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Portrætfotografier af kendte personligheder.
The renowned photographer reveals the stories behind his iconic images in this definitive collection of portraits and personal reflections. Portrait photographer Yousuf Karsh captured some of the twentieth century’s most influential personalities—from Winston Churchill to Muhammad Ali, Albert Einstein, Mother Theresa, and many others—in photographs that became as recognizable as their subjects. Karsh: Beyond the Camera presents a chronological overview of the photographer’ work, paired with his own reflections about each image and the time he spent one-on-one with the subject. Edited by veteran curator David Travis, Karsh: Beyond the Camera is a fascinating study of the photographer’s technical and stylistic development over the course of his career. Drawing on extensive interviews between Karsh and his long-time assistant, Jerry Fielder, it also shares a rare and intimate look at the man’s life from surviving the Armenian genocide to becoming one of the world’s most sought-after portrait photographers. “Famously reticent about his work, this is a rare invitation to learn the stories behind Karsh’s most famous meetings with great men and women, and of his aesthetic choices when met with the challenge of capturing them as they were.” —Publishers Weekly
This is the first children's biography of the famous Canadian photographer who immortalized the makers of history. With sketches and archival photographs.
"The present volume is a substantially revised and redesigned version of Karsh: a sixty-year retrospective, originally published by Bulfinch Press, in association with the Museum of Fine Arts, Boston, in 1996"--T.p. verso.
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It is doubtless inevitable that a publishing house should celebrate an important anniversary by publishing a book. It is perhaps equally inevitable that such a book should include a description of the founding and growth of the house concerned. However, it is hoped that The University as Publisher will serve a much more useful purpose than merely to mark the Diamond Anniversary of the University of Toronto Press. Toronto now has two sister presses, and will, we trust, soon greet several more. This volume may, therefore, be of interest to those institutions contemplating the founding of such scholarly publishing departments. It may also help to explain to some of those directly concerns with the founding of such presses, and to the general public, what university press publishing is about. Then, too, comparatively little has been issued about publishing in Canada, and very little indeed about scholarly publishing in this country. This volume may, therefore, make a modest contribution to the economic and cultural history of the last sixty years in Canada. It is hoped further that this account of one of the departments of the University of Toronto may be of interest to its faculty and alumni of today, and useful to its historians of tomorrow.
This richly evocative study of photography has two major emphases, that the language of description (be it title, caption, or text) is deeply implicated in how a viewer looks at photographs, and that the use of a photograph determines its meaning.