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This is a new release of the original 1932 edition.
In focusing on the poetic treatment of self and literary form in Keats and Shelley, Mark Sandy shows how using Nietzsche's philosophy to illuminate Keats's correspondence and Shelley's A Defence of Poetry provides a conceptual basis for a comparative reading of the poets. Using key ideas from Nietzsche, Sandy explores Keats's Endymion and Shelley's Alastor as redefinitions of the romance genre. Further, he suggests that in their redescription of romance, Keats and Shelley discovered a radical mode of subjectivity that is present in Keats's major odes and Shelley's lyrical poetry as a conflict among poetic identity, art, and existence. In Sandy's reading, Shelley's Adonais and Keats's The Eve of St Mark emerge as diverse meditations on crises of posthumous reputation and future audience, whereas Keats's Hyperion fragments and Shelley's The Triumph of Life resolve these anxieties over authorial posterity by entrusting the reader with a new form of poetical self.
Keats and Shelley: Winds of Light combines unrivalled textual knowledge, biographical and contextual expertise, and profoundly insightful close readings of the poetry in a selection of outstanding essays from a leading critic of English Romantic Poetry. Some of the essays have been previously published and are established as classic studies, which have strongly influenced scholarly interpretation of the poems they discuss, including landmark readings of Shelley's Prometheus Unbound, 'Julian and Maddalo' and 'Ozymandias', and Keats's 'Isabella: or the Pot of Basil' and his sonnet 'On First Looking into Chapman's Homer'. These are brought into relationship with new work on the two poets, in a wide-ranging set of meditations which centre on Shelley's great elegy for Keats, Adonais. An introductory chapter considers the strongly contrasting poetic styles and achievement of the two iconic 'young Romantics', a contrast which has been obscured by their conventional close pairing in popular culture. Five studies of Keats are followed by a pivotal account of Shelley's elaborately-wrought poetic tribute to Keats's destined greatness, which leads in to a balancing six studies of Shelley. Both poets are situated illuminatingly in their literary, personal, and social-historical milieu, through a series of perspectives which combine lucid particularity with powerful generalization. The essays move from detailed analysis of textual minutiae to deep reflection on fundamental themes in the work of Keats and Shelley, including the ultimate themes of transience and permanence, and of life, death, and immortality.
This welcome addition to the Blackwell Guides to Criticism series provides students with an invaluable survey of the critical reception of the Romantic poets. Guides readers through the wealth of critical material available on the Romantic poets and directs them to the most influential readings Presents key critical texts on each of the major Romantic poets – Blake, Wordsworth, Coleridge, Byron, Shelley and Keats – as well as on poets of more marginal canonical standing Cross-referencing between the different sections highlights continuities and counterpoints
This 2004 volume offers an introduction to British literature that challenges the traditional divide between eighteenth-century and Romantic studies. Contributors explore the development of literary genres and modes through a period of rapid change. They show how literature was shaped by historical factors including the development of the book trade, the rise of literary criticism and the expansion of commercial society and empire. The first part of the volume focuses on broad themes including taste and aesthetics, national identity and empire, and key cultural trends such as sensibility and the gothic. The second part pays close attention to the work of individual writers including Sterne, Blake, Barbauld and Austen, and to the role of literary schools such as the Lake and Cockney schools. The wide scope of the collection, juxtaposing canonical authors with those now gaining new attention from scholars, makes it essential reading for students of eighteenth-century literature and Romanticism.