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This “irresistibly absorbing” true crime investigation uncovers the brutal murder of two Dartmouth professors by a pair of students in 2001 (Publishers Weekly). On a cold night in January 2001, the idyllic community of Dartmouth College was shattered by the discovery that Half and Susanne Zantop, two of its most beloved professors, had been hacked to death in their own home. Investigators searched helplessly for clues linking the victims to their murderers. Weeks later, in the nearby town of Chelsea, Vermont, they sought out a pair of high school seniors for questioning. Then Robert Tulloch and his best friend, Jim Parker, fled. Suddenly, two of Chelsea’s brightest and most popular sons had become fugitives, wanted for the murders of Half and Susanne Zantop. Authors Mitchell Zuckoff and Dick Lehr provide a vivid explication of a murder that captivated the nation, as well as dramatic revelations about the forces that turned two popular teenagers into killers. Judgement Ridge conveys the devastating loss of Half and Susanne Zantop, while also providing a clear portrait of the killers, their families, and their community—and, perhaps, a warning to any parent about what evil may lurk in the hearts of boys.
At her death, an elderly Plains Indian woman experiences the afterlife believed by her people, while the surviving family members prepare her body according to their custom
Kingdom of Light; The Forces of Darkness Ira Breitling---Man of God; Manuel Crow---Lord of Darkness Even the universe is not big enough for the both of them . . . especially when Ira Breitling is handed a divine gift---an interstellar engine that can lift humanity into the heavens. Crow---awash in riches, commanding nations, supremely powerful---swears eternal vengeance on Breitling and his Fellowship of the Faithful . . . and on all humankind. The reign of Lucifer---prophesized as a thousand years of darkness---is about to begin. With the world falling fast under Crow's violent sway, Breitling's Fellowship---having only one choice---seizes their divine gift, their faster-than-light flight, and flees the earth. Their journey takes them beyond the distant stars to a perfect planet uncorrupted by Crow and his Kingdom of Darkness. But even as Manuel Crow razes and racks the Earth, Revelations' scourge is not yet sated. Crows eyes the heavens, fixed on the Faithful. Ira Breitling and the Fellowship must defend not only themselves but the soul of all humanity: A Kingdom of Light against the Forces of Darkness. Will the Fellowship prevail . . . or fall under Revelations' reign? Let the battle begin. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Provides a taxonomy of the array of theories about the nature of so-called normative judgments, and argues for a more expressivist hybrid theory that accommodates both the context-sensitivity of normative predicates and a broadly truth-conditional approach to semantics.
Their friendship would kill her… Weaver and fiber artist Edith “Pen” Meyer knew her friend Sandy Merritt’s relationship with a married man was wrong. She had even urged Sandy to take out a restraining order against Kenneth Carpenter. Which was why her call to Sandy on February 23, 2005, seemed to come from out of the blue. During it, she told Sandy to drop the restraining order and get back together with Ken. Pen was never seen again. One man stood to gain from Pen’s disappearance: Ken Carpenter. But evidence was bleak: no blood, no DNA, no body. Until detectives found notes hidden beneath a leather chair that turned out to be a playbook for murder… INCLUDES PHOTOS
Discusses the makings of the "American Pacific" locality/location/identity as space and ground of cultural production, and the way this region can be linked to "Asia" and "Pacific" as well as to "American mainland"
It was a time when anything seemed possible–instant wealth, glittering fame, fabulous luxury–and for a run of magical weeks in the spring and summer of 1920, Charles Ponzi made it all come true. Promising to double investors’ money in three months, the dapper, charming Ponzi raised the “rob Peter to pay Paul” scam to an art form. At the peak of his success, Ponzi was raking in more than $2 million a week at his office in downtown Boston. Then his house of cards came crashing down–thanks in large part to the relentless investigative reporting of Richard Grozier’s Boston Post. A classic American tale of immigrant life and the dream of success, Ponzi’s Scheme is the amazing story of the magnetic scoundrel who launched the most successful scheme of financial alchemy in modern history.
What can we know and what should we believe about today's world? What to Believe Now: Applying Epistemology to Contemporary Issues applies the concerns and techniques of epistemology to a wide variety of contemporary issues. Questions about what we can know-and what we should believe-are first addressed through an explicit consideration of the practicalities of working these issues out at the dawn of the twenty-first century. Coady calls for an 'applied turn' in epistemology, a process he likens to the applied turn that transformed the study of ethics in the early 1970s. Subjects dealt with include: Experts-how can we recognize them? And when should we trust them? Rumors-should they ever be believed? And can they, in fact, be a source of knowledge? Conspiracy theories-when, if ever, should they be believed, and can they be known to be true? The blogosphere-how does it compare with traditional media as a source of knowledge and justified belief? Timely, thought provoking, and controversial, What to Believe Now offers a wealth of insights into a branch of philosophy of growing importance-and increasing relevance-in the twenty-first century.
A husband sits in Harry’s Bar in Venice, thinking of his wife–lost to him now–whose plea has brought him back to one of their favourite haunts. At another table, a young couple quarrel. “Cheating at Canasta” is the title story of William Trevor’s new collection, his first since the highly acclaimed A Bit on the Side, and its themes of missed opportunities, the inevitability of change and the powerful but fragmentary quality of our memories are entirely characteristic of his unparalleled oeuvre.