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Once thought to be a provincial composer of only passing interest to eccentrics, Leos Janácek (1854-1928) is now widely acknowledged as one of the most powerful and original creative figures of his time. Banned for all purposes from the Prague stage until the age of 62, and unable to make it even out of the provincial capital of Brno, his operas are now performed in dynamic productions throughout the globe. This volume brings together some of the world's foremost Janácek scholars to look closely at a broad range of issues surrounding his life and work. Representing the latest in Janácek scholarship, the essays are accompanied by newly translated writings by the composer himself. The collection opens with an essay by Leon Botstein who clarifies and amplifies how Max Brod contributed to Janácek 's international success by serving as "point man" between Czechs and Germans, Jews and non-Jews. John Tyrrell, the dean of Janácek scholars, distills more than thirty years of research in "How Janácek Composed Operas," while Diane Paige considers Janácek's liason with a married woman and the question of the artist's muse. Geoffrey Chew places the idea of the adulterous muse in the larger context of Czech fin de siècle decadence in his thoroughgoing consideration of Janácek's problematic opera Osud. Derek Katz examines the problems encountered by Janácek's satirically patriotic "Excursions of Mr. Broucek" in the post-World War I era of Czechoslovak nationalism, while Paul Wingfield mounts a defense of Janácek against allegations of cruelty in his wife's memoirs. In the final essay, Michael Beckerman asks how much true history can be culled from one of Janácek's business cards. The book then turns to writings by Janácek previously unpublished in English. These not only include fascinating essays on Naturalism, opera direction, and Tristan and Isolde, but four impressionistic chronicles of the "speech melodies" of daily life. They provide insight into Janácek's revolutionary method of composition, and give us the closest thing we will ever have to the "heard" record of a Czech pre-war past-or any past, for that matter.
Liberalism, Nationalism and Design Reform in the Habsburg Empire is a study of museums of design and applied arts in Austria-Hungary from 1864 to 1914. The Museum for Art and Industry (now the Museum of Applied Arts) as well as its design school occupies a prominent place in the study. The book also gives equal attention to museums of design and applied arts in cities elsewhere in the Empire, such as Budapest Prague, Cracow, Brno and Zagreb. The book is shaped by two broad concerns: the role of liberalism as a political, cultural and economic ideology motivating the museums’ foundation, and their engagement with the politics of imperial, national and regional identity of the late Habsburg Empire. This book will be of interest for scholars of art history, museum studies, design history, and European history.
Decadence meets gothic in Manfred Macmillan (1907), a carefully constructed tale of doppelgangers, magical intrigue, and the rootless scion of a noble house. This annotated, first-ever English translation presents an early queer novel long unavailable except in the original Czech. Author Jiří Karásek ze Lvovic (1871–1951) was a major cultural figure in his native Bohemia and cultivated ties with fellow artists from across Central Europe. In their extensive scholarly introduction, translator Carleton Bulkin and translation scholar Brian James Baer situate the novel within longer histories of gay literature, fascinations with the occult, and the cultural and linguistic politics of so-called peripheral European nations. They persuasively frame Karásek as a queer author and cultural disruptor in the fin de siècle Habsburg space. Karasék rejected Czech translations of ancient Greek writers that bowdlerized gay themes, and he personally and vigorously defended Oscar Wilde in print, both on the grounds of artistic freedom and of private morality. He also published a cycle of homoerotic poems under the title Sodom, confiscated by the Austrian authorities but republished in 1905 and repeatedly afterward. A colonized subject, a literary decadent, and a sexual outlaw, Karasék’s complex responses to his own marginalization can be traced through his fantastically strange novel trilogy Three Magicians. As the first volume in that series, Manfred Macmillan is a gorgeous, compelling, and important addition to expanding canons of LGBTQI+ literature.
This full-color, updated edition of The Rough Guide to Prague is the definitive guide to this beguiling city, with its stunning architecture, turbulent history and top-notch art collections. Read expert background on everything from the enormous Prague Castle complex to relaxing Vltava cruises, and find comprehensive information on the best hotels, pubs, clubs, shops, and restaurants for all budgets. The introduction will help you choose where to go and what to see, inspired by dozens of stunning photos. The Things Not To Miss section runs through all the must-sees, while the Itineraries guide you around the city's highlights. Navigation through the book and on the ground is aided by clear color maps with every chapter. Each map is keyed with all the accommodation, eating, and drinking options, nightlife venues, and shops that are reviewed in detail in the Listings chapters. You'll also find practical advice on a selection of day-trips from Prague including the Gothic town of Kutná Hora, thought-provoking Terezín and the magnificent Karlštejn Castle. And if you're after fast-fix "Top 5 boxes" that pick out the highlights you won't want to miss, The Rough Guide to Prague won't let you down! Make the most of your time on EarthTM with The Rough Guide to Prague. Now available in ePub.
Jan Opolsky has long been considered to be little more than an epigon of the Czech Decadence. By detailed analysis of his prose, this book aims to show that Opolsky is a master of sustained narrative irony and an accomplished writer in his own right. Introduction brings an overview of Czech Decadent/Symbolist literature and art in an European perspective. The first monograph evaluates archival sources, private correspondence with other literary figures and includes classified bibliography of Opolsky.
The Rough Guide to Prague is the ultimate travel guide to this beautiful city. With clear maps of every neighbourhood and detailed coverage of all the city's attractions, this book will help you discover the best Prague has to offer. Written in Rough Guides' trademark honest and informative style, The Rough Guide to Prague features detailed practical advice on what to see and do plus up-to-date reviews of the best hotels, bars, clubs, shops and restaurants for all budgets.Dozens ofphotographs illustrate Prague's highlights, including Prague Castle, the Charles Bridge and theBaroque Old Town Square, and there are full-colour features on the city's stunning Art Nouveau architecture and its world-famous beer and pubs. Easy-to-use maps and expert adviceensure you don't miss a thing. Make the most of your holiday with The Rough Guide to Prague.
This Prague guidebook is perfect for independent travellers planning a longer trip. It features all of the must-see sights and a wide range of off-the-beaten-track places. It also provides detailed practical information on preparing for a trip and what to do on the ground. And this Prague travel guidebook is printed on paper from responsible sources, and verified to meet the FSC’s strict environmental and social standards. This Prague guidebook covers: Hradcany, Malá Strana, Staré Mesto, Josefov, Nové Mesto, Vyšehrad and the eastern suburbs, Holešovice and the western suburbs, day-trips to Melník, Terezín and Kutná Hora, Konopište chateau, Karlštejn Castle and Lidice. Inside this Prague travel book, you’ll find: A wide range of sights – Rough Guides experts have hand-picked places for travellers with different needs and desires: off-the-beaten-track adventures, family activities or chilled-out breaks Itinerary examples – created for different time frames or types of trip Practical information – how to get to Prague, all about public transport, food and drink, shopping, travelling with children, sports and outdoor activities, tips for travellers with disabilities and more Author picks and things not to miss in Prague – Charles Bridge, Old Town Square, Stavovské divadlo, Convent of St Agnes, Vyšehrad, Prague Castle, UPM, Veletržní Palace, Obecní dům, Church of Sv. Mikuláš, AghaRTA Jazz Centrum, Café Louvre, Josefov, Wenceslas Square, Strahov Monastery Insider recommendations – tips on how to beat the crowds, save time and money, and find the best local spots When to go to Prague – high season, low season, climate information and festivals Where to go – a clear introduction to Prague with key places and a handy overview Extensive coverage of regions, places and experiences – regional highlights, sights and places for different types of travellers, with experiences matching different needs Places to eat, drink and stay – hand-picked restaurants, cafes, bars and hotels Practical info at each site – hours of operation, websites, transit tips, charges Colour-coded mapping – with keys and legends listing sites categorised as highlights, eating, accommodation, shopping, drinking and nightlife Background information for connoisseurs – history, culture, art, architecture, film, books, religion, diversity Essential Czech dictionary and glossary of local terms Fully updated post-COVID-19 The guide provides a comprehensive and rich selection of places to see and things to do in Prague, as well as great planning tools. It’s the perfect companion, both ahead of your trip and on the ground.
Collection of international research surveying the reception of James Macpherson's Ossian poems in European literature and culture.
The mention of the term "melodrama" is likely to evoke a response from laymen and musicians alike that betrays an acquaintance only with the popular form of the genre and its greatly heightened drama, exaggerated often to the point of the ridiculous. Few are aware that there exists a type of melodrama that contains in its smaller forms the beauty of the sung ballad and, in the larger-scale works, the appeal of the spoken play. This category of melodrama is one that surfaced in many cultures but was perhaps never so enthusiastically cultivated as in the Czech lands. The melodrama varied greatly at the hands of its Czech advocates. While the works of Zdeněk Fibich and his contemporary Josef Bohuslav Foerster, a composer best known for his songs, remained closely bound to the text, those of conductor/composer Otakar Ostrčil reveal a stance that privileged the music and, given their creator’s orchestral experience, are more reminiscent of the symphonic poem. Fibich in his staged works and Josef Suk (composer/violinist and Dvořák’s son-in-law), in his incidental music reflect variously late nineteenth-century Romanticism, the influence of Wagner, and early manifestations of Impressionism. In its more recent guise, the principles of the staged melodrama reside quite comfortably in the film score. Judith A. Mabary’s important volume will be of interest not only to musicologists, but those working in Central and East European studies, voice studies, European theatre, and those studying music and nationalism.