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“Hayes's flowing plot, enlivened by several wry twists, is decidedly satisfying. Fiedler's spare, earth-toned paintings convey the particulars of the setting from traditional garb to the sprawling landscapes as well as the timelessness of folklore.”—Publishers Weekly Don Ignacio is a wealthy landowner whose prized possession is an apple tree that produces the most delicious fruit around. He trusts only one man to care for this tree—his ranch foreman Juan Verdades. Don Ignacio is also a proud man and he lets his pride carry him into a dangerous bet! He bets a neighboring rancher his ranch that Juan Verdades cannot tell a lie. His opponent is determined to win the bet, using guile and the help of his beautiful daughter to trick Juan Verdades into stealing all of the fruit from the prized apple tree. Will Juan Verdades be able to tell the truth about what he has done? The ranch depends on it. Originally published in 2001, this paperback edition of Joe Hayes’ classic story features the bilingual style common to his most popular books. Joe’s bilingual Spanish-English tellings and books have earned him a distinctive place among America’s storytellers. He lives in Santa Fe and travels extensively throughout the United States telling his stories. Joseph Daniel Fiedler was born and raised in the Appalachian hill country of western Pennsylvania. He attended the Ivy School of Professional Art and Carnegie Mellon University. He is the recipient of a silver medal from the Society of Illustrators for book illustration.
A collection of ten classic tales from Northern New Mexico retold in Spanish and English.
A retelling, in parallel English and Spanish text, of the traditional tale told in the Southwest and in Mexico of how the beautiful Maria became a ghost.
Latent hostility against the Jews erupts in a blood lie when Daisy, a young Gentile girl, disappears in the woods.
Tom Miller's Southwest is a vortex of cockfights and cantinas, of black velvet paintings and tacky bolo ties, of eco-militants, border-crossers, and eccentric characters whose outlook is as spare and elemental as the desert that surrounds them. This is Miller's turf. With wit and insight, he reveals how the clichés of romanticism and capitalism have run amuck in his homeland. When a saguaro cactus outside Phoenix kills its own assassin, it becomes clear that no other guide to the Southwest manifests such a clear moral vision while reveling in the joy of this magnificent land and its people. Originally published by National Geographic as Jack Ruby's Kitchen Sink, it received the Gold Award for Best Travel Book in 2000 from the Society of American Travel Writers. Tom Miller has been writing about the American Southwest and Latin America for more than three decades. His ten books include The Panama Hat Trail, which follows the making and marketing of one Panama hat, and Trading with the Enemy, which Lonely Planet says "may be the best travel book about Cuba ever written." Miller began his journalism career in the underground press of the late '60s and early '70s, and has written articles for The New York Times, The Washington Post, The New Yorker, Smithsonian Magazine, Natural History, and Rolling Stone. He lives in Tucson, Arizona, with his wife, Regla.
Twenty years after writing Drug Lord, Terrence Poppa decided the information in his book was more important than ever. In an important interview with the Texas Tribune, Poppa explains that ''the Mexico that I wrote about in the book describes the old order of things: Mexico under the PRI. In that sense, the book was out of date, because how drug trafficking operated under the PRI is completely different than how it works today in a new Mexico, under the democratically transformed Mexico...There has been a decoupling of the highest levels of power from drug trafficking now. It's important for people to understand that, so I had to bring the book up to date.''
The Dust Bowl was a time of hardship and environmental and economic disaster. More than 100 million acres of land had turned to dust, causing hundreds of thousands of people to seek new homes and opportunities thousands of miles away, while millions more chose to stay and battle nature to save their land. FDR's army of photographers took to the roads to document this national crisis. Their pictures spoke a thousand words, and a new form of storytelling- photojournalism-was born. With the help of iconic photographs from Dorothea Lange, Walker Evans, Arthur Rothstein, and many more, Martin Sandler tells the story of a nation as it endured its darkest days and the extraordinary courage and spirit of those who survived.
Why is Carl Jung dancing in the Streets of Death? Because one of his favorites among the living--artist James Magee, the creator of the colossal desert stonework, The Hill, and "the alleged" anima incarnate of the mysterious artist Annabel Livermore--has concocted this brew of poems and letters from the lands of Ordinary and Surreal. The poems flutter like butterflies from his imagination as he creates large steel assemblages. Weirdly, "Letters to Goya" are found pieces from 1955, from the rickety typewriter of the Duchess of Alba, who in (sur)real life is an old lady who wheel-chairs around the Waikiki Trailer Park in Sweetwater, Texas. Are the letters real? Well, yes. And no Tonight a cold rain falls in Tucson. Under an overpass I see you standing stark-naked, Juan, headlights streaming by, you toweling off with a wing of a blue and yellow bird found moments ago near a storm sewer, as if water were confessing of white tile, a room without walls, really where earlier you had imagined yourself as a bearded ancient, a Mesopotamian Lord kneeling down in the wet grass near the freeway to sing to an open field. James Magee and his partner, actress Camilla Carr, live in El Paso, Texas, in the home of Annabel Livermore. Kerry Doyle is the Director and Curator of the Rubin Center for the Visual Arts (University of Texas at El Paso), and a widely published scholar and respected curator of Latin-American and United States/Mexico Border arts.
Gabi’s a girl in pieces. She wants a lot of things. Will she find the thing she needs most?
"This charming little book will introduce young readers to safe and effective natural remedies from the native traditions of the American Southwest. A good way to learn about the healing power of plants."--Andrew Weil, MD Aaron has asked his grandfather Tata to teach him about the healing remedies he uses. Tata is a neighbor and family elder. People come to him all the time for his soothing solutions and for his compassionate touch and gentle wisdom. Tata knows how to use herbs, teas, and plants to help each one. His wife, Grandmother Nana, is there too, bringing delicious food and humor to help Tata's patients heal. An herbal remedies glossary at the end of the book includes useful information about each plant, plus botanically correct drawings. Roni Capin Rivera-Ashford grew up in Nogales on the Arizona-Mexico border. Born into a pioneering Jewish family with roots in Eastern Europe, Roni embraced the languages, cultures, and people on both sides of the border. Now a retired bilingual educator, her first book, My Nana's Remedies / Los Remedios de mi Nana, is a classic, a parent's and teacher's friend for teaching children traditional values. Antonio Castro L. is nationally recognized for his illustrations of books by Joe Hayes. Teaming up with his son, book designer Antonio Castro H., he uses his exacting illustrative skills to bring to life this story of family and plants. Born in Zacatecas, Mexico, Antonio has lived in the Juarez-El Paso area for most of his life.