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The Case of Internet Piracy tells the story of Megan, a college freshman charged with downloading music, and her grandmother, who has received notice that the city plans to take her house through eminent domain. The National Center for State Courts's Justice Case Files Comic Book Series was developed to educate the public about how the courts work. The Justice Case Files series engages the reader while giving insight into how judges make decisions, how the courts protect the public, and why courts are so important in a democratic society. A team of judges, court administrators, and other legal professionals developed the series's story lines and content. Two Virginia social studies teachers also developed comprehensive lesson plans, and are available for free at https://www.ncsc.org/education-and-careers/civics-education/justice-case-files.
The complex world of online piracy and peer-to-peer file sharing is skillfully condensed into an easy-to-understand guide that provides insight into the criminal justice approach to illegal file sharing, while offering guidance to parents and students who have concerns about potential legal action in response to file-sharing activities. While the actual impact of digital piracy is nearly impossible to precisely calculate, the threat of financial damage from illegal peer-to-peer (P2P) file sharing to the world's highest-grossing entertainment firms (and even entire industries!) has garnered attention from government, industry, and academic leaders and criminal justice professionals. Oftentimes, those providing access to computers and file sharing capabilities-parents, schools, libraries-don't know about or understand these activities and, therefore, put themselves and their families at risk for criminal and civil prosecution. This work describes the technological, legal, social, and ethical facets of illegal peer-to-peer file sharing. Geared toward parents, teachers, librarians, students, and any other computer user engaged in file sharing, this book will help readers to understand all forms of traditional and digital copyright violations of protected music, movies, and software. To date over 18,000 P2P users have been sued by the Recording Industry Association of America (RIAA). Most of these users have been college students and parents of high-school students. While word of these law suits are spreading, and many parents fear that their children may be using a family computer to illegally download and share copyrighted works, few supervising adults have the technical knowledge needed to determine whether and to what extent pirating may be occurring via a computer and Internet connection they are legally responsible for. Additionally, while P2P networks are filled with millions of users with billions of copyrighted files, few users understand the ways in which they are illegally using computers and other mobile electronic devices to download protected content. While describing both technical and social issues, this book primarily focuses on the social aspects of illegal file sharing, and provides technical concepts at a general level. Fisk skillfully condenses the complex nature of file sharing systems into an easy-to-understand guide, provides insight into the criminal justice approach to illegal file sharing, and offers guidance to parents and students who have concerns about potential legal action in response to file sharing activities.
The international battle against Internet pirates has been heating up. Increasingly law enforcement is paying attention to book piracy as ebook publishing gains an ever-larger market share. With this threat to their health and even survival, publishers and authors must act much like the music, film, and software giants that have waged war against pirates for the past two decades. Now, The Battle against Internet Piracy opens a discussion on what happens to the victims of piracy. Drawing from a large number of interviews—from writers, self-publishers, mainstream publishers, researchers, students, admitted pirates, free speech advocates, attorneys, and local and international law enforcement officials—the text speaks to such issues as: •Why pirates have acted and how they feel about it •The conflict over constitutional rights and piracy •The current laws surrounding Internet piracy •Examples of cases taken against some pirates •Alternatives to piracy •Personal experiences of being ripped off •The ways piracy affects different industries and how they’ve responded Author Gini Graham Scott prepares readers to arm themselves against these modern perils by learning about copyright, infringement, and how to prevent, combat, and end book piracy. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
"... A captivating look into some of the most cherished memories of the prophets--the earliest moments of romances that endured a lifetime."--
Understanding the Business of Entertainment: The Legal and Business Essentials All Filmmakers Should Know is an indispensable guide to the business aspects of the entertainment industry, providing the legal expertise you need to break in and to succeed. Written in a clear and engaging tone, this book covers the essential topics in a thorough but reader-friendly manner and includes plenty of real-world examples that bring business and legal concepts to life. Whether you want to direct, produce, write, edit, photograph or act in movies, this book covers how to find work in your chosen field and examines the key provisions in employment agreements for creative personnel. If you want to make films independently, you’ll find advice on where to look for financing, what kinds of deals might be made in the course of production, and important information on insurance, releases, and licenses. Other topics covered include: Hollywood’s growth and the current conglomerates that own most of the media How specific entertainment companies operate, including facts about particular studios and employee tasks. How studios develop projects, manage production, seek out independent films, and engage in marketing and distribution The kinds of revenues studios earn and how they account for these revenues How television networks and new media-delivery companies like Netflix operate and where the digital revolution might take those who will one day work in the film and TV business As an award- winning screenwriter and entertainment attorney, Gregory Bernstein give us an inside look at the business of entertainment. He proves that knowing what is behind filmmaking is just as important as the film itself.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Provides readers with information regarding internet piracy.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
This book critically evaluates the EU regulatory framework for the liability of host Internet Service Providers (ISPs) for copyright and trade mark infringements and provides a cluster of novel recommendations for its improvement. The book recommends the imposition of a duty of care to host ISPs to curb the dissemination of unauthorised works and counterfeit goods, the ascription of a transparency obligation to host ISPs towards their users, and the establishment of a supervisory authority for host ISPs. Host ISPs have facilitated the dissemination of content amongst users and the purchase of goods online, enabling copyright holders and brand owners to attract a greater audience for their works and goods. However, their services have attracted a high number of copyright and trade mark violations, too. Neither Article 14 of the e-Commerce Directive nor Article 17 of the Copyright in the Digital Single Market Directive provide a solid response to the issue of host ISPs' liability. This book is a valuable resource for researchers in IT and IP law and offers a new perspective for resolving online IP disputes.
This book brings together and reviews different disciplinary approaches to digital information and communication systems across the social sciences. It synthesises the developments of the Internet Age, and the micro and macro consequences of these developments.