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Mother Pig reads bedtime stories to her little pigs, including The Pig Prince, The Ugly Pigling, Piggerella, and the Prince and the Porker.
Sometimes Ruby needs just one more minute of sleep, one more thingy for her hair, one more push on the swing, and one more scoop on her cone, (and one more, and one more, and one more . . .) until one more is just too much. Maybe it’s time for just one? If you know a someone like Ruby, Just One More will be just right!
“A literary event” (Frankfurter Allgemeine Zeitung): thirteen new stories from one of Germany’s finest writers. New Year’s Eve 1999, Berlin. At a party to kick off the twenty-first century, Frank Reichert meets Julia, his lost love. Since their separation in the fall of 1989, he’s drifted through life like an exile, remaining apathetic toward the copy-shop business he started even as it flourishes apace. Nothing has the power to move him now: his whole life lies under the shadow of Julia, of the idea that things could have worked out differently. But as night draws on to day, the promised end becomes an unexpected new beginning. Ingo Schulze introduces us to characters as they stray outside the confines of East Germany into other, newer lives—into Egypt, where the betrayal of a lover turns an innocent vacation into a nightmare; into Vienna, where life starts to mimic art; into Estonia, where we meet a retired circus bear in an absurd (and absurdly hilarious) dilemma—or as they simply stay put, struggling to maintain their sense of themselves as the world around them changes. Mixed in with these tragicomic tales are some of the most beautiful love stories ever to feature cell phones. And throughout, Schulze’s masterfully controlled style conceals an understated, but finally breathtaking, intricacy.
Born in a secluded village in the kingdom of Verdenta, ruled over by the iron fist of the Empire of the Phoenix and its cruel, domineering ruler, Empress Maeivra, the so-called 'Witch Queen', Diarmud never imagined he would experience anything out of the ordinary. But overnight, he finds himself caught up in a struggle to free the world from the tyranny of a sorceress in thrall to far greater and more terrible powers who watch the races of the world with hateful eyes... Hounded from his home by the Empress's agents, Diarmud finds himself to be the sole survivor of a secretive project to create a breed of warrior from a forgotten age of the world, a weapon meant for conquest, to be the first of Maeivra's new order. Accompanied by his guardian, the old bard Cameron, and his closest friend Tabitha, Diarmud must race across hostile territory to find those devoted to keeping him safe and their world free from the clutches of the mad queen and the entities she worships, and prepare for the struggle that is to come...
Little Brown Bunny always wants just one more book at bedtime. When there are no more stories left, he makes his own super-long bedtime book so the story will last all night . . .
Children's story based on the Scottish ballad of the same title.
New York Times Bestseller A startlingly original debut from the actor, writer, director, and executive producer hailed as “a gifted observer of the human condition and a very funny writer capable of winning that rare thing: unselfconscious, insuppressible laughter” (The Washington Post). A boy wins a $100,000 prize in a box of Frosted Flakes—only to discover that claiming the winnings might unravel his family. A woman sets out to seduce motivational speaker Tony Robbins—turning for help to the famed motivator himself. A new arrival in Heaven, overwhelmed with options, procrastinates over a long-ago promise to visit his grandmother. We meet Sophia, the first artificially intelligent being capable of love, who falls for a man who might not be ready for it himself; a vengeance-minded hare, obsessed with scoring a rematch against the tortoise who ruined his life; and post-college friends who try to figure out how to host an intervention in the era of Facebook. Along the way, we learn why wearing a red T-shirt every day is the key to finding love, how February got its name, and why the stock market is sometimes just . . . down. Finding inspiration in questions from the nature of perfection to the icing on carrot cake, One More Thing has at its heart the most human of phenomena: love, fear, hope, ambition, and the inner stirring for the one elusive element just that might make a person complete. Across a dazzling range of subjects, themes, tones, and narrative voices, the many pieces in this collection are like nothing else, but they have one thing in common: they share the playful humor, deep heart, sharp eye, inquisitive mind, and altogether electrifying spirit of a writer with a fierce devotion to the entertainment of the reader.
The book is divided into six major parts: PLACES, WRITING ADVICE, CHURCH MATTERS, PREVIOUSLY PUBLISHED ESSAYS, ESSAYS, and ALL IN THE FAMILY. It closes with the traditional -30- that used to tell newspapermen working on stories that the story was completed, that there was no more copy coming in on that story.
From the master chronicler of the marvelous and the confounding–author of Mr. Wilson’s Cabinet of Wonder–here is a much-anticipated new collection of more than twenty pieces from the past two decades, the majority of which have never before been gathered together in book form. Lawrence Weschler is not simply a superb reporter, essayist, and cultural observer; he is also an uncanny collector and connector of wonders. In Vermeer in Bosnia, whether he is reporting on the aftermath of the Yugoslav wars (and noticing, for example, how centuries earlier Vermeer had had to invent the peace and serenity we so prize in his work today from a youth during which all of Europe had been as ravaged as Bosnia) or dissecting the special quality of light in his beloved hometown of Los Angeles, Weschler’s perceptions are often startling, his insights both fresh and profound. Included here is Weschler’s remarkable profile of Roman Polanski–written years before the release of The Pianist, yet all but predicting the director’s confrontation with the Holocaust in that film–alongside an equally celebrated portrait of Ed Weinberger, a young designer crushed and yet hardly bowed by an extreme form of Parkinson’s disease. Here is Weschler limning his own experience as the grandson of an eminent Weimar-era composer, and then as the befuddled father of an eminently fetching daughter. Here is Weschler on Art Spiegelman, David Hockney, Ed Kienholz, and Wislawa Szymborska. Here, in short, are some of the most dazzling pieces from Lawrence Weschler’s own brimming cabinet of marvels.