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Michigan’s city with a strange name has an even stranger—and spirited—past. The authors of Ghosts of Grand Rapids share its chilling tales. Kalamazoo’s violent and often anguished history has given way to myriad ghostly tales surrounding some of the town’s most prominent places. From the tortured souls roaming the Asylum Lake Preserve to the infamous suicide of the amateur actress Thelma, who reputedly haunts the Civic Auditorium to this day, it is no small wonder that the town is filled with apparitions longing to make their stories and their presence known. In this startlingly spooky collection of tales, ghost hunters Bray and DuShane gather stories from legend, lore and residents alike that bring new meaning to the age-old adage “seeing is believing.” Includes photos! “Highlight[s] over 30 different haunted locations in Kalamazoo including the Asylum Lake preserve, the Civic Auditorium, an abused grave marker that is supposedly responsible for demonic activity, and the gravesite of a deceased minister that oozes.” —Morning Sun
Something is very odd about the clowns in the carnival visiting Kalamazoo.
What if every high school graduate of a given school district could go to college for free--not just those with good grades or financial need, but all of them? And what if this promise was guaranteed for decades? What kind of transformation might ensue, not just in the lives of the students themselves but in the communities that surround them? Such are the questions raised by the Kalamazoo Promise, an unprecedented experiment in education-based economic renewal that is being watched and emulated by scores of cities and towns around the nation. When a group of anonymous donors announced in 2005 that they would send every graduate of this midsized public school district to college for free, few within or outside Kalamazoo, Michigan, understood the magnitude of the gesture. Now, in the first comprehensive account of the Kalamazoo Promise, Michelle Miller-Adams charts its initial impact as well as its potential to bring about fundamental economic and social change in a community hurt by job loss, depopulation, and racial segregation. Drawing on cutting-edge research in the fields of education and economic development, Miller-Adams combines insights from these disciplines with an unparalleled understanding of the Kalamazoo Promise based on extensive interviews and observation from the program's earliest days. Her book tells the fascinating story of why the Kalamazoo Promise came about, how the broader community has responded to its introduction, and its impact--real and anticipated--on Kalamazoo's students, schools, social fabric, and economic future. At a time when communities across the nation are striving for greater economic competitiveness and expanded educational opportunities for their youth, Miller-Adams' firsthand account reveals both the promise and the challenges inherent in place-based universal scholarship programs and offers guidance to all those working to prepare their communities for success in the twenty-first century.
Since the arrival of its first settler in 1829, the story of Kalamazoo has been an interesting one. Out of the southwest Michigan wilderness, a small 19th century village quickly blossomed into a 20th century city. During the late 19th and early 20th centuries, a wide variety of industries made Kalamazoo a boomtown. Everything from paper, corsets, taxicabs, and pharmaceuticals allowed Kalamazoo to develop into a major center of manufacturing. At the same time, several colleges that would establish the area as a center for education were organized and expanded. Fortunately, much of Kalamazoo's development has been well-documented through photographs and other visual illustrations. These images are the subjects of this volume, which is organized to show the varied elements of Kalamazoo's history. Gathered from local archives and private collections, most of these rare photographs have never before been published.
"[The story of] a young prince who grows up giving and receiving seeds (words). He faithfully plants and waters those seeds daily, until they grow to become very powerful trees. Later, with the help of a friend, he is able to cut down and uproot the bad ones and then replant good seeds in their place"--Preliminary page.
Kalamazoo experienced a dramatic transformation during the first decades of the 20th century. Its factories churned out a wide variety of products, and the downtown area was being rapidly transformed by the addition of new skyscraper office buildings, hotels, department stores, theaters, parks, and government buildings. These turn-of-the-century developments coincided with the popularity of picture postcards. Not only did postcards offer a convenient way to send brief messages across the country, they also provided a means to show off the city and its landmarks. When viewed today, they offer a valuable record of the city's built environment.
This book is your child's passport to the ultimate children's party. Every detail of the book, and the party itself, has been designed with a child's favorite things in mind. You'll find ""sandboxes everywhere, and fields to play ball in, and places to hide in, and places to crawl in, and places to lie in, and places to fall in, and one that I'm sure you will feel very tall in."" The party in Kalamazoo reveals itself through easy, playful rhymes and bright, whimsical illustrations that delight children and parents alike. You'll meet ""puppies and ponies and marionettes. That's the kind of excitement that no one forgets!"" Best of all, you and your child can attend the party in Kalamazoo again and again - on rainy days, at bedtime, and whenever else you like - for as long as this book remains a cherished part of your child's collection.
According to company lore, Gibson, the guitar manufacturer, had ceased guitar production during World War II with only "seasoned craftsmen" too old for battle doing repairs and completing the few instruments already in progress at their Kalamazoo, Michigan factory. However, beginning in 1942, Gibson started producing wartime guitars each marked with a small, golden "banner" displaying the slogan: "only a Gibson is good enough." Over 9000 of these "Banner" guitars were produced between 1942 and 1945 and they are considered to be some of the finest acoustic guitars ever produced but who was making them? In this work of musical and social history, Thomas explores the origins of the Gibson "Banner" guitars and the remarkable women, many of whom had no prior training in instrument construction, who built them.
Perhaps you thought it was fantasy. Perhaps you thought it was a ruse. Perhaps you thought it was the actions of an immature heart and love that had yet to be "educated" by reality. Wrong! Actually your first answer was right. Now you have to be unschooled and learn love all over again, and you might want to start here at that foundation of love. But you forgot, after all it only lasted a couple of seconds, a couple of days and then that place that those eyes took you disappeared like a mirage. You no longer have what it takes to graduate to love's stage seven. Don't worry, Illuminations will take you back. If infatuation is oft the cornerstone with which we set the foundation of love, why do we throw away that foundation when we build the school of our convictions as to what love is? But remember when we thought a love was perfect and we thought that love was supreme? Remember when we thought love would find ourselves in a perfect plot and we could reside there forever? Remember when love was the most beautiful thing in existence and so was our love? Might I ask, what is wrong with that? And if there is nothing wrong with that, why isn't it considered right? If the school of love in which the world learns fails, and we are unable to graduate to love's better vision. If indeed, we fail to take our love to a higher grade, perhaps we aught to find a better school. Love instinctively knows better, and the new foundation upon which love will be reschooled goes back to our original convictions when we thought love was perfect, that love was supreme, that love would deliver and that love is perfect. There is a reason for that original conviction and it is because, love is.