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South Flows the Pearl is a fascinating journey through the history of Chinese Australia. Taking the reader from Shanghai and the Pearl River Delta to Sydney, Perth, Cairns, Darwin, Bendigo and beyond, it explores the struggles and successes of Chinese people in Australia since the 1850s, as told in their own words. This unique book was written by an insider. Mavis Yen was born in Perth in 1916, the daughter of a Chinese father and an Australian mother. She lived in both countries and understood what it meant to navigate two worlds, to live through war and revolution, and to experience racial discrimination. In the 1980s she began interviewing elderly Chinese Australians, recording hours of conversations. Her intimate understanding of their languages and life experiences encouraged them to share their stories. Published here for the first time, they will change how you think about Australian history. “This is a book that offers a new way to be Australian in this country, and casts Chinese Australians as the protagonists in their own stories... When people agree to tell their stories, they speak to the future. Whether or not we listen is up to us.” — Dr Sophie Loy-Wilson, University of Sydney
Heritage and History in the China–Australia Migration Corridor traces the material and social legacy of migration from China to Australia from the 1840s until the present day. The volume offers a multidimensional examination of the material footprint of migration as it exists at either end of the migration corridor stretching between Zhongshan county in south China and Australia. Spanning the fields of heritage studies, migration studies, and Chinese diaspora history, Denis Byrne, Ien Ang, Phillip Mar, and the other contributors foreground a transnational approach to the history and heritage of migration, one that takes account of the flows of people, ideas, objects, and money that circulate through migration corridors, forming intricate ongoing bonds between those who migrated to Australia and their home villages in China. ‘This is an excellent new addition to the growing literature on the history, heritage, and archaeology of the Chinese diaspora and transnational Chinese migration. This book is poised to be a major contribution to the history and heritage of the Chinese diaspora.’ —Barbara L. Voss, Stanford University ‘The quality of the research and writing is very high, and the theoretical framing is sophisticated and original. This book makes a much-needed contribution to overseas Chinese heritage studies, Chinese Australian history, transnational theory, and migration history. It also provides a model for how to work respectfully and successfully with descendants and community.’ —Sophie Loy-Wilson, University of Sydney
This book examines haunting in terms of trauma, languaging, and the supernatural in works by Chinese Australian writers born in Australia, Mainland China, Hong Kong, Malaysia, and Singapore. It goes beyond the conventional focus on identity issues in the analysis of diasporic writing, considering how the memory of past trauma is triggered by abusive systems of power in the present. The author unpacks how trauma also brings past violence to haunt the present. This book considers how different Chinese diasporic communities present a dynamic and multiple state through partial erasure between different Chinese subcultures and other cultures. Showing the supernatural as a social and cultural product, this book elucidates how haunting as the supernatural refers to the coexistence of, and the competition between, different cultures and powers. It takes a wide-ranging view of different diasporic communities under the banner ‘Chinese’, a term that refers not only to Chinese nationals in terms of citizenship, but also to the Chinese diaspora in terms of ancestry, and Chinese culture more generally. In analysing haunting in texts, the author positions Chinese culture as in a constant state of flux. It is relevant to literary scholars and students with interests in Australian literature, Chinese and Southeast Asian migration writing, and those with an interest in the Gothic and postcolonial traditions.
The bestselling Journey to the West comic book by artist Chang Boon Kiat is now back in a brand new fully coloured edition. Journey to the West is one of the greatest classics in Chinese literature. It tells the epic tale of the monk Xuanzang who journeys to the West in search of the Buddhist sutras with his disciples, Sun Wukong, Sandy and Pigsy. Along the way, Xuanzang's life was threatened by the diabolical White Bone Spirit, the menacing Red Child and his fearsome parents and, a host of evil spirits who sought to devour Xuanzang's flesh to attain immortality. Bear witness to the formidable Sun Wukong's (Monkey God) prowess as he takes them on, using his Fiery Eyes, Golden Cudgel, Somersault Cloud, and quick wits! Be prepared for a galloping read that will leave you breathless!
This edited collection invites the reader to enter the diverse worlds of Australia’s migrant and minority communities through the latest research on the contemporary printed press, spanning the mid-nineteenth century to our current day. With a focus on the rare, radical and foreign-language print culture of multiple and frequently concurrent minority groups’ newspaper ventures, this volume has two overarching aims: firstly to demonstrate how the local experiences and narratives of such communities are always forged and negotiated within a context of globalising forces – the global within the local; and secondly to enrich an understanding of the complexity of Australian ‘voices’ through this medium not only as a means for appreciating how the cultural heritage of such communities were sustained, but also for exploring their contributions to the wider society.
Asian - Australians have often been written about by outsiders, as outsiders. In this collection, compiled by award - winning author Alice Pung, they tell their own stories with verve, courage and a large dose of humour. These are not predictable tales of food, festivals and traditional dress. The food is here in all its steaming glory - but listen more closely to the dinner - table chatter and you might be surprised by what you hear. Here are tales of leaving home, falling in love, coming out and finding one's feet. A young Cindy Pan vows to win every single category of Nobel Prize. Tony Ayres blows a kiss to a skinhead and lives to tell the tale. Benjamin Law has a close encounter with some angry Australian fauna, and Kylie Kwong makes a moving pilgrimage to her great - grandfather's Chinese village. Here are well - known authors and exciting new voices, spanning several generations and drawn from all over Australia. In sharing their stories, they show us what it is really like to grow up Asian, and Australian. Contributors include: Shaun Tan, Jason Yat - Sen Li, John So, Annette Shun Wah, Quan Yeomans, Jenny Kee, Anh Do, Khoa Do, Caroline Tran and many more.
A Chinese classic, the Shan Hai Jing, reportedly from 2000 BC claimed travels to the ends of the earth. However, today many, while accepting the antiquity of this account, believe it was just mythology. But was it?Testing the hypothesis that the Shan Hai Jing described actual surveys of North America, Charlotte Harris Rees, author of books about early Chinese exploration, followed an alleged 1100 mile Chinese trek along the eastern slope of the US Rocky Mountains. The Chinese account should have been easy to disprove. In the travelogue Did Ancient Chinese Explore America? Rees candidly shares her initial doubts then her search and discoveries. She weaves together history, subtle humor, academic studies, and many photographs to tell a compelling story.
It was one of the great encounters of world history: highly educated European priests confronting Chinese culture for the first time in the modern era. This “journey to the East” is explored by Brockey as he retraces the path of the Jesuit missionaries who sailed from Portugal to China.
Tracing journeys of Cantonese migrants along the West River and its tributaries, this book describes the circulation of people through one of the world’s great river systems between the late sixteenth and mid-nineteenth centuries. Steven B. Miles examines the relationship between diaspora and empire in an upriver frontier, and the role of migration in sustaining families and lineages in the homeland of what would become a global diaspora. Based on archival research and multisite fieldwork, this innovative history of mobility explores a set of diasporic practices ranging from the manipulation of household registration requirements to the maintenance of split families. Many of the institutions and practices that facilitated overseas migration were not adaptations of tradition to transnational modernity; rather, they emerged in the early modern era within the context of riverine migration. Likewise, the extension and consolidation of empire required not only unidirectional frontier settlement and sedentarization of indigenous populations. It was also responsible for the regular circulation between homeland and frontier of people who drove imperial expansion—even while turning imperial aims toward their own purposes of socioeconomic advancement.
This book explores the parallel and yet profoundly different ways of seeing the outside world and engaging with the foreign at two important moments of dislocation in Chinese history, namely, the early medieval period commonly known as the Northern and Southern Dynasties (317–589 CE), and the nineteenth century. Xiaofei Tian juxtaposes literary, historical, and religious materials from these two periods in comparative study, bringing them together in their unprecedentedly large-scale interactions, and their intense fascination, with foreign cultures. By examining various cultural forms of representation from the two periods, Tian attempts to sort out modes of seeing the world that inform these writings. These modes, Tian argues, were established in early medieval times and resurfaced, in permutations and metamorphoses, in nineteenth-century writings on encountering the Other. This book is for readers who are interested not only in early medieval or nineteenth-century China but also in issues of representation, travel, visualization, and modernity.