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"The V&A has the world's most important collection of nineteenth-century temple hangings from South India, but only one of the smaller pieces has ever been published. For the first time these amazing objects have been documented and made public. The hangings are of two main types: large narrative pieces from Andhra Pradesh which tell stories from the Ramayana, the exploits of Krishna or tales connected with South Indian deities, and smaller pieces from Tamil Nadu. A single extraordinary Ramayana hanging from Sri Lanka is also included. All of the pieces are illustrated in their entirety, along with ample details that highlight the remarkable skill and regional styles of the narrative artists. Each piece is accompanied by a brief summary of its story, but the full 'frame-by-frame' narrative is described in a separate illustrated catalogue section. This detailed section will also provide translations of all the Telugu and Tamil inscriptions that accompany the narratives, translated especially for this project. As well as the description of the pieces themselves, there will be a general introduction about how such pieces were used and their regional stylistic variations, and a chapter on technique and how they fit into the broader picture of Indian textiles, by V&A curator Rosemary Crill."--from V&A website.
Kalamkari means. 'pen work' done on grey cloth using natural dyestuffs portraying motifs of flowers, birds and animals. In ancient India Town of Masulipatam on the Coromandel Coast was home for this wonder fabric, which became popular in the Orient as well as the Occident. The British people were using this imported cloth so vastly that the British Parliament had to pass THE CALICO ACT in order to protect their native weaving.
"When a rich man in seventeenth-century South Asia enjoyed a peaceful night's sleep, he imagined himself enveloped in a velvet sleep. In the poetic imagination of the time, the fine dew of early evening was like a thin cotton cloth from Bengal, and woolen shawls of downy pashmina sent by the Mughal emperors to their trusted noblemen approximated the soft hand of the ruler on the vassal's shoulder. Textiles in seventeenth-century South Asia represented more than cloth to their makers and users. They simulated sensory experience, from natural, environmental conditions to intimate, personal touch. The Art of Cloth in Mughal India is the first art historical account of South Asian textiles from the early modern era. Author Sylvia Houghteling resurrects a truth that seventeenth-century world citizens knew, but which has been forgotten in the modern era: South Asian cloth ranked among the highest forms of art in the global hierarchy of luxury goods, and had a major impact on culture and communication. While studies abound in economic history about the global trade in Indian textiles that flourished from the seventeenth to the nineteenth centuries, they rarely engage with the material itself and are less concerned with the artistic-and much less the literary and social-significance of the taste for cloth. This book is richly illustrated with images of textiles, garments, and paintings that are held in little-known collections and have rarely, if ever, been published. Rather than rely solely on records of European trading companies, Houghteling draws upon poetry in local languages and integrates archival research from unpublished royal Indian inventories to tell a new history of this material culture, one with a far more balanced view of its manufacture and use, as well as its purchase and trade"--
Between the 14th and the 17th century, the Deccan plateau of south-central India was home to a series of important and highly cultured Muslim courts. Subtly blending elements from Iran, West Asia, southern India, and northern India, the arts produced under these sultanates are markedly different from those of the rest of India and especially from those produced under Mughal patronage. This publication, a result of a 2008 symposium held at The Metropolitan Museum of Art, investigates the arts of Deccan and the unique output in the fields of painting, literature, architecture, arms, textiles, and carpet.
This volume of Marg is dedicated to the architectural and artistic heritage of Rayalaseema, the Royal Realm, a name given to the region encompassing Kurnool, Anantapur, Cuddapah and Chittoor districts in present-day Andhra Pradesh. This legacy may be traced back more than 2,000 years, as evidenced by the ancient, enigmatic stone figural lingam at Gudimallam. During the 14th–17th centuries Rayalaseema enjoyed unprecedented political and economic importance. Under Vijayanagara patronage the prestigious pilgrimage shrines at Srisailam, Ahobilam, Tirumala, Tirupati and Srikalahasti were much expanded, and new temples were built at Tadpatri, Somapalem and Lepakshi, embellished with magnificent sculptures and ceiling paintings. Imposing fortresses and palaces at Gandikota, Penukonda and Chandragiri also belong to this era. In more recent times Rayalaseema has witnessed the efflorescence of local schools of painting on wood, paper and cloth at Tirupati and Srikalahasti -- Publisher's website.
1. The book is designed for the preparation of IAS Paper 2. Qualifiers are given for the revision of the individual subject 3. 15 practice sets are divided into 4 sections 4. Each paper is accompanied by OMR Sheet to track the performance 5. Subjectwise Performance Assessment Card is provided to avoid unnecessary errors The thoroughly revised and updated edition of “UPSC General Studies Paper – 1 15 Practice Sets” which is designed to promote self evaluation by enabling you to not only revise concepts, but also track your progress. Its 15 practice sets educate you about the entire syllabus and latest pattern of questions, asked in the examination, along with the changes that took place in the pattern of questions during last year. The book has been divided into 4 major stages for the complete practice. STAGE 1: KNOW THE EXAM TREND: this stage contains Previous Years’ Solved Papers (2021-2019) to help aspirants know the latest trend of the examination. STAGE 2: PRACTICE WITH EXAM TREND: this stage provides 5 practice sets to practice according to the prescribed latest paper pattern, STAGE 3: CROSS THE CUT OFF: this stage has 5 Practice Sets that help students in crossing the cut-off of the exam. STAGE 4: BE READY FOR PRELIMS: Lastly, 5 practice sets given in this section make students to get ready for prelims. TOC Stage 1: Know The Exam Trend, Stage 2: Practice With Exam Trend, Stage 3: Cross The Cut Off, Stage 4: Be Ready For Prelims