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There are three concepts that are central to this work, to law, and to music. One is imagination (self-creativity). The second is relating (the ability to tell a story or compose a symphony and relate it to a jury). Third, and most importantly, is learning to overcome the biggest deficit of a lawyer and the most important attribute of a composerlistening.
An expanded and updated edition of the 2002 book that has become required reading for policymakers, students, and active citizens.