers, and guerrilla combatants. The book concludes by analyzing the difficulties these states experienced in putting the war behind them. The stories of Kentucky and Tennessee are a vital part of the larger narrative of the Civil War. Sister States, Enemy States offers fresh insights into the struggle that left a lasting mark on Kentuckians and Tennesseans, just as it left its mark on the nation.
"The editors of this book have put together, in concise form, just about everything a well-informed citizen should know about the [Civil] War."--Page 2 of cover.
October 11, 1864. The Civil War rages on in Kentucky, where Union and Confederate loyalties have turned neighbors into enemies and once-proud soldiers into drifters, thieves, and outlaws. Stephen Gano Burbridge, radical Republican and military commander of the district of Kentucky, has declared his own war on this new class of marauding guerrillas, and his weekly executions at Louisville's public commons draw both crowds and widespread criticism. In this time of fear and division, a Kentucky journalist created a legend: Sue Mundy, female guerrilla, a "she-devil" and "tigress" who was leading her band of outlaws across the state in an orgy of greed and bloodshed. Though the "Sue Mundy" of the papers was created as an affront to embarrass Union authorities, the man behind the woman—twenty-year-old Marcellus Jerome Clarke—was later brought to account for "her" crimes. Historians have pieced together clues about this orphan from southern Kentucky whose idealism and later disillusionment led him to his fate, but Richard Taylor's work of imagination makes this history flesh—an exciting story of the Civil War told from the perspective of one of its most enigmatic figures. Sue Mundy opens in 1861, when fifteen-year-old Jerome Clark, called "Jarom," leaves everyone he loves—his aunt, his adopted family, his sweetheart—to follow his older cousin into the Confederate infantry. There, confronted by the hardships of what he slowly understands is a losing fight, Jarom's romanticized notions of adventure and heroism are crushed under the burdens of hunger, sleepless nights, and mindless atrocities. Captured by Union forces and imprisoned in Camp Morton, Jarom makes a daring escape, crossing the Ohio River under cover of darkness and finding refuge and refreshed patriotic zeal first in Adam R. Johnson's Tenth Kentucky Calvary, then among General John Hunt Morgan's infamous brigade. Morgan's shocking death in 1864 proves a bad omen for the Confederate cause, as members of his group of raiders scatter—some to rejoin organized forces, others, like Jarom, to opt for another, less civilized sort of warfare. Displaced and desperate for revenge, Jarom and his band of Confederate deserters wreak havoc in Kentucky: a rampage of senseless murder and thievery in an uncertain quest to inflict punishment on Union sympathizers. Long-locked and clean-shaven, Jarom is mistakenly labeled female by the media—but Sue Mundy is about more than the transformation of a man into a woman, and then a legend. Ironically, Sue Mundy becomes the persona by which Jarom's darkest self is revealed, and perhaps redeemed.
Provides a brief history and "certain information such as organization, campaigns, losses, commanders, etc." for each unit listed in "Marcus J. Wright's List of Field Officers, Regiments, and Battalions in the Confederate States Army, 1861-1865."--Intro., p.xi.