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This pioneering book explores the intersections of law and culture at the International Criminal Court (ICC), offering insights into how notions of culture affect the Court's legal foundations, functioning and legitimacy, both in theory and in practice. Leading scholars and legal practitioners take a multidisciplinary approach to challenge the view that international law is not limited or bound by a particular culture, arguing instead that law and culture are intertwined. Analysing how culture influences views of the law, the facts to which it applies, and the fairness of the outcome, the contributors consider the implications of culture and law for the ICC and its international reach. Chapters discuss important intersections of law and culture, from religion and politics to the definition of international crimes and their interpretation by judges. Highlighting the inherent but often overlooked role of 'culture' at the ICC, the book puts forward recommendations to aid the Court's future considerations. This book is a valuable resource for academics and students in a variety of fields including law, criminology, anthropology, international relations and political science. Its practical focus is also beneficial for legal practitioners and civil society organisations working in international criminal justice.
For over a century, the Danish thinker Søren Kierkegaard (1813–55) has been at the center of a number of important discussions, concerning not only philosophy and theology, but also, more recently, fields such as social thought, psychology, and contemporary aesthetics, especially literary theory. Despite his relatively short life, Kierkegaard was an extraordinarily prolific writer, as attested to by the 26-volume Princeton University Press edition of all of his published writings. But Kierkegaard left behind nearly as much unpublished writing, most of which consists of what are called his "journals and notebooks." Kierkegaard has long been recognized as one of history's great journal keepers, but only rather small portions of his journals and notebooks are what we usually understand by the term "diaries." By far the greater part of Kierkegaard’s journals and notebooks consists of reflections on a myriad of subjects—philosophical, religious, political, personal. Studying his journals and notebooks takes us into his workshop, where we can see his entire universe of thought. We can witness the genesis of his published works, to be sure—but we can also see whole galaxies of concepts, new insights, and fragments, large and small, of partially (or almost entirely) completed but unpublished works. Kierkegaard’s Journals and Notebooks enables us to see the thinker in dialogue with his times and with himself. Kierkegaard wrote his journals in a two-column format, one for his initial entries and the second for the extensive marginal comments that he added later. This edition of the journals reproduces this format, includes several photographs of original manuscript pages, and contains extensive scholarly commentary on the various entries and on the history of the manuscripts being reproduced. Volume 8 of this 11-volume series includes five of Kierkegaard’s important "NB" journals (Journals NB21 through NB25), which cover the period from September 1850 to June 1852, and which show Kierkegaard alternately in polemical and reflective postures. The polemics emerge principally in Kierkegaard’s opposition to the increasing infiltration of Christianity by worldly concerns, a development that in his view had accelerated significantly in the aftermath of the political and social changes wrought by the Revolution of 1848. Kierkegaard understood the corrupting of Christianity to be in the interest of the powers that be, and he directed his criticism at politicians, the press, and especially the Danish Church itself, particularly church officials who claimed to be "reformers." On the reflective side, Kierkegaard delves into a number of authors and religious figures, some of them for the first time, including Montaigne, Pascal, Seneca, Savonarola, Wesley, and F. W. Newman. These journals also contain Kierkegaard’s thoughts on the decisions surrounding the publication of the "Anti-Climacus" writings: The Sickness unto Death and especially Practice in Christianity. Kierkegaard’s reader gets the sense both of a gathering storm—by the close of the last journal in this volume, the famous "attack on Christendom" is less than three years away—and a certain hesitancy: What needs reforming, Kierkegaard insists, is not "the doctrine" or "the Church," but "existences," i.e., lives.
The pendulum is a constant source of interest to scientists. Great and well-known inventors such as Galileo, Huygens, and Kelvin all devised mechanisms to maintain its even oscillations. Others such as John Harrison, Lord Grimthorpe, and William Shortt are known only in horological circles but contributed as much or more over three centuries. By writing a personal account of his own inventions and achievements in horology the author involves the reader in the history of precision time-keeping before the advent of atomic clocks and the quartz chip. Escapements, the mechanisms that drive pendulums, are a delight to the geometrical mind as well as a delicate and subtle challenge to the mechanical engineer. In their most refined form pendulum clocks not only keep astonishingly accurate time they are also sensitive enough to detect the ebb and flow of tides and even the ceaseless quivering of the Earth itself. Philip Woodward's deep knowledge of and passion for time-keeping mechanisms is evident throughout this highly readable and fascinating account of precision horology.
This book provides you with all the tools you need to write an excellent academic article and get it published.
This highly successful book on groupwork practice, first published in 1979, has become a standard introductory text on most social work training courses. It is very popular with social workers, whatever their agency setting, and is also used by health visitors, youth workers and the voluntary sector. This new enlarged and revised third edition includes two new additional chapters. The first of these addresses the issue of groupwork in day and residential centres where special kinds of group skills are required in addition to those already well established for fieldwork groups. The second new chapter attempts to understand the significance of race and gender in groupwork and to begin to develop a framework for anti-discriminatory practice. All key sections from previous editions have been retained and updated, while those on group composition, open groups, co-working and consultation have been extended and revised to give more comprehensive coverage. The bibliography has also been developed to include the most recent additions to the groupwork literature, including many articles from the journal Groupwork for which Allan Brown is co-editor.
This anthology collects the ten winners of the 2020 Best American Newspaper Narrative Writing Contest at UNT's Mayborn Literary Nonfiction Conference. First place winner: Christopher Goffard, "Detective Trapp" (Los Angeles Times) is about a complicated murder investigation and its human impact. Second place: Annie Gowen, "Left Behind: American Farm Families in Crisis during Trump's Trade War" (The Washington Post) tells about a despairing farmer's suicide and aftermath. Third place: Jennifer Berry Hawes and Stephen Hobbs, "It's Time for You to Die" (Post & Courier) presents a gut-wrenching drama of America's deadliest episode of prison violence. Runners-up include Peter Jamison, "The Confession" (The Washington Post); Mark Johnson, "House Calls and Rarest of Diseases" (Milwaukee Journal Sentinel); Nestor Ramos, "At the Edge of a Warming World" (Boston Globe); Noelle Crombie, Kale Williams, and Beth Nakamura, "No Mercy" (The Oregonian); Tara Duggan and Jason Fagone, "The Fisherman's Tale" (San Francisco Chronicle); Jenna Russell, "Brilliant, Faithful, Undaunted" (Boston Globe); and Charles Scudder, "Guardians: When Evil Came Through the Door" (Dallas Morning News).
From 1837 to 1861 Thoreau kept a journal that began as a conventional record of ideas, grew into a writer's notebook, and eventually became the principal imaginative work of his career. The source of much of his published writing, the Journal is also a record of both his interior life and his monumental studies of the natural history of his native Concord, Massachusetts. In contrast to earlier editions, the Princeton Edition reproduces the Journal in its original and complete form, in a reading text that is free of editorial interpolations but keyed to a comprehensive scholarly apparatus. Covering an annual cycle from spring 1852 to late winter 1853, Journal 5 finds Thoreau intensely concentrating on detailed observations of natural phenomena and on "the mysterious relation between myself & these things" that he always strove to understand. Increasingly, the Journal attempts to balance a new found scientific professionalism and the accurate recording of phenological data with a firmly rooted belief in the spiritual correspondences that Nature reveals. Fittingly, the year of observation ends with Thoreau pondering an invitation to join the Association for the Advancement of Science, an invitation he ultimately declined in order to pursue his own life studies.