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Superman! Batman! Wonder Woman! The Flash! Green Lantern! Aquaman! The Martian Manhunter! The Justice League of America in its very own series! But will their first adventure be their last? Featuring the first appearance of the mind-controlling villain Despero!
In these 1970s tales, Dr. Light makes his dramatic return-and so does Snapper Carr, who's now turned traitor to the League! Ultraa, hero of Earth-Prime, joins the League in their battle with the Injustice Gang, while the Phantom Stranger assists the team against a family of ancient gods! Plus, the Atom and Jean Loring get married-but will the power of her mind destroy the Earth? Collects JUSTICE LEAGUE OF AMERICA #147-157 and SUPER-TEAM FAMILY #11-14.
Superman, Batman, Green Arrow, Black Canary, Aquaman, and Hawkgirl join forces with Black Adam to fight an all-new world conqueror! But how do they stop the unstoppable power known as Brutus? Enter new mega-power sensation Naomi, who comes face to face with the League and brings along Queen Hippolyta of the Amazons for a blockbuster battle for the ages-with a last-page cliffhanger that will leave everyone guessing what’s next! And in the backup tale, the new Justice League meets the new Justice League Dark, and the demon Etrigan calls the team to action-but Batman has other plans. This team needs a leader, but what twisted secret prevents Zatanna from stepping forward? Plus, Ragman makes a startling discovery-one that may cost his life!
Enjoy this great comic from DC’s digital archive!
Seven tales that present the origins of the modern JLA lineup and each of the group's six cornerstone members.
This book will help librarians extend literary graphic novel collections to attract a large, untapped group of comic book readers with a sure-to-be-popular comic book collection. Do comic books belong in libraries? Absolutely—as Comic Book Collections for Libraries makes very clear. This illustrated guide defines the role of comic books in the modern library, provides a thorough grounding in the subject for beginners, and suggests new ideas for those already familiar with these perennial reader favorites. The book begins by introducing the structure of the comic book, industry players, and genres. The bulk of the guide, however, is comprised of actionable advice on such things as creating and maintaining the collection, cataloging for effective access, and promoting the collection, including how to feature comics with other library materials, such as movies and games. Drawing on the authors' experience, the volume answers numerous other questions as well. How can you tell which titles are age-appropriate for your library? Which titles are popular? How do you include characters that will appeal to diverse reader groups? Complete with checklists and a rich array of examples, this easy-to-use work can make every librarian a superhero.
2017 The Association for the Studies of the Present Book Prize Finalist Mention, 2017 Lora Romero First Book Award Presented by the American Studies Association Winner of the 2012 CLAGS Fellowship Award for Best First Book Project in LGBT Studies How fantasy meets reality as popular culture evolves and ignites postwar gender, sexual, and race revolutions. In 1964, noted literary critic Leslie Fiedler described American youth as “new mutants,” social rebels severing their attachments to American culture to remake themselves in their own image. 1960s comic book creators, anticipating Fiedler, began to morph American superheroes from icons of nationalism and white masculinity into actual mutant outcasts, defined by their genetic difference from ordinary humanity. These powerful misfits and “freaks” soon came to embody the social and political aspirations of America’s most marginalized groups, including women, racial and sexual minorities, and the working classes. In The New Mutants, Ramzi Fawaz draws upon queer theory to tell the story of these monstrous fantasy figures and how they grapple with radical politics from Civil Rights and The New Left to Women’s and Gay Liberation Movements. Through a series of comic book case studies—including The Justice League of America, The Fantastic Four, The X-Men, and The New Mutants—alongside late 20th century fan writing, cultural criticism, and political documents, Fawaz reveals how the American superhero modeled new forms of social belonging that counterculture youth would embrace in the 1960s and after. The New Mutants provides the first full-length study to consider the relationship between comic book fantasy and radical politics in the modern United States.
A CHOICE Outstanding Academic Title, 2019 Comics studies has reached a crossroads. Graphic novels have never received more attention and legitimation from scholars, but new canons and new critical discourses have created tensions within a field built on the populist rhetoric of cultural studies. As a result, comics studies has begun to cleave into distinct camps—based primarily in cultural or literary studies—that attempt to dictate the boundaries of the discipline or else resist disciplinarity itself. The consequence is a growing disconnect in the ways that comics scholars talk to each other—or, more frequently, do not talk to each other or even acknowledge each other’s work. Breaking the Frames: Populism and Prestige in Comics Studies surveys the current state of comics scholarship, interrogating its dominant schools, questioning their mutual estrangement, and challenging their propensity to champion the comics they study. Marc Singer advocates for greater disciplinary diversity and methodological rigor in comics studies, making the case for a field that can embrace more critical and oppositional perspectives. Working through extended readings of some of the most acclaimed comics creators—including Marjane Satrapi, Alan Moore, Kyle Baker, and Chris Ware—Singer demonstrates how comics studies can break out of the celebratory frameworks and restrictive canons that currently define the field to produce new scholarship that expands our understanding of comics and their critics.
The League's finally all here to-what else? Save the world. Justice League has arrived. One of the most formidable collections of superheroes the world has ever known is together on the big screen. Entertainment Weekly takes you behind the scenes and onto the set, including exclusive interviews with the cast and creators, in this all-new collector's edition, The Ultimate Guide to Justice League. They're all here-Batman, Wonder Woman, Aquaman, Cyborg, the Flash and, yes, Superman-with character profiles, concept art, costumes, origin stories and more. Stuffed with insider information, including a history of the Justice League in comic-book form and a discussion of each superhero's or -heroine's past and future on the big screen, this comprehensive guide will delight readers of all ages. Interviews with the cast, including Gal Gadot, Ben Affleck, Jason Momoa, Ezra Miller, Ray Fisher and Henry Cavill, are featured. It's time to join the battle for the future of the world!
Comics have always embraced a diversity of formats, existing in complex relationships to other media, and been dynamic in their response to new technologies and means of distribution. This collection explores interactions between comics, other media and technologies, employing a wide range of theoretical and critical perspectives. By focusing on key critical concepts within multimodality (transmediality, adaptation, intertextuality) and addressing multiple platforms and media (digital, analogue, music, prose, linguistics, graphics), it expands and develops existing comics theory and also addresses multiple other media and disciplines. Over the last decade Studies in Comics has been at the forefront of international research in comics. This volume showcases some of the best research to appear in the journal. In so doing it demonstrates the evolution of Comics Studies over the last decade and shows how this research field has engaged with various media and technologies in a continuously evolving artistic and production environment. The theme of multimodality is particularly apt since media and technologies have changed significantly during this period. The collection will thus give a view of the ways in which comics scholars have engaged with multimodality during a time when “modes” were continually changing.