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Longlisted for the 2006 Man Booker Prize and hailed by "The Times" (London) as Ra work of genius, S Jacobson's exquisitely written, audaciously funny novel explores the countless questions of postwar Jewish identity.
Max Glickman, a Jewish cartoonist whose seminal work is a comic history titled Five Thousand Years of Bitterness, recalls his childhood in a British suburb in the 1950s. Growing up, Max is surrounded by Jews, each with an entirely different and outspoken view on what it means to be Jewish. His mother, incessantly preoccupied with a card game called Kalooki, only begrudgingly puts the deck away on the High Holy Days. Max's father, a failed boxer prone to spontaneous nosebleeds, is a self-proclaimed atheist and communist, unable to accept the God who has betrayed him so unequivocally in recent years. But it is through his friend and neighbor Manny Washinsky that Max begins to understand the indelible effects of the Holocaust and to explore the intrinsic and paradoxical questions of a postwar Jewish identity. Manny, obsessed with the Holocaust and haunted by the allure of its legacy, commits a crime of nightmare proportion against his family and his faith. Years later, after his friend's release from prison, Max is inexorably drawn to uncover the motive behind the catastrophic act -- the discovery of which leads to a startling revelation and a profound truth about religion and faith that exists where the sacred meets the profane. Spanning the decades between World War II and the present day, acclaimed author Howard Jacobson seamlessly weaves together a breath-takingly complex narrative of love, tragedy, redemption, and above all, remarkable humor. Deeply empathetic and audaciously funny, Kalooki Nights is a luminous story torn violently between the hope of restoring and rebuilding Jewish life, and the painful burden of memory and loss.
Cartoonist Max Glickman recalls his childhood in a British suburb in the 1950s, surrounded by Jews, each with an entirely different and outspoken view on what it means to be Jewish. After his friend Manny Washinsky is released from prison, Max is compelled to uncover the motive behind Manny's crime—the discovery of which leads Max to understand the indelible effects of the Holocaust and to explore the intrinsic and paradoxical questions of a post-war Jewish identity.
All husbands, Felix maintains, secretly want their wives to be unfaithful to them. Felix hasn't always thought this way. From the moment of his first boyhood rejection, surviving the shattering effects of love and jealousy had been the study of his life. But while he is honeymooning with Marisa in Florida, an event occurs that changes everything. In a moment, he goes from dreading the thought of someone else's hands on the woman he loves to thinking about nothing else. Enter Marius into Marisa's affections. Now Felix must wonder if he really is a happy man.
"He should have seen it coming. His life had been one mishap after another. So he should have been prepared for this one..." Julian Treslove, a professionally unspectacular and disappointed BBC worker, and Sam Finkler, a popular Jewish philosopher, writer and television personality, are old school friends. Despite a prickly relationship and very different lives, they've never quite lost touch with each other - or with their former teacher, Libor Sevick, a Czechoslovakian always more concerned with the wider world than with exam results. Now, both Libor and Finkler are recently widowed, and with Treslove, his chequered and unsuccessful record with women rendering him an honorary third widower, they dine at Libor's grand, central London apartment. It's a sweetly painful evening of reminiscence in which all three remove themselves to a time before they had loved and lost; a time before they had fathered children, before the devastation of separations, before they had prized anything greatly enough to fear the loss of it. Better, perhaps, to go through life without knowing happiness at all because that way you had less to mourn? Treslove finds he has tears enough for the unbearable sadness of both his friends' losses. And it's that very evening, at exactly 11:30pm, as Treslove hesitates a moment outside the window of the oldest violin dealer in the country as he walks home, that he is attacked. After this, his whole sense of who and what he is will slowly and ineluctably change. The Finkler Question is a scorching story of exclusion and belonging, justice and love, ageing, wisdom and humanity. Funny, furious, unflinching, this extraordinary novel shows one of our finest writers at his brilliant best.
Oliver Walzer is shy, bookish, Jewish. He doesn’t know how to talk to girls. But he can slice, flick and spin a ping pong ball better than any teenager in Manchester. Oliver channels his frustrated adolescent lust into the game he loves. That is until the heartbreaking Lorna Peachley and the prospect of a place at Cambridge take his eye off the ball.
An investigation of the origins of comedy and the meaning of laughter, drawing on biology, anthropology, classical studies, behavioural science, philosophy and psychology - with a few authorial jokes along the way.
When fast-breaking political events forced British novelist Jacobson (Peeping Tom) to put off a trip to Lithuania planned as a search for his Jewish roots, he accepted an offer from the BBC to visit Jewish communities around the globe instead. This informed and witty account of his experiences deals with the wide variety of contemporary Jewish life, as well as with how Jacobson's observations affected his own concept of what it means to be a Jew. Riding an emotional roller coaster, he witnessed the hostility between Jews and African Americans in New York City, attended services in a gay synagogue in California and found his basic cynicism about religion reinforced after he spent time with Orthodox Jews in Israel, although his spirits were lifted by a visit to an idealistic, tolerant Israeli kibbutz. His journey concluded with the postponed trip to Lithuania, where the author found virulent anti-Semitism.
Karen Berg is the inspirational co - director of The Kabbalah Centre as well as the founder of the Spirituality For Kids Foundation. It was through her persistence that we all - both men and women - are able to benefit fro the truth found in Kabba...
From the Man Booker Prize-winning author of The Finkler Question and J, and one of “our funniest writers alive” (Allison Pearson): a wickedly observed novel of old age and new love. At the age of ninety-something, Beryl Dusinbery is forgetting everything—including her own children. Her tongue, meanwhile, remains as sharp as ever. She spends her days stitching macabre messages into her needlework and tormenting her two long-suffering carers with tangled stories of her love affairs. Shimi Carmelli can do up his own buttons, walk without the aid of a frame, and speak without spitting. Among the widows of North London, he’s whispered about as the last of the eligible bachelors. Unlike Beryl, he forgets nothing—especially not the shame of a childhood incident that has hung over him ever since. There’s very little life remaining for either of them, but perhaps just enough to heal some of the hurt inflicted along the way and find new meaning in what’s left. Could this be their chance to live a little? Told with Jacobson’s trademark wit and style, Live a Little is equal parts funny, irreverent, and tender—a novel to make you consider all the paths not taken, and whether you could still change course. Advance praise for Live a Little “One of the great comic geniuses of our time.”—Lit Hub “A tender story of unlikely love . . . Jacobson treats with compassion the dilemma of old age. . . . Wise, witty, and deftly crafted.”—Kirkus Reviews (starred review) “For all of its moments of bleakness, and the occasional flicker of genuine terror, it’s rarely less than bitterly funny in its determination to face up to the obliteration that awaits us all.”—The Guardian “What a relief to come on a novel which invites you to smile and even laugh.”—The Scotsman “The novel’s brilliant cover tells it all: hearts and skulls, love and death.”—The Jewish Chronicle “A thoroughly enjoyable read. For a literature snob and a language obsessive . . . there is a lot to feast on . . . for someone looking for an emotionally honest storyline, the book also delivers. Live a Little is about growing old, but it’s also about gender, race, love and politics.”—Independent “Tender and funny.”—Grazia