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A hobgoblin is charged with the protection of an unloving Puritan family who come to live at an English manor in 1652.
Cotswold Churches
Katharine Briggs made an indelible mark on the world of folklore with her compilation of the Dictionary of British Folktales in the English Languages, while her subsequent Dictionary of Fairies confirmed her already distinguished place among British Folklorists. Briggs's initial academic interest while at Oxford University was in seventeenth-century literature and the Civil War. Upon leaving Oxford she pursued amateur dramatics and worked for the Guide Movement, and during the Second World War she served in the Women's Auxiliary Air Force. It was here, perhaps, that her personality fully matured; among other activities she delighted her fellows with her remarkable gift for story-telling. After the war, her career as a folklorist began to blossom. As if to make up for lost time, she spent the last twenty years of her life writing and lecturing almost continually. As well as her books on folklore, she gained renown for her children's books Kate Crackernuts and Hobberdy Dick. She was responsible for revitalising the Folklore Society and as its President, she laid the foundations of the Society as it is today. Hilda Davidson's biography brings to life a remarkable woman whose combination of academic excellence and natural gift for narrative found her friends all over the world.
Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - The great farm hall was ablaze with the fire-light, and noisy with laughter and talk and many-sounding work. None could be idle but the very young and the very old: little Rol, who was hugging a puppy, and old Trella, whose palsied hand fumbled over her knitting. The early evening had closed in, and the farm-servants, come from their outdoor work, had assembled in the ample hall, which gave space for a score or more of workers. Several of the men were engaged in carving, and to these were yielded the best place and light; others made or repaired fishing-tackle and harness, and a great seine net occupied three pairs of hands. Of the women most were sorting and mixing eider feather and chopping straw to add to it. Looms were there, though not in present use, but three wheels whirred emulously, and the finest and swiftest thread of the three ran between the fingers of the house-mistress. Near her were some children, busy too, plaiting wicks for candles and lamps. Each group of workers had a lamp in its centre, and those farthest from the fire had live heat from two braziers filled with glowing wood embers, replenished now and again from the generous hearth. But the flicker of the great fire was manifest to remotest corners, and prevailed beyond the limits of the weaker lights.
In 1970 Katharine Briggs published in four volumes the vast and authoritative Dictionary of British Folktales and Legends to wide acclaim. This sampler comprises the very best of those tales and legends. Gathered within, readers will find an extravagance of beautiful princesses and stout stable boys, sour-faced witches and kings with hearts of gold. Each tale is a masterpiece of storytelling, from the hilarious 'Three Sillies' to the delightfully macabre 'Sammle's Ghost'.
This remarkable book explores the history of fairies in literature and tradtion.
'A winning compendium' Daily Telegraph The English see more ghosts than any other nation. From medieval times to the present day, stories have been told about ghosts who avenge injustice, souls who long for peace and spooks who just want to have fun. The English Ghost is a treasure trove of such sightings; comical and scary, like all the best ghost stories, these accounts, packed with eerie detail, range from the moaning child that terrified Wordworth's nephew at Cambridge to modern day hitchhikers on Blue Bell Hill. 'Ackroyd's book has its fair share of terrified hauntees and, unless you're a sceptic, there are plenty of scenes that will make the hairs on the back of your neck bristle' Mail on Sunday 'Ackroyd's collection glides seamlessly from terror to humour to downright peculiarity: it is the ideal read as the nights darken and Halloween approaches' Metro 'A fascinating anthology' Literary Review 'This is a wonderful little book. It's properly old-fashioned and unorthodox, a scrapbook of clues, tittle-tattle, hints and mortal byways' Independent