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From its indefinite beginnings through its broad commercialization and endless reinterpretation, American rock-and-roll music has been preoccupied with an end-of-the-world mentality that extends through the whole of American popular music. In Apocalypse Jukebox, Edward Whitelock and David Janssen trace these connections through American music genres, uncovering a mix of paranoia and hope that characterizes so much of the nation’s history. From the book’s opening scene, set in the American South during a terrifying 1833 meteor shower, the sense of doom is both palpable and inescapable; a deep foreboding that shadows every subsequent development in American popular music and, as Whitelock and Janssen contend, stands as a key to understanding and explicating America itself. Whitelock and Janssen examine the diversity of apocalyptic influences within North American recorded music, focusing in particular upon a number of influential performers, including Bob Dylan, Leonard Cohen, John Coltrane, Devo, R.E.M., Sleater-Kinney, and Green Day. In Apocalypse Jukebox, Whitelock and Janssen reveal apocalypse as a permanent and central part of the American character while establishing rock-and-roll as a true reflection of that character.
Popular music is with us constantly. It is part of our everyday enviroment and in global terms it is now perhaps the most universal means of communication. The Global Jukebox is the first comprehensive study of the international music industry at a time of great change, as the entertainment industry acknowledges its ever growing global audience. Robert Burnett provides an international overview of the music business and its future prospects in the UK, Northern Europe and the United States and Canada. He examines the relationship between local and global cultures and between concentration of ownership (Sony, Warner and the rest of the `big six') and the diversity of music production and consumption. The Global Jukebox not only illuminataes the workings of the contemporary entertainment industries, it captures the dynamics at work in the production of musical culture between the transnational media conglomerates, the independent music companies and the public. It is essential reading for anyone studying popular music.
You've never seen anything like our amazing jukebox time machine! Just insert a quarter to travel to a past decade where Roxie, the time machine tour guide, will share a few nostalgic fun facts before dropping the needle on some of the greatest pop hits of all time. Feature up to 32 speakers on the minimal-rehearsal-required script, while all the kids sing and dance along to iconic songs from the 1930s to the 2000s! Complete choreography included. Approximately 40 minutes. Recommended for grades four and up. Titles: Jukebox Time Machine * Music! Music! Music! * She Loves You * Dancing Queen * Splish Splash * Vogue * Don't Stop Believin' * Breakaway * It Don't Mean a Thing If It Ain't Got That Sing, Sing, Sing.
This Indian film music book is a collection of eighty essays about the people who made remarkable music in Bollywood cinema, especially during the great era, and the ideas such people brought to the recording studios. When songs had to go without rhythms or when melodies had plenty of Q n A in them. In this music book, we flirt with Rock n Roll and scan songs that speed up at the end, we peep behind the screen to see what the idea was behind chorus songs in our films – even if there was no one to sing that chorus on the screen; it’s a huge list. These pages are a reflection of the time when everyone was fired up in their art, and when no one wanted to finish last in the race. It is about artists who every now and then dreamt ideas, and only after crystallizing things perfectly in their mind’s eye, went out to translate and transform their dreams into unforgettable melodies in Indian movies. Jukebox will interest the layman as well as the academician.
Grab some coins for the jukebox, and get ready for a colorful, time-traveling musical tale about friendship and courage. A mysterious jukebox, old vinyl records, and cryptic notes on music history, are Shaheen's only clues to her father's abrupt disappearance. She looks to her cousin, Tannaz, who seems just as perplexed, before they both turn to the jukebox which starts...glowing? Suddenly, the girls are pulled from their era and transported to another time! Keyed to the music on the record, the jukebox sends them through decade after decade of music history, from political marches, to landmark concerts. But can they find Shaheen’s dad before the music stops? This time-bending magical mystery tour invites readers to take the ride of their lives for a coming-of-age adventure.
Sandra Boynton and Michael Ford—the team behind Rhinoceros Tap, the Grammy-nominated #1 New York Times bestseller Philadelphia Chickens, and other toe-tapping book-and-CD sets—bring great words, great music, great performers to children and vintage children alike. Put a nickel in the jukebox, assuming you can locate a jukebox, and that you remember what a nickel is. Here's legendary Beach Boy Brian Wilson singing lead and 10-part harmonies on "Speed Turtle." The incomparable Neil Sedaka crooning "Your Nose." B. B. King brings you a wistful "One Shoe Blues," Gerry and the Pacemakers offer "Mersey Lullaby," and Broadway great Patti LuPone sings—what else—the "Rabbit Tango." And then there's the hit single from Boynton's Your Personal Penguin sung by the impossibly cute Davy Jones of The Monkees. I mean jeepers, even Sha Na Na is here. And OH! The book! Boynton has filled it with all things 50s and 60s. And, well, golly, it’s so happy and colorful and just terrific, Mister! Grab your saddle shoes, plunk two straws into that swell chocolate malt, and let's twist again like we did last century. 119,000 copies in print.
Starting with history of music copyright from its origins to the present, this in-depth, intriguing, and beautifully written book explores the music industry through a legal lens. Author Kevin Parks presents a practical overview of music rights and licensing, while at the same time providing perspective, context, and clarity amidst the chaos and ch
Boubacar, a 15-year-old boy from Africa, moves to a rural Mississippi Delta town and soon visits The Celestial Grocery, the city center presided over by a cranky second-generation Chinese proprietor and his equally cranky jukebox. The tie that binds these lives is American popular music.
"Rainbow Jukebox" is my small way of passing along an experience to any and all who wish to be emboldened by its pages. It is not meant as a comprehensive guide to LGBTQ+ music history, but rather an ever-expanding snapshot. This "companion" textbook for LGBTQ+ Perspectives in American Music is a living, breathing, document; one that will continue to be updated to reflect knowledge gathered and the events of the present. You don't even need to be a music student (or even a musician) to utilize its teachings. However, it is meant to empower students and faculty (and those outside the realm of academia) to hear the collective album of a community of people who are still fighting for freedom and acceptance. Thank you for taking this journey with me, and I hope you enjoy the ride!
Since the rise of the contemporary ecology movement in the 1960s, American songwriters and composers, from folk singer Pete Seeger to jazz saxophonist Paul Winter, have lamented, and protested against, environmental degradation and injustice. The Jukebox in the Garden is the first book to survey a wide range of musical styles, including folk, country, blues, rock, jazz, electronica and hip hop, to examine the different ways in which popular music has explored American relationships between nature, technology and environmental politics. It also investigates the growing link between music and philosophical thought, particularly under the influence of both deep ecology and New Age thinking, according to which music, amongst all the arts, has a special affinity with ecological ideas. This book is both an exploration and critique of such speculations on the role that music can play in raising environmental awareness. It combines description and analysis of American popular music made during the era of modern environmentalism with a consideration of its wider social, historical and political contexts. It will be of interest to undergraduates and post-graduates in music, cultural studies and environmental studies, as well as general readers interested in popular music and the environment.