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Rock carvings by Native Americans are a little known but important part of the Kansas landscape. They tell us much about the people who were here before Euro-Americans.
Synthesizes what is known about the cultural (human) history of Kansas from 10,000 B.C. to the nineteenth century. This significant contribution to Plains archaeology provides the reader with the first comprehensive overview of the subject in nearly fifty years.
"Published in conjunction with an exhibition at Steven Kasher Gallery, New York, 2010"--Colophon.
The Encyclopedia of Kansas contains detailed information on States: Symbols and Designations, Geography, Archaeology, State History, Local History on individual cities, towns and counties, Chronology of Historic Events in the State, Profiles of Governors, Political Directory, State Constitution, Bibliography of books about the state and an Index.
This book explores rock art localities all across Saudi Arabia, describing them in detail and providing a chronology for them. The text is written for a broad audience and the book contains a large quantity of high quality photographs. Author: Sandra L. Olsen, Photographs by Richard T. Bryant.
“Excellent . . . Those who are interested in vertebrate paleontology or in the scientific history of the American midwest should really get a copy.” —PalArch’s Journal of Vertebrate Paleontology Revised, updated, and expanded with the latest interpretations and fossil discoveries, the second edition of Oceans of Kansas adds new twists to the fascinating story of the vast inland sea that engulfed central North America during the Age of Dinosaurs. Giant sharks, marine reptiles called mosasaurs, pteranodons, and birds with teeth all flourished in and around these shallow waters. Their abundant and well-preserved remains were sources of great excitement in the scientific community when first discovered in the 1860s and continue to yield exciting discoveries 150 years later. Michael J. Everhart vividly captures the history of these startling finds over the decades and re-creates in unforgettable detail these animals from our distant past and the world in which they lived—above, within, and on the shores of America’s ancient inland sea. “Oceans of Kansas remains the best and only book of its type currently available. Everhart’s treatment of extinct marine reptiles synthesizes source materials far more readably than any other recent, nontechnical book-length study of the subject.” —Copeia “[The book] will be most useful to fossil collectors working in the local region and to historians of vertebrate paleontology . . . Recommended.” —Choice
The definitive oral history—with a foreword by Lou Reed—of the center of New York’s 1960s and ’70s underground culture. From its opening in December 1965 on Park Avenue South, Max’s Kansas City, a hybrid restaurant, bar, nightclub, and art gallery, was the boisterous meeting spot for famous—or soon-to-be-famous—figures in New York’s underground art, music, literary, film, and fashion scenes. Max’s regulars included Andy Warhol (and his superstars such as Viva, Ultra Violet, Edie Sedgwick, Gerard Malanga, Holly Woodlawn, and Candy Darling), Mick Jagger, Lou Reed, Patti Smith, Allen Ginsberg, William Burroughs, David Bowie, Iggy Pop, Bob Dylan, Jane Fonda, and dozens more. A hotbed of drugs, sex, and creative collaboration, Max’s was the place to see and be seen among the city’s cultural elite for nearly two decades. With reminiscences from the likes of Alice Cooper, Bebe Buell, Betsey Johnson, Leee Black Childers, Holly Woodlawn, and John Chamberlain, along with Max’s owner Mickey Ruskin and several waitresses and bartenders, this vivid oral history evokes an unforgettable place where a spontaneous striptease, a brawl over the meaning of art, and an early performance by the Velvet Underground were all possibilities on any given night. High on Rebellion dazzles with rare photos and other Max’s memorabilia, and firsthand accounts of legendary nights, chance encounters, romances sparked and extinguished, and stars being born.
Showcases the wealth of new research on sacred imagery found in twelve states and four Canadian provinces In archaeology, rock-art—any long-lasting marking made on a natural surface—is similar to material culture (pottery and tools) because it provides a record of human activity and ideology at that site. Petroglyphs, pictographs, and dendroglyphs (tree carvings) have been discovered and recorded throughout the eastern woodlands of North America on boulders, bluffs, and trees, in caves and in rock shelters. These cultural remnants scattered on the landscape can tell us much about the belief systems of the inhabitants that left them behind. The Rock-Art of Eastern North America brings together 20 papers from recent research at sites in eastern North America, where humidity and the actions of weather, including acid rain, can be very damaging over time. Contributors to this volume range from professional archaeologists and art historians to avocational archaeologists, including a surgeon, a lawyer, two photographers, and an aerospace engineer. They present information, drawings, and photographs of sites ranging from the Seven Sacred Stones in Iowa to the Bald Friar Petroglyphs of Maryland and from the Lincoln Rise Site in Tennessee to the Nisula Site in Quebec. Discussions of the significance of artist gender, the relationship of rock-art to mortuary caves, and the suggestive link to the peopling of the continent are particularly notable contributions. Discussions include the history, ethnography, recording methods, dating, and analysis of the subject sites and integrate these with the known archaeological data.
"From 1501 to 1505, Leonardo da Vinci and Michelangelo Buonarroti both lived and worked in Florence. Leonardo was a charming, handsome fifty year-old at the peak of his career. Michelangelo was a temperamental sculptor in his mid-twenties, desperate to make a name for himself. The two despise each other."--Front jacket flap.