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Roni Weinstein’s sociological reading of the kabbalistic ideas of the early modern period suggests that they gained acceptance because they met the needs of contemporary Jewish society. Although these ideas were presented as continuing a tradition, their goal was reformation: few aspects of Jewish life were not changed in consequence. This broadly based and innovative study challenges accepted ideas on the origins of Jewish modernity, and also shows how Counter-Reformation Catholicism affected these developments.
This volume brings together leading representatives of the recent debate about the persistence of kabbalah in the modern world. It breaks new ground for a better understanding of the role of kabbalah in modern religious, intellectual, and political discourse.
Negative theology is the attempt to describe God by speaking in terms of what God is not. Historical affinities between Jewish modernity and negative theology indicate new directions for thematizing the modern Jewish experience. Questions such as, What are the limits of Jewish modernity in terms of negativity? Has this creative tradition exhausted itself? and How might Jewish thought go forward? anchor these original essays. Taken together they explore the roots and legacies of negative theology in Jewish thought, examine the viability and limits of theorizing the modern Jewish experience as negative theology, and offer a fresh perspective from which to approach Jewish intellectual history.
The Scandal of Kabbalah is the first book about the origins of a culture war that began in early modern Europe and continues to this day: the debate between kabbalists and their critics on the nature of Judaism and the meaning of religious tradition. From its medieval beginnings as an esoteric form of Jewish mysticism, Kabbalah spread throughout the early modern world and became a central feature of Jewish life. Scholars have long studied the revolutionary impact of Kabbalah, but, as Yaacob Dweck argues, they have misunderstood the character and timing of opposition to it. Drawing on a rang.
In the 1930s, through the prose of Bruno Schulz (1892–1942), the Polish language became the linguistic raw material for a profound exploration of the modern Jewish experience. Rather than turning away from the language like many of his Galician Jewish colleagues who would choose to write in Yiddish, Schulz used the Polish language to explore his own and his generation's relationship to East European Jewish exegetical tradition, and to deepen his reflection on golus or exile as a condition not only of the individual and of the Jewish community, but of language itself, and of matter. Drawing on new archival discoveries, this study explores Schulz's diasporic Jewish modernism as an example of the creative and also transient poetic forms that emerged on formerly Habsburg territory, at the historical juncture between empire and nation-state.
Another Modernity is a rich study of the life and thought of Elia Benamozegh, a nineteenth-century rabbi and philosopher whose work profoundly influenced Christian-Jewish dialogue in twentieth-century Europe. Benamozegh, a Livornese rabbi of Moroccan descent, was a prolific writer and transnational thinker who corresponded widely with religious and intellectual figures in France, the Maghreb, and the Middle East. This idiosyncratic figure, who argued for the universalism of Judaism and for interreligious engagement, came to influence a spectrum of religious thinkers so varied that it includes proponents of the ecumenical Second Vatican Council, American evangelists, and right-wing Zionists in Israel. What Benamozegh proposed was unprecedented: that the Jewish tradition presented a solution to the religious crisis of modernity. According to Benamozegh, the defining features of Judaism were universalism, a capacity to foster interreligious engagement, and the political power and mythical allure of its theosophical tradition, Kabbalah—all of which made the Jewish tradition uniquely equipped to assuage the post-Enlightenment tensions between religion and reason. In this book, Clémence Boulouque presents a wide-ranging and nuanced investigation of Benamozegh's published and unpublished work and his continuing legacy, considering his impact on Christian-Jewish dialogue as well as on far-right Christians and right-wing religious Zionists.
Detective Dave and his crime-solving mother return to take on the religious establishment out West, as Mom traces the connection between a small-time preacher's murder, some shady real estate promoters, the High Episcopal Church, and assorted fanatics
Theory of shamanism, trance, and modern Kabbalah -- The shamanic process: descent and fiery transformations -- Empowerment through trance -- Shamanic Hasidism -- Hasidic trance -- Trance and the nomian.
"Freedman's final book is a tour de force that examines the history of Jewish involvement in the decadent art movement. While decadent art's most notorious practitioner was Oscar Wilde, as a movement it spread through western Europe and even included a few adherents in Russia. Jewish writers and artists such as Catulle Mèndes, Gustav Kahn, and Simeon Solomon would portray non-stereotyped characters and produce highly influential works. After decadent art's peak, Walter Benjamin, Marcel Proust, and Sigmund Freud would take up the idiom of decadence and carry it with them during the cultural transition to modernism. Freedman expertly and elegantly takes readers through this transition and beyond, showing the lineage of Jewish decadence all the way through to the end of the twentieth century"--
The pronouncements of Sabbatai Tsevi (1626-76) gave rise to Sabbatianism, a key messianic movement in Judaism that spread across Jewish communities in Europe, Asia, and North Africa. The movement, which featured a set of theological doctrines in which Jewish Kabbalistic tradition merged with Muslim and later Christian elements, suffered a setback with Tsevi's conversion to Islam in 1666. Nonetheless, for another hundred and fifty years, Sabbatianism continued to exist as a heretical underground movement. It provoked intense opposition from rabbinic authorities for another century and had a significant impact on central developments of later Judaism, such as the Haskalah, the Reform movement, Hasidism, and the secularization of Jewish society. This volume provides a selection of the most original and influential texts composed by Sabbatai Tsevi and his followers, complemented by fragments of the works of their rabbinic opponents and contemporary observers and some literary works inspired by Sabbatianism. An introduction and annotations by Pawe_ Maciejko provide historical, political, and social context for the documents.