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Abbie was afraid. She had never had to keep the lights burning by herself. But many lives depended on the lighthouse, and Papa was depending on Abbie. This is the exciting true story of Abbie Burgess, who in 1856 single-handedly kept the lighthouse lamps lit during a tremendous storm off the coast of Maine. "The Roops have done an excellent job of putting a fascinating tale into simple language. . . . Hanson's lovely watercolors evoke the mood and are far and away superior to what appears in many easy-to-reads."—starred, Booklist
Inspirational guide to living life fully by examining the influence of other people, personal values, and plans for the future.

Keeping the Lights on

United States. Congress. Senate. Committee on Governmental Affairs. Subcommittee on Oversight of Government Management, the Federal Workforce, and the District of Columbia

Published: 2004

Total Pages: 496


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“A harrowing, beautiful, searching, and deeply literary memoir. In these pages, we watch Cree LeFavour evolve from a wounded (and wounding) lost girl to a woman who can at last regard her existence with a modicum of mercy and forgiveness...a story of true self-salvation and transformation.”—Elizabeth Gilbert As a young college graduate a year into treatment with a psychiatrist, Cree LeFavour's began to organize her days around the cruel, compulsive logic of self-harm: with each newly lit cigarette, the world would drop away as her focus narrowed to an unblemished patch of skin calling out for attention and the fierce, blooming release of pleasure-pain as the burning tip was applied to the skin. Her body was a canvas of cruelty; each scar a mark of pride and shame. In sharp and shocking language, Lights On, Rats Out brings us closely into these years, allowing us to feel the pull of a stark compulsion taking over a mind. We see the world as Cree did—turned upside down, the richness of life muted and dulled, its pleasures perverted. The heady, vertiginous thrill of meeting with her psychiatrist, Dr. X—whose relationship with Cree is at once sustaining and paralyzing—comes to be the only bright spot in her mental solitude. Her extraordinary access to and inclusion of the notes kept by Dr. X during treatment offer concrete evidence of Cree’s transformation over 3 years of therapy. But it is her own evocative and razor-sharp prose that traces a path from a lonely and often sad childhood to her reluctant commitment to and emergence from a psychiatric hospital, to the saving refuge of literature and eventual acceptance of love. Moving deftly between the dialogue and observations from psychiatric records and elegant, incisive reflection on youth and early adulthood, Lights On, Rats Out illuminates a fiercely bright and independent woman’s charged attachment to a mental health professional and the dangerous compulsion to keep him in her life at all costs.
Most people don’t realize that during the war in Europe in the 1940s, it took an average of six support soldiers to make the work of four combat soldiers possible. Most of what’s available in the literature tends toward combat narratives, and yet the support soldiers had complex and unique experiences as well. This book is based on personal correspondence, and it is primarily a memoir that creates a picture of the day-to-day realities of an individual soldier told in his own words [as much as he could tell under the wartime rules of censorship, that is] as well as giving insight into what it was actually like to be an American soldier during WWII. It explores the experiences of a non-combat Army utilities engineer working in a combat zone during the war in Europe and takes the protagonist from basic training through various overseas assignments—in this case to England, North Africa, and Italy as a support soldier under Eisenhower and his successors at Allied Force Headquarters. It also includes some reflections about his life after returning to Oregon when the war was over. The soldier involved is Captain Harold Alec Daniels [OSU, Class of 1939, ROTC] and most of the letters were written to his wife, Mary Daniels [attended U of O in the late 1930s]. They are the author's parents, and she inherited the letter collection, photos, and all other primary source materials after her mother’s death in 2006.
“A twisty, captivating, edge-of-your-seat read.” —Megan Miranda, bestselling author of All the Missing Girls “Creepy and oh so clever!” —Alice Feeney, bestselling author of Sometimes I Lie A woman is forced to question her own identity in this riveting and emotionally charged thriller by the blockbuster bestselling author of The Good Girl, Mary Kubica Jessie Sloane is on the path to rebuilding her life after years of caring for her ailing mother. She rents a new apartment and applies for college. But when the college informs her that her social security number has raised a red flag, Jessie discovers a shocking detail that causes her to doubt everything she’s ever known. Finding herself suddenly at the center of a bizarre mystery, Jessie tumbles down a rabbit hole, which is only exacerbated by grief and a relentless lack of sleep. As days pass and the insomnia worsens, it plays with Jessie’s mind. Her judgment is blurred, her thoughts are hampered by fatigue. Jessie begins to see things until she can no longer tell the difference between what’s real and what she’s only imagined. Meanwhile, twenty years earlier and two hundred and fifty miles away, another woman’s split-second decision may hold the key to Jessie’s secret past. Has Jessie’s whole life been a lie or have her delusions gotten the best of her? Don't miss Mary Kubica's chilling upcoming novel, She's Not Sorry, where an ICU nurse accidentally uncovers a patient's frightening past... Look for these other edge-of-your-seat thrillers by New York Times bestselling author Mary Kubica: The Good Girl Pretty Baby Don’t You Cry Every Last Lie The Other Mrs. Local Woman Missing Just The Nicest Couple She's Not Sorry
Winner of The August Derleth Award for Best Horror Novel 2020. A folk horror thriller from the author of The Ritual and No One Gets Out Alive. One million years of evolution didn't change our nature. Nor did it bury the horrors predating civilisation. Ancient rites, old deities and savage ways can reappear in the places you least expect. Lifestyle journalist Katrine escaped past traumas by moving to a coast renowned for seaside holidays and natural beauty. But when a vast hoard of human remains and prehistoric artefacts is discovered in nearby Brickburgh, a hideous shadow engulfs her life. Helene, a disillusioned lone parent, lost her brother, Lincoln, six years ago. Disturbing subterranean noises he recorded prior to vanishing, draw her to Brickburgh's caves. A site where early humans butchered each other across sixty thousand years. Upon the walls, images of their nameless gods remain. Amidst rumours of drug plantations and new sightings of the mythical red folk, it also appears that the inquisitive have been disappearing from this remote part of the world for years. A rural idyll where outsiders are unwelcome and where an infernal power is believed to linger beneath the earth. A timeless supernormal influence that only the desperate would dream of confronting. But to save themselves and those they love, and to thwart a crimson tide of pitiless barbarity, Kat and Helene are given no choice. They were involved and condemned before they knew it. The Reddening is an epic story of folk and prehistoric horrors, written by the author of The Ritual and four times winner of The August Derleth Award for Best Horror Novel.
Hundreds of American women have kept the lamps burning in lighthouses since Hannah Thomas tended Gurnet Point Light in Plymouth, Massachusetts, while her husband was away fighting in the War for Independence. Women Who Kept the Lights details the careers of 32 intrepid women who were official keepers of light stations on the Atlantic, Gulf, and Pacific Coasts, on Lake Champlain and the Great Lakes, staying at their posts for periods ranging from a few years to half a century. Most of these women served in the nineteenth century, when the keeper lit a number of lamps in the tower at dusk, replenished their fuel or replaced them at midnight, and every morning polished the lamps and lanterns to keep their lights shining brightly. Several of these stalwart women were commended for their courage in remaining at their posts through severe storms and hurricanes. A few went to the rescue of seamen when ships capsized or were wrecked. Their varied stories paint a multifaceted picture of a unique profession in our maritime history.
'Twisty and terrifying, LEAVE THE LIGHTS ON will keep you guessing until the end' B A Paris 'Utterly addictive' CRIME MONTHLY 'A twisty, thoroughly modern thriller with a plot as smart as the deadly home it depicts' RACHEL EDWARDS 'I was completely hooked from the start of this creepy, very contemporary thriller' SUE WATSON ***WHAT REAL READERS SAY ABOUT EGAN HUGHES*** "100% kept me on the edge of my seat" 5 stars " Intriguingly structured and plotted" 5 stars "Such a compelling book" 5 stars "A brilliant read" 5 stars "Had me guessing right until the end" 5 stars ___________________ Their new 'smart home' is Joe's dream. A remote cottage where everything - from the lighting to the locks - is controlled through an app. It's the perfect blend of old-world charm and modern convenience. What better place for them to escape after all Lauren's trauma? Lauren desperately wants Joe to be happy after all she's put him through, so she doesn't tell him how much she hates being so dependent on technology. How vulnerable it makes them. Then 'the incidents' begin. Joe thinks Lauren is the victim of her own fevered imagination. But Lauren can't be sure. She doesn't believe in ghosts, but she also knows the past rarely stays buried. And she is haunted by one question: Is their past finally catching up with them? _____________________ ***PRAISE FOR EGAN HUGHES*** This one really pulled me in' JANE CORRY 'Tense, thrilling and full of twists and turns' ANGELA MARSONS 'A summer must-read' WOMAN'S WEEKLY 'A masterclass in storytelling' THE COURIER 'Addictive, I was gripped from the opening chapter' JO SPAIN 'Plunges the reader in and leaves them gasping for air' RACHEL EDWARDS 'Utterly addictive' CRIME MONTHLY 'Gripping' HELLO