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(Piano Vocal). This sheet music features an arrangement for piano and voice with guitar chord frames, with the melody presented in the right hand of the piano part, as well as in the vocal line.
Dan Coates adds his expert touch to these 70 easy piano arrangements of Alfred's most requested, top-selling standards and pop songs. Titles: * Amazed * Breakaway * Because You Loved Me * Dance with My Father * How Do I Live * I Swear * Inside Your Heaven * Lean on Me * Right Here Waiting * There You'll Be * This I Promise You * Thank You * When You Tell Me That You Love Me * You Raise Me Up and more.
(Piano/Vocal/Guitar Artist Songbook). A great collection of over 90 of the best and/or most influential pop songs of all time as chosen by the folks at MTV and Rolling Stone and documented in the popular video special. Songs: Beat It * Bohemian Rhapsody * Brown Eyed Girl * Careless Whisper * Dancing Queen * Every Breath You Take * Go Your Own Way * Good Vibrations * Hotel California * I Wanna Be Sedated * I Want to Hold Your Hand * Imagine * Jeremy * Just the Way You Are * Little Red Corvette * Losing My Religion * Love Shack * Maybe I'm Amazed * My Generation * Nasty * Our Lips Are Sealed * Proud Mary * Respect * Smells like Teen Spirit * Superstition * Sweet Child O' Mine * Time After Time * Under the Bridge * Waterfalls * Where Did Our Love Go * You Oughta Know * You Shook Me All Night Long * and more!
Pianists of all ages want to play this soulful, piano-based ballad, making it one of the most in-demand sheet music titles of our time---a natural bestseller! With this song, global superstar Bruno Mars showcases his many talents as a singer, pianist, and co-writer. With this official sheet music, music makers can bring the song to life with a piano accompaniment that faithfully conveys what's played on the unforgettable Bruno Mars recording. The vocal melody is detailed on its own staff above the piano part, along with complete lyrics and chord fingering grids for optional guitar accompaniment.
(Piano/Vocal/Guitar Artist Songbook). David Rosenthal has carefully arranged all the tracks from Joel's classic 1973 release to combine the piano parts and vocal melodies into playable arrangements while transcribing those classic piano parts that are integral to each song. This book features the iconic title track and nine others: Ain't No Crime * (The) Ballad of Billy the Kid * Captain Jack * If I Only Had the Words (To Tell You) * Somewhere Along the Line * Stop in Nevada * Travelin' Prayer * Worse Comes to Worst * You're My Home.
34 Scores for Piano, Organ, Harpsichord and Celeste is the first ever sheet music to be published by Bjork.
A classic work of American literature that has not stopped changing minds and lives since it burst onto the literary scene, The Things They Carried is a ground-breaking meditation on war, memory, imagination, and the redemptive power of storytelling. The Things They Carried depicts the men of Alpha Company: Jimmy Cross, Henry Dobbins, Rat Kiley, Mitchell Sanders, Norman Bowker, Kiowa, and the character Tim O’Brien, who has survived his tour in Vietnam to become a father and writer at the age of forty-three. Taught everywhere—from high school classrooms to graduate seminars in creative writing—it has become required reading for any American and continues to challenge readers in their perceptions of fact and fiction, war and peace, courage and fear and longing. The Things They Carried won France's prestigious Prix du Meilleur Livre Etranger and the Chicago Tribune Heartland Prize; it was also a finalist for the Pulitzer Prize and the National Book Critics Circle Award.
Doing the Time Warp explores how song and dance – sites of aesthetic difference in the musical – can 'warp' time and enable marginalized and semi-marginalized fans to imagine different ways of being in the world. While the musical is a bastion of mainstream theatrical culture, it also supports a fan culture of outsiders who dream themselves into being in the strange, liminal timespaces of its musical numbers. Through analysing musicals of stage and screen – ranging from Rent to Ragtime, Glee to Taylor Mac's A 24-Decade History of Popular Music – Sarah Taylor Ellis investigates how alienated subjects find moments of coherence and connection in musical theatre's imaginaries of song and dance. Exploring an array of archival work and live performance, such as Larry Gelbart's papers in the UCLA Performing Arts Collections and the shadowcast performances of Los Angeles's Sins o' the Flesh, Doing the Time Warp probes the politics of musicals and consider show the genre's 'strange temporalities' can point towards new futurities for identities and communities in difference.