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Ruthie and Ezra Dillon’s dad and uncle just bought an old Hollywood movie studio, known for all the best horror flicks of the 50s! The family plans to revive the old place and start making scary movies for the modern era, which Ruthie and Ezra are eager to star in. What they don’t realize, though, is that the old classic monsters like Wolfenscreem, the Lagoonatics, and the Wasp-Keeper are all a little bit TOO real... ...and they’re coming back with a vengeance!
A seemingly normal day at the clinic turns strange when a magical creature begins making wild prophecies, when he usually just predicts the weather and helps find lost household items! Meanwhile, a mysterious magic in the water makes river creatures, both magical and normal, behave in odd ways. Beavers build elaborate wood houses teetering on the edge of collapse, kelpies cast aside their magical disguises when trying lure people to the water, and ice swans make ear-piercing mating calls and freeze chunks of water solid–all similar to the creature at the clinic. The creature’s owner may have something to do with this whimsical madness, so Nan and Clarion must quickly work together to brew a solution and set things right! Creator Sam Davies with cartoonist Lisa Moore continue the witchy misadventures of Nan and Clarion, the inspiration behind the Nickelodeon animated series, who continue their close-knit practice of helping animals... by trying to be the best veterinarian witches they can!
"Ruthie and Ezra Dillon's dad and uncle just bought an old Hollywood movie studio, known for all the best horror flicks of the 50s but those classic on screen monsters have returned to the real world with a vengeance!"--Provided by publisher.
This insightful volumes the use of imitation and the modern cult of originality through a consideration of the disparate fates of two Venetian painters - the canonised master Titian and his artistic heir, the little-known Padovanino.
Best-selling author R.L. Stine (Goosebumps, Fear Street) comes to BOOM! Studios in this Dogman era with a new four-volume middle-grade supernatural horror series; Just Beyond! In this first volume R.L. Stine partners with artists Kelly & Nichole Matthews (Pandora’s Legacy) to bring his signature horror to an all-new generation! WELCOME TO THE SCARE SCHOOL. Middle school feels like the worst place imaginable, but for Jess, Josh, and Marco, their school may actually be the worst place in this world...or any other! After a chance encounter with a deadly creature stalking the school halls, these three unsuspecting students are whisked away to a horrifying realm beyond the school boiler room where they must unravel a terrifying mystery. Can they save the kids they find there and escape themselves, or will they be forever trapped Just Beyond?
In this book, Sarah Rolfe Prodan examines the spiritual poetry of Michelangelo in light of three contexts: the Catholic Reformation movement, Renaissance Augustinianism, and the tradition of Italian religious devotion. Prodan combines a literary, historical, and biographical approach to analyze the mystical constructs and conceits in Michelangelo's poems, thereby deepening our understanding of the artist's spiritual life in the context of Catholic Reform in the mid-sixteenth century. Prodan also demonstrates how Michelangelo's poetry is part of an Augustinian tradition that emphasizes mystical and moral evolution of the self. Examining such elements of early modern devotion as prayer, lauda singing, and the contemplation of religious images, Prodan provides a unique perspective on the subtleties of Michelangelo's approach to life and to art. Throughout, Prodan argues that Michelangelo's art can be more deeply understood when considered together with his poetry, which points to a spirituality that deeply informed all of his production.
Bruno Latour has written a unique and wonderful tale of a technological dream gone wrong. The story of the birth and death of Aramis—the guided-transportation system intended for Paris—is told in this thought-provoking and fictional account by several different parties: an engineer and his professor; company executives and elected officials; a sociologist; and finally Aramis itself, who delivers a passionate plea on behalf of technological innovations that risk being abandoned by their makers. As the young engineer and professor follow Aramis’s trail—conducting interviews, analyzing documents, assessing the evidence—perspectives keep shifting: the truth is revealed as multilayered, unascertainable, comprising an array of possibilities worthy of Rashomon. This charming and profound book, part novel and part sociological study, is Latour at his thought-provoking best.
This interdisciplinary book explores both the connections and the tensions between sociological, psychological, and biological theories of exhaustion. It examines how the prevalence of exhaustion – both as an individual experience and as a broader socio-cultural phenomenon – is manifest in the epidemic rise of burnout, depression, and chronic fatigue. It provides innovative analyses of the complex interplay between the processes involved in the production of mental health diagnoses, socio-cultural transformations, and subjective illness experiences. Using many of the existing ideologically charged exhaustion theories as case studies, the authors investigate how individual discomfort and wider social dynamics are interrelated. Covering a broad range of topics, this book will appeal to those working in the fields of psychology, sociology, medicine, psychiatry, literature, and history.
Three decades after his death, Michel Foucault remains one of the towering intellectual figures of the last half-century. His works on sexuality, madness, the prison, and medicine are enduring classics. From 1971 until his death in 1984, Foucault gave public lectures at the famous Collge de France. These seminal events, attended by thousands, created the benchmarks for contemporary social enquiry. The lectures comprising Abnormal begin by examining the role of psychiatry in modern criminal justice, and its method of categorising individuals who "resemble their crime before they commit it." Building on the themes of societal self-defence developed in earlier works, Foucault shows how defining "normality" became a prerogative of power in the nineteenth century, shaping the institutions-from the prisons to the family-meant to deal with "monstrosity," whether sexual, physical, or spiritual. The Collge de France lectures add immeasurably to our appreciation and understanding of Foucault's thought.