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At age nineteen, author Teri OShea joined Peoples Temple in California led by Jim Jones. A member for seven years, she escaped Peoples Temple three weeks before the massacre in Jonestown, Guyana. The raw and powerful poems in Jonestown Lullaby explore her experience in Jonestown and the aftermath of her survival. A personal confidant to Jim Jones for seven years, OShea writes about the harrowing nightmare of Jonestown with an intensity and passion seldom captured in poetic form. Teri was the last person to escape Peoples Temple before the massacre in Jonestown; now, she turns to writing to help find her way back to a more peaceful life. Jonestown Lullaby records her voyage, with vivid, stark images of the bewildering world that was Jonestown and the pathological madness of Jim Jones. Teri includes photographs of some of the Peoples Temple members who lived and lost their lives there; revealing an aspect of Jonestown rarely seen. This is her tribute to those who died so tragically. I Write I write from the poor side of silence Of an unholy priesthood that Captured my soul for a time These poems Neither confession nor biography Follow the voyage of a lonely spirit Into a realm where there are no answers
The Bloomsbury Companion to New Religious Movements covers key themes such as charismatic leadership, conversion and brainwashing, prophecy and millennialism, violence and suicide, gender and sexuality, legal issues, and the portrayal of New Religious Movements by the media and anti-cult organisations. Several categories of new religions receive special attention, including African new religions, Japanese new religions, Mormons, and UFO religions. This guide to New Religious Movements and their critical study brings together 29 world-class international scholars, and serves as a resource to students and researchers. The volume highlights the current state of academic study in the field, and explores areas in which future research might develop. Clearly and accessibly organised to help users quickly locate key information and analysis, the book includes an A to Z of key terms, extensive guides to further resources, a comprehensive bibliography, and a timeline of major developments in the field such as the emergence of new groups, publications, legal decisions, and historical events.
An art form combining the skills of a DJ with the intimacy of a letter, a good mixtape was the ultimate audio valentine. Today, when the iPod and playlists reign supreme, the cassette has been rendered obsolete, and the art of crafting these sonic calling cards has been relegated to back-of-the-closet, thirty-something nostalgia. Now, thanks to Jason Bitner, we can relive our lost youth and lost loves. In Cassette from My Ex, sixty noted writers and musicians wax poetic about their own experiences with these charming artifacts and the relationships that inspired them. Contributors include: Maxim editor Joe Levy Author Rick Moody Former Rolling Stone writer and MTV2 veejay Jancee Dunn The Magnetic Fields' Claudia Gonson Stories range from the irreverently sweet, such as the doomed love affair between a Deadhead and a Goth, to the touching, such as the heartbreaking discovery of a former love passing away. Everyone will find a story or a song to relate to. Just hit play.
The use of irony in music is just beginning to be defined and critiqued, although it has been used, implied and decried by composers, performers, listeners and critics for centuries. Irony in popular music is especially worthy of study because it is pervasive, even fundamental to the music, the business of making music and the politics of messaging. Contributors to this collection address a variety of musical ironies found in the ’notes themselves,’ in the text or subtext, and through performance, reception and criticism. The chapters explore the linkages between irony and the comic, the tragic, the remembered, the forgotten, the co-opted, and the resistant. From the nineteenth to twenty-first centuries, through America, Europe and Asia, this provocative range of ironies course through issues of race, religion, class, the political left and right, country, punk, hip hop, folk, rock, easy listening, opera and the technologies that make possible our pop music experience. This interdisciplinary volume creates new methodologies and applies existing theories of irony to musical works that have made a cultural or political impact through the use of this most multifaceted of devices.
In 1954, a pastor named Jim Jones opened a church in Indianapolis called Peoples Temple Full Gospel Church. He was a charismatic preacher with idealistic beliefs, and he quickly filled his pews with an audience eager to hear his sermons on social justice. As Jones’s behavior became erratic and his message more ominous, his followers leaned on each other to recapture the sense of equality that had drawn them to his church. But even as the congregation thrived, Jones made it increasingly difficult for members to leave. By the time Jones moved his congregation to a remote jungle in Guyana and the US government began to investigate allegations of abuse and false imprisonment in Jonestown, it was too late. A Thousand Lives is the story of Jonestown as it has never been told. New York Times bestselling author Julia Scheeres drew from tens of thousands of recently declassified FBI documents and audiotapes, as well as rare videos and interviews, to piece together an unprecedented and compelling history of the doomed camp, focusing on the people who lived there. The people who built Jonestown wanted to forge a better life for themselves and their children. In South America, however, they found themselves trapped in Jonestown and cut off from the outside world as their leader goaded them toward committing “revolutionary suicide” and deprived them of food, sleep, and hope. Vividly written and impossible to forget, A Thousand Lives is a story of blind loyalty and daring escapes, of corrupted ideals and senseless, haunting loss.
CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success.
Guyana, Suriname, and French Guiana are among the least-known places in South America: nine hundred miles of muddy coastline giving way to a forest so dense that even today there are virtually no roads through it; a string of rickety coastal towns situated between the mouths of the Orinoco and Amazon Rivers, where living is so difficult that as many Guianese live abroad as in their homelands; an interior of watery, green anarchy where border disputes are often based on ancient Elizabethan maps, where flora and fauna are still being discovered, where thousands of rivers remain mostly impassable. And under the lens of John Gimlette—brilliantly offbeat, irreverent, and canny—these three small countries are among the most wildly intriguing places on earth. On an expedition that will last three months, he takes us deep into a remarkable world of swamp and jungle, from the hideouts of runaway slaves to the vegetation-strangled remnants of penal colonies and forts, from “Little Paris” to a settlement built around a satellite launch pad. He recounts the complicated, often surprisingly bloody, history of the region—including the infamous 1978 cult suicide at Jonestown—and introduces us to its inhabitants: from the world’s largest ants to fluorescent purple frogs to head-crushing jaguars; from indigenous tribes who still live by sorcery to descendants of African slaves, Dutch conquerors, Hmong refugees, Irish adventurers, and Scottish outlaws; from high-tech pirates to hapless pioneers for whom this stunning, strangely beautiful world (“a sort of X-rated Garden of Eden”) has become home by choice or by force. In Wild Coast, John Gimlette guides us through a fabulously entertaining, eye-opening—and sometimes jaw-dropping—journey.
"As the twentieth century draws to a close, Maria is at the start of a life she never thought possible. She and Khalil, her college sweetheart, are planning their wedding. They are the perfect couple, 'King and Queen of the Racially Nebulous Prom.' Their skin is the same shade of beige. They live together in a black bohemian enclave in Brooklyn, where Khalil is riding the wave of the first dot-com boom and Maria is plugging away at her dissertation on the Jonestown massacre ... Everything Maria knows she should want lies before her--yet she can't stop daydreaming about another man, a poet she barely knows"--Back cover.
Jonestown. The Solar Temple. Heaven's Gate. In the summer of 1990, the Payson Church of Tomorrow joins the ranks of those infamous cult suicides when thirty-four members burn to death on a small island off the coast of Maine. At ten years old, Payson member Erin Solomon watches helplessly as the church and its congregation are reduced to ash and embers. More than twenty years later, Erin is an accomplished investigative journalist when she receives word that she has inherited Payson Isle... and all its ghosts. She returns to Maine to learn the truth behind the tragedy that has haunted her since childhood, aided by the rakish mentor who's stood by her side since she was a teenager, her trusty mutt Einstein, and a mysterious stranger with his own dark past. Soon, Erin is enmeshed in a decades-old conspiracy rooted in lust, delusion, and betrayal, as she fights to unearth the secrets of the Payson Church of Tomorrow -- secrets someone will kill to keep buried.