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Hammer Vampire Women, whose subject is the biography and filmography of all the actresses who took part in the Hammer films about Dracula and Vampires, is a work divided into three volumes. Each volume is the assembly of various topics available on the web, especially from Wikipedia. The next obvious question is: why buy this book? The answer: because it means you avoid having to carry out long and tedious internet searches. (20 different topics grouped in one book). All topics are assembled in an organic and chronological way and are enriched by numerous images, these not available on Wikipedia, in order to make the work in its conception unique and unrepeatable, which turns into something new and original. In the form of an eBook, the text is enriched by numerous links to external resources and each actress is linked to films that concern her available on the web. Contents of the book: Hammer Vampire Women: Judy Matheson, Julie Ege, Kate O'Mara, Kathleen Byron, Katya Wyeth, Kirsten Lindholm, Lai Ling, Lalla Ward, Lally Bowers, Linda Cunningham, Linda Hayden, Lisa Collings, Lois Daine, Luan Peters, Lynne Frederick, Madeleine Collinson, Madeline Smith, Malaika Martin, Margo Both, Marion Mathie.
The no-holds-barred, eagerly awaited autobiography of one of Britain's most popular icons - known to millions from her many film and TV appearances, including Dynasty and The Brothers. Kate O'Mara writes here: "Don't put your daughter on the stage, Mrs Worthington! advised Noel Coward is his famous song. But mine did, and when I was only four years old! But my mother was only doing what came naturally, as I'm part of six generations of a theatrical family - we've built theatres and run our own theatre companies around the country, as well as being actors and actresses. A peripatetic childhood and eleven schools later, I went into the family business! For over 40 years I've done everything from Shakespeare to Hollywood soaps, from Restoration Comedy to Cult Television Drama, from Westerns to Pantomime. I have been nothing if not diverse! My personal life, however, has been a disaster area. Rape, desertion, adoption, divorce and numerous relationships with very much younger men. And this for someone who sees herself as an intellectual and can't be doing with sex at all...Oh well, the show must go on!"
Albert Finney was a Salford-born, homework-hating bookie’s son who broke the social barriers of British film. He did his share of roistering, and yet outlived his contemporaries and dodged typecasting to become a five-time Oscar nominee and one of our most durable international stars. Bon vivant, perennial rebel, self-effacing character actor, charismatic charmer, mentor to a generation of working-class artists, a byword for professionalism, lover of horseflesh and female flesh – Albert Finney is all these things and more. Gabriel Hershman’s colourful and riveting account of Finney’s life and work, drawing on interviews with many of his directors and co-stars, examines how one of Britain’s greatest actors built a glittering career without sacrificing his integrity.
With an introduction by Sir Roger Moore, Cinema Sex Sirens centres around a select number of actresses, from cinematic legends to some whose names are barely known by the general public who capitalised on their natural beauty during this era. Each chapter focuses on one actress, with a biography, commentary, complete filmography and full colour photos, rare international movie poster artwork and magazine covers. Actresses featured include Sophia Loren, Raquel Welch, Brigitte Bardot, Elizabeth Taylor, Ursula Andress and Gina Lollobrigida
Dracula and Frankenstein. Christopher Lee and Peter Cushing. These are just a few of the icons of Hammer Films. To horror fans, the name “Hammer” conjures visions of hissing vampires and buxom beauties in low-cut negligees. But Britain’s Hammer Film Productions, Ltd., was much more than just a fright factory. For more than thirty years, the company turned out neatly crafted entries in a variety of genres, ranging from comedies to pirate yarns, murder mysteries to war pictures. At the heart of Hammer’s remarkable success was its access to American financing and American theaters. But more than that, the individuals behind the scenes knew how to make good films on tight budgets. These pictures have withstood the test of time and continue to be enjoyed all over the world. The Encyclopedia of Hammer Films details the surprising story of Britain’s most successfulindependent film company and includes Entries on all of Hammer’s feature films, featurettes, and television episodes, including staff, production details, US and UK release data, cast, synopses, reviews, behind-the-scenes quotes, and US financial participation Capsule biographies of directors, producers, technicians, and actors––including the lovely ladies of Hammer glamour Special entries on Hammer-related topics, including “tax shelter” companies, Hammerscope, the British Board of Film Censors, and the recent Hammer reboot An annotated appendix of more than 150 unrealized Hammer projects A chronological, annotated listing of every production and coproduction from the company’s inception in 1934 An invaluable resource, this volume includes snapshots of the men and women who made the studio a success—including Peter Cushing, Terence Fisher, Christopher Lee, Ingrid Pitt, and Jimmy Sangster—as well as such iconic films as The Curse of Frankenstein, The Devil Rides Out, Dracula Has Risen from the Grave, and Vampire Circus. With more than six hundred entries, The Encyclopedia of Hammer Films is a must-have for every fan of this unique studio.
A considerable amount of information has been gathered in the field of immunoneurology over recent years. This knowledge about modifications in the pathways of neuroimmune diseases has enabled the development of new therapies. In this volume leading experts present the state of the art in the field, covering all aspects from basic science to the development of better therapies.
Hatshepsut, the gifted and beautiful daughter of the Pharaoh, vows to accept whatever destiny the gods have decreed for her. When just fourteen, she kills a marauder, is betrothed to her loathsome brother and becomes the most powerful priestess in Egypt. She falls in love with Senenmut, the brilliant commoner who is torn between his yearning for Hatshepsut and his duty to protect her. When her father dies, Hatshepsut must make the ultimate sacrifice for the sake of Egypt. Her Majesty the King is the story of Hatshepsut's turbulent path to the throne. She battles bigotry, heartbreak and betrayal in the glittering but treacherous world of New Kingdom Egypt. Hatshepsut and Senenmut's forbidden passion is one of history's greatest untold love stories.
At the age of five, Ingrid Pitt found herself in a concentration camp. Ingrid and her mother escaped from the guards while on a forced march and presented themselves to the partisans, unsure if they would kill them. They spent the rest of the war in the forests. Ingrid fell in love for the first time and watched in despair as British bombers flew overhead. She still cannot see the vapour trials of planes without being transported back to her childhood vigil. After the war Ingrid came to London, where she developed a career as a Hammer House of Horror movie star, but, as she proundly says, `I was always the biter, never the bitten!' She also acted in mainstream films, such as WHERE EAGLES DARE. She had a child by her first marriage and a grand passion which lead to her marrying a racing driver. They lived in Argentina for a while and were good friends of President Peron and Isabelits Peron. Ingrid even spent an evening with the embalmed body of Eva Peron. Written with great passion and warmth, this is a rare childhood memoir and the story of Hammer`s most galmorous actress. Above all, this is a story of a survivor.