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Because Texas emerged from the western frontier relatively late in the formation of the antebellum nation, it is frequently and incorrectly perceived as fundamentally western in its political and social orientation. In fact, most of the settlers of this region were emigrants from the South, and many of these people brought with them their slaves and all aspects of slavery as it had matured in their natives states. In An Empire for Slavery, Randolph B. Campbell examines slavery in the antebellum South's newest state and reveals how central slavery was to Texas history. The "peculiar institution" was perhaps the most important factor in determining the economic development and ideological orientation of the state in the years leading to the Civil War. Campbell points out that although the area of slaveholding in Texas covered only two-fifths of the state by 1860, this area alone was as large as Alabama and Mississippi combined and constituted "a virtual empire for slavery." By the outbreak of the Civil War, the proportion of slaveholders and slaves in Texas was comparable to that of Virginia, the oldest slaveholding state in the Union. Utilizing records such as federal censuses, wills and other probate papers, and the WPA slave narratives, Campbell raises a number of questions concerning the nature of slavery in Texas. What factors encouraged the adoption of slavery? Under what conditions did the Texas slaves exist? What was the societal impact of slavery in this new state? How did the Civil War itself affect slavery in the state? Campbell also reviews the proslavery argument put forward by many early Texas statesmen. What emerges is a picture of a state whose political future was sen as dependent upon the continuance of slavery and whose role in the Civil War was determined by this choice. As a result of this study, Texas is revealed as a state not unlike those of the older South. An Empire for Slavery is the first examination of the "peculiar institution" as it existed in Texas. Historians and general readers alike will find it an essential examination of the region, the period, and the phenomenon of slavery.
“[A] firsthand account by one who measured up to the demands of danger and hardships and lived to write about it . . . Invaluable . . . Well documented.” —Library Journal As a teenager in the 1950s, John Holmes Jenkins set to work on collecting and editing his great-great-grandfather’s writings about his experiences on the Texas frontier. John Holland Jenkins joined General Sam Houston’s army at age thirteen after losing his stepfather at the Alamo. In addition to fighting the Mexicans, he faced peril from Indian warriors as well as the everyday difficulties of pioneer life. His reports on the events of the time were included in newspapers with very small readerships—and, his descendant would discover, were sometimes used word-for-word in respected history textbooks without any credit given to the source. This volume includes these memoirs of the Texas Republic and early statehood, along with illustrations, notes, biographical sketches, a bibliography, and an index. “Fascinating . . . A commendable job.” —The New York Times “[These reminiscences] light up for whoever will read the earliest days of early English-speaking Texas.” —J. Frank Dobie, from the foreword
On the last Sunday of the year 1839, Francis Sheridan, an elegant young Irishman in the British diplomatic service, sailed from Barbados for the Republic of Texas. His mission in the new nation was to contribute the opinion of an eyewitness to the deliberations going on in London concerning proposed recognition of Texas. This jounal contains some of the material that Sheridan used for his official report and much colorful detail that he did not use. First published by the University of Texas Press in 1956, it is the travel diary of a sophisticated and discerning student of human nature.
Louisiana Coushatta Basket Makers brings together oral histories, tribal records, archival materials, and archaeological evidence to explore the fascinating history of the Coushatta Tribe’s famed basket weavers. After settling at their present location near the town of Elton, Louisiana, in the 1880s, the Coushatta (Koasati) tribe developed a basket industry that bolstered the local tribal economy and became the basis for generating tourism and political mobilization. The baskets represented a material culture that distinguished the Coushattas as Indigenous people within an ethnically and racially diverse region. Tribal leaders serving as diplomats also used baskets as strategic gifts as they built political and economic allegiances throughout the twentieth century, thereby securing the Coushattas’ future. Behind all these efforts were the basket makers themselves. Although a few Coushatta men assisted in the production of baskets, it was mostly women who put in the long hours to gather and process the materials, then skillfully stitch them together to produce treasures of all shapes and sizes. The art of basket making exists within a broader framework of Coushatta traditional teachings and educational practices that have persisted to the present. As they tell the story of Coushatta basket makers, Linda P. Langley and Denise E. Bates provide a better understanding of the tribe’s culture and values. The weavers’ own “language of baskets” shapes this narrative, which depicts how the tribe survived repeated hardships as weavers responded on their own terms to market demands. The work of Coushatta basket makers represents the perseverance of traditional knowledge in the form of unique and carefully crafted fine art that continues to garner greater recognition and appreciation with every successive generation.
Contains the Biennial report of the State Library, 1909/10-1914/16, 1924/26-1934/36.