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Parents – Aaaaargh! Jemma’s are out of date. They still think she should wear the hand-knitted jumper with little bears on it to school – and they call her petal in public! Laura’s are divorced. Gone is the lovely big house. Now it is a grotty little one. And her mum was seen kissing Melvyn outside Tesco . . . Sumitha’s want her to keep their cultural traditions – which don’t include boys, make-up or a trendy hair cut . . . Jon’s keep bragging about his academic brilliance – but in reality it’s not stellar, nor is it where his heart is . . . Chelsea’s mum is a writer of ghastly features for the local paper, an agony aunt and a wearer of mini-skirts . . . The five teenagers’ paths (and those of their mortifyingly embarrassing parents) cross and part throughout this hilarious book set in Leehampton.
Will Laura get to know the who wrecked his bike at her curb? Find out in "Just Don't Make a Scene, Mum!." "Cool, diverting comedy."--"The London Times."
Whose truth is the lie? Stay up all night reading the sensational psychological thriller that has readers obsessed, from the #1 New York Times bestselling author of Too Late and It Ends With Us. #1 New York Times Bestseller · USA Today Bestseller · Globe and Mail Bestseller · Publishers Weekly Bestseller Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity’s notes and outlines, hoping to find enough material to get her started. What Lowen doesn’t expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity's recollection of the night her family was forever altered. Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents could devastate the already grieving father. But as Lowen’s feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife’s words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue loving her.
HEAT ღ HUMOR ღ HEA Life’s been trying to break Sissy Mullen since the day she was born. Though her violent father nearly ran her into the ground, she’s finally free. Nathan “Butch” Davies doesn’t like people. Bailey Johansson and Nick Davies’ quiet middle son is better at busting heads than making conversation. The Reapers enforcer will need to leave his comfort zone if he hopes to show Sissy that he’s the man she doesn’t know she needs. Unfortunately, claiming the woman he loves means pissing off his older brother and stirring up trouble between the Reapers' local chapter and Conroe’s former overlords. Trigger warning: Don’t Do Me Wrong contains details of past child abuse, graphic sexual content, violent situations, and extreme profanity. The book is only appropriate for adult readers age 18+.
A genre-bending work of journalism and memoir by award-winning writer Tracie McMillan tallies the cash benefit—and cost—of racism in America. In The White Bonus, McMillan asks a provocative question about racism in America: When people of color are denied so much, what are white people given? And how much is it worth—not in amorphous privilege, but in dollars and cents? McMillan begins with three generations of her family, tracking their modest wealth to its roots: American policy that helped whites first. Simultaneously, she details the complexities of their advantage, exploring her mother’s death in a nursing home, at 44, on Medicaid; her family's implosion; and a small inheritance from a banker grandfather. In the process, McMillan puts a cash value to whiteness in her life and assesses its worth. McMillan then expands her investigation to four other white subjects of different generations across the U.S. Alternating between these subjects and her family, McMillan shows how, and to what degree, racial privilege begets material advantage across class, time, and place. For readers of Robin DiAngelo’s White Fragility and Heather McGhee’s The Sum of Us, McMillan brings groundbreaking insight on the white working class. And for readers of Tara Westover’s Educated and Kiese Laymon’s Heavy, McMillan reckons intimately with the connection between the abuse we endure at home and the abuse America allows in public.