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Cartoons take a satiric look at modern life, gun control, the Middle East, the economy, and the arms race.
“Marvelously comprehensive and superbly written. An exceptionally valuable overview of the 1960s, replete with astute interpretations and commentary.” —David J. Garrow, author of the Pulitzer Prize–winning Bearing the Cross: Martin Luther King, Jr., and the Southern Christian Leadership Conference David Chalmers’s widely acclaimed overview of the 1960s describes how the civil rights movement touched off a growing challenge to traditional values and arrangements. Chalmers recounts the judicial revolution that set national standards for race, politics, policing, and privacy. He examines the long, losing war on poverty and the struggle between the media and the government over the war in Vietnam. He follows feminism’s “second wave” and the emergence of the environmental, consumer, and citizen action movements. He also explores the worlds of rock, sex, and drugs, and the entwining of the youth culture, the counterculture, and the American marketplace. This newly revised edition covers the conservative counter-revolution and cultural wars. It carries the legacy of the 1960s forward: from Tom Hayden’s idealistic 1962 Port Huron Statement through Newt Gingrich’s 1994 “Contract with America” and Grover Norquist’s twenty-first century “Tax Payer’s Protection Pledge.” “With its hint of passion and irony, the title of David Chalmers’s book aptly captures the complexities of his study. Beautifully written, it is more than a recitation of the actors and events of the 1960s. It helps us to make sense of the decade.” —Dan T. Carter, author of Scottsboro: A Tragedy of the American South
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
“Here’s a book that would've split the sides of Thucydides. Wiener’s magical mystery tour of Cold War museums is simultaneously hilarious and the best thing ever written on public history and its contestation.“ —Mike Davis, author of City of Quartz “Jon Wiener, an astute observer of how history is perceived by the general public, shows us how official efforts to shape popular memory of the Cold War have failed. His journey across America to visit exhibits, monuments, and other historical sites, demonstrates how quickly the Cold War has faded from popular consciousness. A fascinating and entertaining book.” —Eric Foner, author of Reconstruction: America's Unfinished Revolution, 1863–1877 "In How We Forgot the Cold War, Jon Wiener shows how conservatives tried—and failed—to commemorate the Cold War as a noble victory over the global forces of tyranny, a 'good war' akin to World War II. Displaying splendid skills as a reporter in addition to his discerning eye as a scholar, this historian's travelogue convincingly shows how the right sought to extend its preferred policy of 'rollback' to the arena of public memory. In a country where historical memory has become an obsession, Wiener’s ability to document the ambiguities and absences in these commemorations is an unusual accomplishment.” —Rick Perlstein, author of Nixonland: The Rise of a President and the Fracturing of America “In this terrific piece of scholarly journalism, Jon Wiener imaginatively combines scholarship on the Cold War, contemporary journalism, and his own observations of various sites commemorating the era to describe both what they contain and, just as importantly, what they do not. By interrogating the standard conservative brand of American triumphalism, Wiener offers an interpretation of the Cold War that emphasizes just how unnecessary the conflict was and how deleterious its aftereffects have really been.”—Ellen Schrecker, author of Many Are The Crimes: McCarthyism in America
Examining a wide range of comics and graphic novels – including works by creators such as Will Eisner, Leela Corman, Neil Gaiman, Art Spiegelman, Sarah Glidden and Joe Sacco – this book explores how comics writers and artists have tackled major issues of Jewish identity and culture. With chapters written by leading and emerging scholars in contemporary comic book studies, Visualizing Jewish Narrative highlights the ways in which Jewish comics have handled such topics as: ·Biography, autobiography, and Jewish identity ·Gender and sexuality ·Genre – from superheroes to comedy ·The Holocaust ·The Israel-Palestine conflict ·Sources in the Hebrew Bible and Jewish myth Visualizing Jewish Narrative also includes a foreword by Danny Fingeroth, former editor of the Spider-Man line and author of Superman on the Couch and Disguised as Clark Kent..
In the 1930s a band of smart and able young men, some still in their twenties, helped Franklin D. Roosevelt transform an American nation in crisis. They were the junior officers of the New Deal. Thomas G. Corcoran, Benjamin V. Cohen, William O. Douglas, Abe Fortas, and James Rowe helped FDR build the modern Democratic Party into a progressive coalition whose command over power and ideas during the next three decades seemed politically invincible. This is the first book about this group of Rooseveltians and their linkage to Lyndon Johnson's Great Society and the Vietnam War debacle. Michael Janeway grew up inside this world. His father, Eliot Janeway, business editor of Time and a star writer for Fortune and Life magazines, was part of this circle, strategizing and practicing politics as well as reporting on these men. Drawing on his intimate knowledge of events and previously unavailable private letters and other documents, Janeway crafts a riveting account of the exercise of power during the New Deal and its aftermath. He shows how these men were at the nexus of reform impulses at the electoral level with reform thinking in the social sciences and the law and explains how this potent fusion helped build the contemporary American state. Since that time efforts to reinvent government by "brains trust" have largely failed in the U.S. In the last quarter of the twentieth century American politics ceased to function as a blend of broad coalition building and reform agenda setting, rooted in a consensus of belief in the efficacy of modern government. Can a progressive coalition of ideas and power come together again? The Fall of the House of Roosevelt makes such a prospect both alluring and daunting.
From the genesis of the Woodstock concert in the mind of a small-time promoter to the final strains of Jimi Hendrix playing the "The Star-Spangled Banner", author Anthony Casale and Philip Lerman take us backstage at what would become the most talked-about, read-about, argued about, gatherin of the psychedelic sixties. But that's jsut the beginning. From there, Casale and Lerman follow the roller-coaster ride of the protesting youth as they move into the mainstream. Among the huge casts of characters are Abbie Hoffman, Peter Max, Ken Kesey, and other famous and not-so-famous individuals whos gripping, poignant tales show how they coped with changing times. Through Watergate and the end of the Vietnam War, through disco and the oil crisis, through the Reagan era and the birth of yuppiedom, this book tracks a generation coming to grips with itself. From flower power to complacent comfort, here is a generation at a crossroads as it moves into the 1990s.
First published in 1988, this book contains entries on famous American Humorists. Humor has been present in American literature, from the beginning, and has developed characteristics that reflect the American character, both regional and national. Although American literature was, in the past, treated as inferior to British literature, there has always been a large popular audience for the genre, which this book shows. The figures with entries in this encyclopedia not only amuse in their writing, but also aim to enlighten- setting out to expose the foibles and foolishness of society and the individuals who compose it. It is the manner in which these authors try to accomplish this end that determines whether they appear in the volume. Indeed, the book will demonstrate that the best humor has at its base, a ready understanding of human nature.
Elites, not masses, govern America. The Eighth Edition sharpens its provocative theme on the role of elitism in a democratic society. The Irony of Democracy forces students to rethink all they have held dear about American democracy. Elite theory plays foil to democratic theory in the examination of institutions and processes of American government. While elite theory is wielded as a analytic model for explaining and understanding American politics, it is not presented as a recommendation or prescription for America.