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High fashion, sex, and glamour Stacey Schmidt tastes it all when he leaves suburban model hell for the garment jungle of Toronto. But does he really want the glitz?
This collection of essays studies the cultural and literary contexts of narrative texts produced in English Canada over the last forty years. It takes as its starting point the nationalist movement of the 1960s and 70s, when the supposed absence or weakness of a national sense became the touchstone for official discourses on the cultural identity of the country. That type of metaphor provided the nation with the distinctive elements it was looking for and contributed to the creation of a sense of tradition that has survived to the present. In the decades following the 1970s, however, critics, artists, and writers have repeatedly questioned such a model of national identity, still fragile and in need of articulation, by reading the nation from alternative perspectives such as multiculturalism, environmentalism, (neo)regionalism, feminism, or postcolonialism. These contributors suggest that the artistic and cultural flowering Canada is experiencing at the beginning of the twenty-first century is, to a great extent, based on the dismantlement of the images constructed to represent the nation only forty years ago. Through their readings of representative primary texts, their contextual analysis, and their selected methodological tools, the authors offer a tapestry of alternative approaches to that process of dismantlement. Together, they read as an unruly Penelopiad, their unravelling readings self-consciously interrogating Canada’s (lack of) ghosts.
Directions Home explores the trajectories and tendencies of African-Canadian literature within the Canadian canon and the socio-cultural traditions of the African Diaspora.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Comprises: a general survey of the region; country surveys; political profiles of the region; and information on international and regional organizations, and research institutes.
Elkanah Marris, later is known as Tarondro Lai in Malagasy or Chameleon Man, was born to Brian and Claire Marris, two American scientists, in a vast karst called Tsingy of Bemaraha in the isolated western part of Madagascar. Claire dies giving birth to Elkanah and Brian has a fatal accident in the tsingy on the same day. Elkanah is raised by an English missionary in a village of Bekopaka. Elkanah is born with the combined unique attributes of a chameleon, a gecko, and an iguana. He can camouflage, change the color of his skin, moves on trees and vertical flat surface with clinging hands and feet, shoot his tongue out at the length equal to the height of his body at the speed of one/fourth of a second, glide through the air like a gliding gecko, and can roll his eyes out of the eye sockets seeing in different directions at the same time. He is the champion of the Malagasy martial arts called Moraingy as well as skillful in knife and stone throwing and in the use of spear and bow and arrow. Elkanah at the age of eighteen in 1942 joins the British Marines in the invasion of Madagascar against the French Vichy Government which has sided with the Axis Camp. Chameleon Man goes through series of adventure in different theaters of war during World War II.
First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.