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Brady Kenton is dead. Or is he? The man whose pencil and sketchbook brought the living, breathing frontier into the homes of thousands of magazine subscribers, Kenton has been eulogized in the very publication he worked for. But one man--his sidekick and publisher, Alex Gunnison--knows the truth. That Kenton fled to England in search of the brutal criminal who kidnapped his wife. Now, Gunnison must spring into action. In a Colorado mining town, Kenton has been sighted and a storm of violence has erupted. Gunnison knows that if his friend is truly back in Colorado, he may be in mortal danger. But he cannot guess how many desperate people have already been swept up in Brady Kenton's secret war, and how far one man will go to see Kenton die--again...from bestselling author Cameron Judd comes Kenton's Challenge.
FROM BESTSELLING AUTHOR CAMERON JUDD—TWO NOVELS THAT BREATHE NEW LIFE INTO THE OLD AMERICAN WEST The Quest of Brady Kenton Western reporter Brady Kenton has made his living with the power of his pen—capturing the conflict and the courage of the American frontier. But there's one story that has always eluded Kenton: the truth behind his wife's purported death in a fiery train crash. Victoria Kenton's body was never found. Now, a nervous young Englishwoman has shown up in Leadville, claiming to be Kenton's long-lost daughter. The truth about Victoria's fate may be close at hand...but so is a killer. Kenton's Challenge Brady Kenton is dead. Or is he? The man whose pencil and sketchbook brought the living, breathing frontier into the homes of thousands of magazine subscribers, Kenton has been eulogized in the very publication he worked for. But one man—his sidekick and publisher, Alex Gunnison—knows the real story. But he cannot guess how many desperate people have already been swept up in Brady Kenton's secret war, and how far one man will go to see Kenton die...again.
Most fisherman don't really fish just to catch fish. While we might appear to only fill our boats with fish, the reality is fishing fills our hearts with purpose. Many of us don't conform to land well, or even at all. We often find ourselves more lost on dirt and grass than a parakeet in the middle of the ocean. The rogue nature of men who often live in vast waters without roads and traffic signs makes for a bad fit in a society filled with rules and regulations. Our relationship with the opposite sex is perhaps the most difficult aspect of being a fisherman. We often fight a winless battle between our primordial desire to be accepted and loved versus the unrelenting beckoning of the ocean. A fisherman has two lives: the one where he stares at sea from land and the life where he stares at land from sea. For the fisherman, the question is not whether joy or pain are on the horizon for they've come to learn that both live hand in hand. The sea teaches men they cannot appreciate joy without knowing pain, and pain is not fully recognized without first experiencing joy. Loads of fish and welcoming arms are the Ying to the Yang in the darkest nights, both at sea and ashore. Despite being shackled to both like an anchor to a chain, fisherman will forever be hopelessly torn apart so long as the sea has fish, and the land has women. Vicious Cycle is a collection of the author's personal tales from the sea and personal battles on land, likely resonating with every man who calls the sea home. Geer loved the ocean before he even truly knew the definition of love. He spent his lifetime trying to be nothing more than accepted as a fisherman. Now, he shares those stories and those challenges with you. This book is for those that understand that beauty can be found in something that seemingly possess no traits of the traditional definition of beautiful.
Two classic, bestsellers by Judd--novels of adventure that breathe new life into the old American West--are collected in this single volume. Reissue.
Confederate Gold Enoch Brand never met a fight he couldn't resist. His wife Minnie had the same problem with men. Then Minnie finally ran off from Enoch, while the two were headed home to Tennessee. Now Enoch has gone charging after her—running straight into a gun battle, a one-handed ex– Confederate soldier, and a storm of lies, betrayal, and greed that all comes down to one thing: a a fortune waiting to be claimed. The only trouble is, it's killing those who want it most. . . Dead Man's Gold In a remote mining camp in California's rugged Sierra Mountains, a small group of men, women, and children are weathering a slow winter—until a band of trigger-happy, whiskey-slugging thieves comes in search of stolen gold. But what these ruffians didn't count on is having to reckon with the Underhills in a fiery battle that will leave some six feet under...and others rich beyond their wildest dreams.
 In American Westerns, the main characters are most often gunfighters, lawmen, ranchers and dancehall girls. Civil professionals such as doctors, engineers and journalists have been given far less representation, usually appearing as background characters in most films and fiction. In Westerns about the 1910 Mexican Revolution, however, civil professionals also feature prominently in the narrative, often as members of the intelligentsia--an important force in Mexican politics. This book compares the roles of civil professionals in most American Westerns to those in films on the 1910 Mexican Revolution. Included are studies on the Santiago Toole novels by Richard Wheeler, Strange Lady in Town with Greer Garson and La sombra del Caudillo by Martin Luis Guzman.
With over one million of his books in print, Cameron Judd is one of today's foremost authors of the American West. Here Judd pens a compelling historical novel with the elements of mystery, ghost story, and Western woven brilliantly together. Welcome to Leadville. A melting pot of Irish and Swedes, steelworkers and scam artists. Growing faster than it can bear, tainted by the soot of smelters and the smell of whiskey, Leadville is the town where two reporters carrying pencils, pads and six-guns will meet their match. Brady Kenton, America's foremost traveling reporter, has come to the violent mining town to sniff out a story for Gunnison's Illustrated American. Alex Gunnison, son of the famous publisher, comes along for the ride, as Kenton's assistant and to keep the trouble-seeking journalist out of harm's way. But with a dead body found and lost, and an innocent boy running from a killer, the two men have more than a story on their hands. They're searching for a Civil War criminal who may be alive and well in Leadville-and up to his killing ways again...
Moral Complexities in Turn of the Millennium British Literature offers a critical analysis of moral complexity and social responsibility in works by Kazuo Ishiguro, Patrick McGrath, Graham Swift, Andrea Levy, and Jeanette Winterson. Mara Reisman argues that through their writing, these authors reveal and upset literary, cultural, and political fictions and encourage readers to think carefully about language, power, community, and social justice. The book examines moral issues in two different ways: how books by these authors address morally complex social, political, and cultural issues and how their books serve a moral function by challenging readers to be socially engaged. Reisman provides an in-depth analysis of The Remains of the Day, Asylum, The Light of Day, Small Island, and The Daylight Gate and uses these books to discuss twentieth- and twenty-first-century British politics and culture. These books address a wide variety of issues often associated with moral judgments: war, racism, adultery, maternal neglect, murder, professional misconduct, witchcraft, and religion. Despite this diversity and settings that range from the seventeenth century to the late twentieth century, these books include similar arguments about how empathy, personal responsibility, and civic engagement can create more productive social relations and a less divided world.
"The contention of this book - that the development of the critical tradition of Henry James's The Turn of the Screw (1898) is forwardly progressive - challenges recent theoretical dogmas that proclaim that criticism does not develop and that texts contain only the random meanings assigned to them by the vagaries of the reading process." "Further, the contention that aspects of the text of James's ghost tale remain unread a century after its publication proposes that the enterprise of practical criticism is ongoing. Scholars simply know more than earlier readers about all aspects of the tale - its structure, the relation of its parts, the significance of its broken frame, its narrative complications, its language, its cultural roots, its critique of society - in short, its total meaning. Modern critical theory must have credit for demonstrating that much of the critical act amounts to a mere translation from one critical vocabulary to another, and for attacking the New Critical premise that criticism solves the text in authoritative and definitive ways. But it must yield - as far as James's tale is concerned - to the overwhelming evidence that the critical enterprise learns from its past and builds on what it learns." "The Turn of the Screw makes a good ground for exploring the questions attendant on a thesis of forwardly progressive criticism because James himself, as the first major critic of the work (in his New York preface, 1908) provoked the controversies that focused the issues for which the critical tradition of the work is noted. Proclaiming that the first readers had imperfectly understood both the author's intentions and the tale's working methods, James challenged the reader to discover the provenience of the tale's authority."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved