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Includes, beginning Sept. 15, 1954 (and on the 15th of each month, Sept.-May) a special section: School library journal, ISSN 0000-0035, (called Junior libraries, 1954-May 1961). Also issued separately.
A high school drum major must save her school band and navigate romantic disasters when their cruise ship gets stranded at sea.
Stevie Nicks is a legend of rock, but her energy and magnetism sparked new interest in this icon. At 68, she's one of the most glamorous creatures rock has known, and the rare woman who's a real rock ‘n' roller. Gold Dust Woman gives "the gold standard of rock biographers" (The Boston Globe) his ideal topic: Nicks' work and life are equally sexy and interesting, and Davis delves deeply into each, unearthing fresh details from new, intimate interviews and interpreting them to present a rich new portrait of the star. Just as Nicks (and Lindsay Buckingham) gave Fleetwood Mac the "shot of adrenaline" they needed to become real rock stars—according to Christine McVie—Gold Dust Woman is vibrant with stories and with a life lived large and hard: —How Nicks and Buckingham were asked to join Fleetwood Mac and how they turned the band into stars —The affairs that informed Nicks' greatest songs —Her relationships with the Eagles' Don Henley and Joe Walsh, and with Fleetwood himself —Why Nicks married her best friend's widower —Her dependency on cocaine, drinking and pot, but how it was a decade-long addiction to Klonopin that almost killed her — Nicks’ successful solo career that has her still performing in venues like Madison Square Garden —The cult of Nicks and its extension to chart-toppers like Taylor Swift and the Dixie Chicks
One evening in 1994, writer Brooke Stephens was listening to the news while working on a tribute to her grandfather for an upcoming family reunion. The evening's newscast began with three negative reports about black men--as rapists, muggers and murderers. The contrast between the black men on the news and the black man she was writing about suddenly seemed enormous. Where were the black men she knew? Stephens wondered. Why were they never featured on the evening news? Never publicly discussed or shown? From these questions, the idea for Men We Cherish was born. Waiting to Exhale and the Million Man March to the contrary, good black men are neither fantasy nor unanswered prayer. In Men We Cherish, thirty African American women celebrate these everyday heroes: fathers and grandfathers, brothers and best friends, sons and husbands. These essays, memoirs, and love letters offer moving portraits of the three-out-of-four black men who never make the headlines. The men in the lives of established black women writers, including Bebe Moore Campbell, Gloria Wade-Gayles, Charlayne Hunter-Gault, and the Delany sisters, reflect the diversity, honesty, generosity and depth that is the reality of African American men. With Men We Cherish, Brooke Stephens has created a groundbreaking collection that stands alone in the market as a literary memoir, a social critique, and an affirmation of faith.