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This book argues that the novelist Joseph Conrad's work speaks directly to us in a way that none of his contemporaries can. Conrad's scepticism, pessimism, emphasis on the importance and fragility of community, and the difficulties of escaping our history are important tools for understanding the political world in which we live. He is prepared to face a future where progress is not inevitable, where actions have unintended consequences, and where we cannot know the contexts in which we act. Heart of Darkness uncovers the rotten core of the Eurocentric myth of imperialism as a way of bringing enlightenment to ‘native peoples’ – lessons which are relevant once more as the Iraq debacle has undermined the claims of liberal democracy to universal significance. The result can hardly be called a political programme, but Conrad’s work is clearly suggestive of a sceptical conservatism of the sort described by the author in his 2005 book After Blair: Conservatism Beyond Thatcher. The difficult part of a Conradian philosophy is the profundity of his pessimism – far greater than Oakeshott, with whom Conrad does share some similarities (though closer to a conservative politician like Salisbury). Conrad’s work poses the question of how far we as a society are prepared to face the consequences of our ignorance.
“Enlightening, compassionate, superb” —John Le Carré Winner of the 2018 Cundhill History Prize A New York Times Book Review Notable Book of 2017 One of the New York Times 100 Notable Books of 2017 A visionary exploration of the life and times of Joseph Conrad, his turbulent age of globalization and our own, from one of the most exciting young historians writing today Migration, terrorism, the tensions between global capitalism and nationalism, and a communications revolution: these forces shaped Joseph Conrad’s destiny at the dawn of the twentieth century. In this brilliant new interpretation of one of the great voices in modern literature, Maya Jasanoff reveals Conrad as a prophet of globalization. As an immigrant from Poland to England, and in travels from Malaya to Congo to the Caribbean, Conrad navigated an interconnected world, and captured it in a literary oeuvre of extraordinary depth. His life story delivers a history of globalization from the inside out, and reflects powerfully on the aspirations and challenges of the modern world. Joseph Conrad was born Józef Teodor Konrad Korzeniowski in 1857, to Polish parents in the Russian Empire. At sixteen he left the landlocked heart of Europe to become a sailor, and for the next twenty years travelled the world’s oceans before settling permanently in England as an author. He saw the surging, competitive "new imperialism" that planted a flag in almost every populated part of the globe. He got a close look, too, at the places “beyond the end of telegraph cables and mail-boat lines,” and the hypocrisy of the west’s most cherished ideals. In a compelling blend of history, biography, and travelogue, Maya Jasanoff follows Conrad’s routes and the stories of his four greatest works—The Secret Agent, Lord Jim, Heart of Darkness, and Nostromo. Genre-bending, intellectually thrilling, and deeply humane, The Dawn Watch embarks on a spell-binding expedition into the dark heart of Conrad’s world—and through it to our own.
Heart Of Darkness. The story of the civilized, enlightened Mr. Kurtz who embarks on a harrowing "night journey" into the savage heart of Africa, only to find his dark and evil soul. The Secret Sharer. The saga of a young, inexperienced skipper forced to decide the fate of a fugitive sailor who killed a man in self-defense. As he faces his first moral test the skipper discovers a terrifying truth -- and comes face to face with the secret itself. Heart Of Darkness and The Secret Sharer draw on actual events and people that Conrad met or heard about during his many far-flung travels. In portraying men whose incredible journeys on land and at sea are also symbolic voyages into their own mysterious depths, these two masterful works give credence to Conrad's acclaim as a major psychological writer.
The life of Jozef Teodor Konrad Korzeniowski reads like an adventure story, an adventure story written by somebody like Joseph Conrad. The young Conrad dreamed of a life at sea and eventually became a British merchant seaman, working his way up from apprentice to captain on classic three-masted square-rigged barques. He would also become one of the most important novelists in the English language, and almost half of his life's work is set in Southeast Asia. Conrad's favorite destination was the vibrant, bustling port of Singapore as well as the remote ports of the Dutch East Indies, and his early works - Almayer's Folly, An Outcast of the Islands, Lord Jim and The Rescue - are based on the people and places he encountered in his own voyages on the Vidar, a trading vessel that plied the waters of the Indonesian archipelago from its base in Singapore. In Joseph Conrad's Eastern Voyages, Ian Burnet places Conrad's Malay novels into their proper narrative sequence and explores the backstory of his characters helping the reader to visualize the cultural and historical context of Conrad's time in late 19th-century Southeast Asia.
The Yearbook of Conrad Studies (Poland) is an annual series devoted to the life and work of Joseph Conrad-Korzeniowski who, while being one of the great names of English literature, had a cultural background that was very much Polish and indeed "continental". This fifth volume (2010) is published in Cracow by the Jagiellonian University in conjunction with the Joseph Conrad Society (Poland).
This book explores how the anarchist fiction of Joseph Conrad can help us understand terrorism today. Conrad undermines the popular view that terrorists are fanatics. He portrays anarchists and police as counterparts driven by the human desires for autonomy and affiliation, the need to control their own lives and to be part of a group. Postcritique encourages readers to consider the accuracy of such information, and research in Terrorism Studies confirms Conrad’s insights: his characters are more realistic and his political stance is more hopeful than critics have recognized.
Political turmoil convulses 19th-century Russia, as Razumov, a young student preparing for a career in the czarist bureaucracy, unwittingly becomes embroiled in the assassination of a public official. Asked to spy on the family of the assassin -- his close friend -- he must come to terms with timeless questions of accountability and human integrity.