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The murdered body of Sorcha the prophetess is discovered following a lavish banquet at the Maguire castle in 16th-century Ireland. In the present day, a dig commences on the land, and not only is a body discovered, but a sheaf of prophecies. Who killed Sorcha? There has been a guesthouse on the Tierney land in County Fermanagh for hundreds of years. Now Tierney’s Hotel is faced with a development that will block the hotel’s best feature, its view of Enniskillen Castle. But the project can be stopped if there are important historical artifacts buried on the property. Enter the archaeologists. Mick’s ancestor, Brigid Tierney, ran the guesthouse in the late 1500s. We see Brigid and Shane and their children at a lavish banquet at the castle, home of the ruling family, the Maguires. The wine and ale flow freely, the harpist plays, the bard recites the Maguires’ heroic deeds. But one woman has a sense of foreboding. Sorcha the prophetess sees harrowing times ahead. The Tudors of England are determined to complete their brutal conquest of Ireland. The morning after the banquet, Sorcha is found dead on a bed of oak leaves. And Shane is accused of the killing. His lawyer, Terence, conducts his defence on the hilltop that constitutes the court in 1595. Ireland has had a complex and at times woeful history, and we see that history being played out in the lives of the Tierneys, past and present. In 2018, the dig commences on Mick Tierney’s land. Historical artifacts? Yes. But also a sheaf of prophecies. And a body ― a bogman ― four hundred years old.
Born into an artistic and eccentric family, Lyza laments that her only talent is carving letters into wood. That is, until the devastating loss of her mother to influenza during the pandemic of 1918. The illness has settled on their small coastal town in Maine, and the funeral marches pass Lyzas house almost daily. When her unconventional father begins to prepare for the return of his dead wife, Lyza is the only one to protect him from being committed to the work farm. Awash with grief and longing for her mother, Lyza journeys into the thin territory that divides the living from the dead. Relying on her courage, and an undiscovered talent, Lyza must save her father and find her own path. From the celebrated author of Worth, a powerful story of love that persists beyond the grave.
Feminist perspectives on Irish literature
In a world where fantasy is reality, you ARE the dragon.
Focusing on several distinct genres of eighteenth-century Irish song, Henigan demonstrates in each case that the interaction between the elite and vernacular, the written and oral, is pervasive and characteristic of the Irish song tradition to the present day.
"The author has taken almost forty keens, work songs, etc. and reunited them with the old musics originally associated with them, singing on CD a selection of verses from each one in illustration of the tradition. The essay discusses the usage of each piece and its function in the lives of the people."--BOOK JACKET.
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"Struggling to raise her little brother Donal, eight-year-old Wavy is the only responsible adult around. Obsessed with the constellations, she finds peace in the starry night sky above the fields behind her house, until one night her star-gazing causes an accident. After witnessing his motorcycle wreck, she forms an unusual friendship with one of her father's thugs, Kellen, a tattooed ex-con with a heart of gold. By the time Wavy is a teenager, her relationship with Kellen is the only tender thing in a brutal world of addicts and debauchery"--
This work celebrates the links among Ireland's religious traditions over the ages. Despite contemporary tensions between Catholics and Protestants, the main characterstic of Irish religion has always been accommodation. Over the ages, the Irish have adapted, revived, and reinterpreted their religious past, not rejected it.