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Just Another Poster? investigates the critical role posters and other graphic materials played in the Chicano struggle for self-determination in California, from the borderland of San Diego to the urban metropolis of San Francisco. This volume of essays by an interdisciplinary group of scholars and curators represents the first comprehensive study of the ways the poster, as a medium of expression largely relegated to the margins of art world display, distribution, and critical reception, has been a primary form of cultural expression within Chicano communities in California and across America. Chon Noriega is associate professor of film and television at the Univerity of Califonria at Los Angeles. The other contributors include Jos Montoya, George Lipsitz, Tere Romo, Holly Barnet-Sanchez, Rafael Prez-Torres, and Carol A. Wells.
The best way to learn history is to visualize it! Since 1998, Josh MacPhee has commissioned and produced over one hundred posters by over eighty artists that pay tribute to revolution, racial justice, women's rights, queer liberation, labor struggles, and creative activism and organizing. Celebrate People's History! presents these essential moments—acts of resistance and great events in an often hidden history of human and civil rights struggles—as a visual tour through decades and across continents, from the perspective of some of the most interesting and socially engaged artists working today. Celebrate People's History includes artwork by Cristy Road, Swoon, Nicole Schulman, Christopher Cardinale, Sabrina Jones, Eric Drooker, Klutch, Carrie Moyer, Laura Whitehorn, Dan Berger, Ricardo Levins Morales, Chris Stain, and more.
Printing and collecting the revolution : the rise and impact of Chicano graphics, 1965 to now / E. Carmen Ramos -- Aesthetics of the message : Chicana/o posters, 1965-1987 / Terezita Romo -- War at home : conceptual iconoclasm in American printmaking / Tatiana Reinoza -- Chicanx graphics in the digital age / Claudia E. Zapata.
For Jayeeta (in her own words), Imran Khan, has been her ‘source of sustenance’ ever since she was a young girl. Moreover, since then she had nurtured the dream to meet her idol, but on her own mettle. JAF! is the story of that quest. As you turn the pages of JAF! I can guarantee that you will identify with Jayeeta’s quest and willingly become a part of it. For, inside each one of us resides a fan who, too, would someday share a similar story.
In the early 1990s, a major exhibition Chicano Art: Resistance and Affirmation, 1965-1985 toured major museums around the United States. As a first attempt to define and represent Chicano/a art for a national audience, the exhibit attracted both praise and controversy, while raising fundamental questions about the nature of multiculturalism in the U.S. This book presents the first interdisciplinary cultural study of the CARA exhibit. Alicia Gaspar de Alba looks at the exhibit as a cultural text in which the Chicano/a community affirmed itself not as a "subculture" within the U.S. but as an "alter-Native" culture in opposition to the exclusionary and homogenizing practices of mainstream institutions. She also shows how the exhibit reflected the cultural and sexual politics of the Chicano Movement and how it serves as a model of Chicano/a popular culture more generally. Drawing insights from cultural studies, feminist theory, anthropology, and semiotics, this book constitutes a wide-ranging analysis of Chicano/a art, popular culture, and mainstream cultural politics. It will appeal to a diverse audience in all of these fields.
Better posters mean better research. Distilling over a decade of experience from the popular Better Posters blog, Zen Faulkes will help you create a clear and informative conference poster that delivers maximum impact. Academics have used posters to share research for more than five decades, and tens of thousands of posters are presented at conferences every year. Despite the popularity of the format, no in-depth guide has been available on how to create and deliver compelling conference posters. From over-long titles, tiny text and swarms of logos, to bad font choices, chaotic colour schemes and blurry images – it’s easy to leave viewers confused about your poster’s message. The solution is Better Posters: a comprehensive guide to everything you need to know – from writing a title and submitting an abstract, to designing the poster and finally presenting it in the poster session. Your conference poster will be one of your first research outputs, and the poster session is your first introduction to a professional community. Making a great poster develops the skills to create publications, reports, outreach and teaching materials throughout your career. This book also has material for conference organizers on how to make a better poster session for their attendees.
An illustrated, in-depth examintion of the avant-garde and politically radical Latino art of San Francisco's Mission District In The Heart of the Mission, Cary Cordova combines urban, political, and art history to examine how the Mission District, a longtime bohemian enclave in San Francisco, has served as an important place for an influential and largely ignored Latino arts movement from the 1960s to the present. Well before the anointment of the "Mission School" by art-world arbiters at the dawn of the twenty-first century, Latino artists, writers, poets, playwrights, performers, and filmmakers made the Mission their home and their muse. The Mission, home to Chileans, Cubans, Guatemalans, Mexican Americans, Nicaraguans, Puerto Ricans, and Salvadorans never represented a single Latino identity. In tracing the experiences of a diverse group of Latino artists from the 1940s to the turn of the century, Cordova connects wide-ranging aesthetics to a variety of social movements and activist interventions. The book begins with the history of the Latin Quarter in the 1940s and the subsequent cultivation of the Beat counterculture in the 1950s, demonstrating how these decades laid the groundwork for the artistic and political renaissance that followed. Using oral histories, visual culture, and archival research, she analyzes the Latin jazz scene of the 1940s, Latino involvement in the avant-garde of the 1950s, the Chicano movement and Third World movements of the 1960s, the community mural movement of the 1970s, the transnational liberation movements in Nicaragua and El Salvador, and the AIDS activism of the 1980s. Through these different historical frames, Cordova links the creation of Latino art with a flowering of Latino politics.
All of us want to be happy; it's a given. We all set out in search of it. Some of us find it, and others are diverted by the responsibilities of life, placated by its possessions or simply disillusioned by its tragedies, but we all have an internal dialogue that can be brutally honest with us when needed, and then whether or not we listen to it can determine whether we adjust course and find what we are looking for ... or lose our way completely. Sarah Chadwick is a single parent and an English teacher in a deprived, inner-city area. Her pursuit of happiness has been shelved for so long by her heavy responsibilities at home and at work that it has ceased to seem important. She has become a tick box robot. Despite thinking she is an optimist, she is worn out and old before her time, burned out from caring for others. Her internal dialogue is trying to gain her commitment to change before she goes under altogether. Rick Masters, movie star, has all of the things most people on the planet are busy chasing. He is isolated by them; these things have cost him happiness, which he doesn't really believe exists any longer; he doesn't trust others who say it does exist. His internal dialogue is driven by such pessimistic disenchantment that he has a growing drinking problem just to get some peace. This is the story of what happens when these two lives cross unexpectedly, and what results is only part farce. It is also part tragedy because neither has any insight or understanding into the world of the other. Three days will tell whether either of them have the courage to change, abandon their pasts, and embrace a new future.
This inspirative and hopeful collection demonstrates that the arts and humanities are entering a renaissance that stands to change the direction of our communities. Community leaders, artists, educators, scholars, and professionals from many fields show how they are creating responsible transformations through partnership in the arts and humanities. The diverse perspectives that come together in this book teach us how to perceive our lives and our disciplines through a broader context. The contributions exemplify how individuals, groups, and organizations use artistic and humanistic principles to explore new structures and novel ways of interacting to reimagine society. They refresh and reinterpret the ways in which we have traditionally assigned space and value to the arts and humanities.