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For more than a century, the word 'Kailyard' has been a focal point of Scottish literary and cultural debate. Originally a term of literary criticism, it has come to be used, often pejoratively, across a whole range of academic and popular discourse. Historians, politicians and critics of Scottish film and media have joined literary scholars in using the term to set out a diagnosis of Scottish culture. This is the first comprehensive study of the subject. Andrew Nash traces the origins of the Kailyard diagnosis in the nineteenth century and considers the critical concerns that gave rise to it. He then provides a full reassessment of the literature most commonly associated with the term - the fiction of J.M. Barrie, S.R. Crockett and Ian Maclaren. Placing this work in more appropriate contexts, he considers the literary, social and religious imperatives that underpinned it and discusses the impact of these writers in the publishing world. These chapters are succeeded by detailed analysis of the various ways in which the term has been used in wider discussions of Scottish literature and culture. Discussing literary criticism, film studies, and political and sociological analyses of Scotland, Nash shows how Kailyard, as a critical term, helps expose some of the key issues in Scottish cultural debate in the twentieth century, including discussions over national representation, popular culture and the parochialism of Scottish culture.
J. M. Barrie (1860 - 1937) is today known almost exclusively for one work: Peter Pan. Yet he was the most successful British playwright of the early twentieth century, and his novels were once thought equal to those of George Meredith and Thomas Hardy. Although in recent years there has been a revival of interest in Barrie's writing, many critics still fail to include him in surveys of fin de siecle literature or drama. Perhaps Barrie's remarkable variety of output has prevented him from being taken to the centre of critical discussions in any one area of literary criticism or history. Is Barrie predominantly a novelist or a playwright? Is he Victorian, Decadent, Edwardian or Modernist? Gateway to the Modern is the very first collection of essays on Barrie which attempts to do justice to the extraordinary range of his literary achievement. What emerges is a significant writer, fully immersed in the literary and intellectual culture of his day.
J.M. Barrie¿s critical reputation is unusually problematic. Originally viewed as a genius to rank with Shaw and Wilde, Barrie soon fell victim to damaging psychological theories about his life and his patriotism. The few critics who have commented on Barrie have colluded with dominant myths about a figure who, like his most famous creation, never grew up, who abandoned Scotland and made light of his own people when serious social analyses of the nation¿s condition were called for, and who scorned the opportunities of University learning when at Edinburgh. Myths and the Mythmaker attempts to challenge these myths and offer a just revaluation of Barrie¿s genius. Through closely focused textual analyses, it dispels the popular images of Barrie as ¿escapist¿ writer and immature, mother-fixated artist. It seeks to replace the narrow prose canon on which the ¿Oedipal¿ and ¿Kailyard¿ myths are based with a thorough account of his Victorian apprenticeship. New research into Barrie¿s early work and criticism show the enduring influence of his Edinburgh education on his creative writing, his academic articles, and his own complex views on artistic genius. R.D.S. Jack is Emeritus Professor of Medieval and Scottish Literature at Edinburgh University. He has written widely on Scottish and Comparative literature. His earlier book on Barrie, The Road to the Never Land, has recently been reprinted by Zeticula.
The History begins with the first full-scale critical consideration of Scotland's earliest literature, drawn from the diverse cultures and languages of its early peoples. The first volume covers the literature produced during the medieval and early modern period in Scotland, surveying the riches of Scottish work in Gaelic, Welsh, Old Norse, Old English and Old French, as well as in Latin and Scots. New scholarship is brought to bear, not only on imaginative literature, but also law, politics, theology and philosophy, all placed in the context of the evolution of Scotland's geography, history, languages and material cultures from our earliest times up to 1707.