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1979. As the turbulent decade wound down Disco was still ruling the airwaves, but more complex music was rushing towards the scene. Boiling anti-American sentiments were fermenting in the Middle East, culminating in the hostage-taking of American embassy personnel and others in Tehran after the Shah fled to Egypt. The United States established full diplomatic relations with China. Using the “Twinkie” defense Dan White is only convicted of manslaughter in the murders of George Moscone and Harvey Milk. Michael Jackson broke through as a single artist with his album Off the Wall. Worldwide per capita oil production reached an historic peak. The Soviet Union launched its invasion of Afghanistan. With all the turmoil in the world people were still excited about reaching a new decade with all the promise underlying the negativity bubbling at the end of the 1970s. Big hair and shoulder pads were on the horizon. In the small city of Keene in southern New Hampshire strange murders have begun, starting with the decapitations of hitchhikers by a man who pays an ironic price. They continue in different manners with different victims, slowly revealing a dark pattern that intensifies the elusiveness of the perpetrator. People from different walks of life band together to uncover the truth and bring the killer to justice: a crime novelist; a young police detective and his associates; a diligent, determined reporter; and a reclusive Asian man with a mysterious past who isn’t all he seems and might be something no one would suspect. As they pursue sharing investigations, theories, and clues, the twisted killer is stalking the city with a focused ruthlessness that is stacking up bodies and keeping his pursuers at bay. The climax of the hunt rushes towards an unexpected and heart-pounding conclusion in the wild White Mountains of New Hampshire. But that climax is far from the end of the story, a twist no one would have imagined, or prepared for ...
Three women. Three centuries. Three stories where evil is the thread that links them together. Lenore ... A woman doctor in 1888 London, she is inextricably linked to the infamous Jack the Ripper murders. Hélène ... A woman in Paris during the German occupation in 1944, she plumbs the depths of commitment to crushing the evil that has invaded her country. Maureen ... A woman traversing the rapidly changing world of 1968 Greenwich Village, she brushes up against a strange evil from the present, and an unexpected evil from the past. Three women that prove that evil never dies ...
This textbook covers the GCSE Religious Studies course for AQA 'B' -- Truth, Spirituality & Contemporary Issues.
Interracialism, or marriage between members of different races, has formed, torn apart, defined and divided our nation since its earliest history. This collection explores the primary texts of interracialism as a means of addressing core issues in our racial identity. Ranging from Hannah Arendt to George Schuyler and from Pace v. Alabama to Loving v. Virginia, it provides extraordinary resources for faculty and students in English, American and Ethnic Studies as well as for general readers interested in race relations. By bringing together a selection of historically significant documents and of the best essays and scholarship on the subject of "miscegenation," Interracialism demonstrates that notions of race can be fruitfully approached from the vantage point of the denial of interracialism that typically informs racial ideologies.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Provides clearly designed material with text and activities that will interest and stimulate pupils of all abilities.Designed for use with GCSE syllabuses.Genuinely accessible to a wide range of abilities at GCSE.Can also be used for general RE and PSE courses at Key Stage 4.Written by a popular, reliable author, who is experienced in writing Religious Studies texts which work in the classroom.
Contains the first printing of Sartor resartus, as well as other works by Thomas Carlyle.