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The first retrospective in 30 years on American maverick Donald Judd's minimalist sculpture, architecture and furniture Published to accompany the first US retrospective exhibition of Donald Judd's sculpture in more than 30 years, Juddexplores the work of a landmark artist who, over the course of his career, developed a material and formal vocabulary that transformed the field of modern sculpture. Donald Judd was among a generation of artists in the 1960s who sought to entirely do away with illusion, narrative and metaphorical content. He turned to three dimensions as well as industrial working methods and materials in order to investigate "real space," by his definition. Juddsurveys the evolution of the artist's work, beginning with his paintings, reliefs and handmade objects from the early 1960s; through the years in which he built an iconic vocabulary of works in three dimensions, including hollow boxes, stacks and progressions made with metals and plastics by commercial fabricators; and continuing through his extensive engagement with color during the last decade of his life. This richly illustrated catalog takes a close look at Judd's achievements, and, using newly available archival materials at the Judd Foundation and elsewhere, expands scholarly perspectives on his work. The essays address subjects such as his early beginnings in painting, the fabrication of his sculptures, his site-specific pieces and his work in design and architecture. Donald Judd(1928-94) began his professional career working as a painter while studying art history and writing art criticism. One of the foremost sculptors of our time, Judd refused this designation and other attempts to label his art: his revolutionary approach to form, materials, working methods and display went beyond the set of existing terms in midcentury New York. His work, in turn, changed the language of modern sculpture.
It’s not often that anyone gets the jump on Judd Witherspoon. The man seems to have a sixth sense for trouble. This time is an exception. On his feet in an instant, he finds himself facing the double barrels of a shotgun blaster. He eyes the would-be robber with a steely gaze. ​“I’d point that gun away from me and walk away if I were you.” ​The man with the gun sneers. ​“Good job I ain’t you then.” ​Judd offers his terms for the man’s life again. ​“I’m giving you a chance. Walk away now and I’ll pretend this never happened.” ​The man can tell that Judd's a courier and couriers carry valuable cargo. He cocks the hammer of the vintage weapon. Before the man has a chance to pull the trigger, Judd’s hand reaches over his right shoulder and draws his razor-sharp machete from its sheath. In an instant, the blade slices into the man’s torso, slashes through his ribs, and cuts his heart in two whilst still inside his body. ​In a Mad Max-style story, Judd Witherspoon, a courier on the planet Duoterra, braves bear-wolf attacks and ambushes by Sifter gangs in order to deliver a precious graphene package to Paradise Cove.
His heart has been grounded for so long. But she’s about to give it wings... Captain Judd Harlow is happiest in the air. It’s only when he’s flying that he can leave his childhood memories behind. But when he and his brothers find themselves the guardians of their 12-year-old half-sister, he knows moving back to the small Montana town where he grew up is the right thing. When Savannah Casteele learns that a local pilot has agreed to fly her and her little boy to Chicago for a long-awaited surgery, she’s overcome with gratitude. A young, single mother, her first priority has always been raising her son the best way she knows how. But when she sees Judd for the first time, she’s unprepared for the affect he has on her heart: He’s stoic, guarded, and a little out of reach, reminding her that she’s not the only one who’s trying to put aside a broken past. As they begin falling for one another, brought together by the children in their lives, they start seeing family not just as something you’re given, but something you create. And that the heart, no matter how scarred, is always capable of a tender, new beginning. But are they both willing to take a leap of faith to get there?
Critic and art historian Meyer, a leading authority on Minimalism, examines the style from its inception to its broader cultural influence. This sourcebook features an excellent selection of nearly 300 color and b&w images to illustrate the surprising variety of the work.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.