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A project of the Johnson County Historical and Genealogical Society.
" ... provides updated county and town listings within the same overall state-by-state organization ... information on records and holdings for every county in the United States, as well as excellent maps from renowned mapmaker William Dollarhide ... The availability of census records such as federal, state, and territorial census reports is covered in detail ... Vital records are also discussed, including when and where they were kept and how"--Publisher decription.
Keen Johnson was governor of Kentucky from 1939 to 1943—years that spanned the end of the Depression and the initial involvement of this country in the Second World War. The account of Johnson's administration is chronicled here through a collection of his public papers. The material, organized by subject and arranged chronologically within each area, presents a rather clear picture of Governor Johnson's plans and concerns for Kentucky and of the actions he took as chief executive on behalf of the state. In contrast to contemporary procedures concerning the preservation of governors' papers in university and state archives, many of the Johnson papers were difficult to locate and, apart from a few complete speech manuscripts, were reconstructed in large part from cards containing outlines and notes for speeches, along with many state and local newspaper accounts of speeches he made and of events in which he participated. Many speeches have been extensively footnoted by the editor to provide the reader with supplementary information. Also included in this volume is a perceptive evaluation of the Johnson administration by H. Clyde Reeves, who served in it as a commissioner of revenue. The appendix offers as complete a listing as was possible to reconstruct of the speeches delivered by Governor Johnson during his term of office.
The Caudill (Cordell, Cordle, Caudle etc.) family in Virginia, North Carolina, Kentucky, Ohio and elsewhere. James Caudill, Sr., son of Stephen Caudill, the progenitor of this family, appears on the 1752 Lunenburg Co., Virginia Tax list. In 1784 he appears in Wilkes County, North Carolina Census. He was married to Mary Yarbrough?. They had four children born between ca. 1753 and 1773 in Lunenburg Co., Va. and Wilkes Co., N.C.
Scholarly essays on the achievements of female artists working in and inspired by the American South Looking back at her lengthy career just four years before her death, modernist painter Nell Blaine said, "Art is central to my life. Not being able to make or see art would be a major deprivation." The Virginia native's creative path began early, and, during the course of her life, she overcame significant barriers in her quest to make and even see art, including serious vision problems, polio, and paralysis. And then there was her gender. In 1957 Blaine was hailed by Life magazine as someone to watch, profiled alongside four other emerging painters whom the journalist praised "not as notable women artists but as notable artists who happen to be women." In Central to Their Lives, twenty-six noted art historians offer scholarly insight into the achievements of female artists working in and inspired by the American South. Spanning the decades between the late 1890s and early 1960s, this volume examines the complex challenges these artists faced in a traditionally conservative region during a period in which women's social, cultural, and political roles were being redefined and reinterpreted. The presentation—and its companion exhibition—features artists from all of the Southern states, including Dusti Bongé, Anne Goldthwaite, Anna Hyatt Huntington, Ida Kohlmeyer, Loïs Mailou Jones, Alma Thomas, and Helen Turner. These essays examine how the variables of historical gender norms, educational barriers, race, regionalism, sisterhood, suffrage, and modernism mitigated and motivated these women who were seeking expression on canvas or in clay. Whether working from studio space, in spare rooms at home, or on the world stage, these artists made remarkable contributions to the art world while fostering future generations of artists through instruction, incorporating new aesthetics into the fine arts, and challenging the status quo. Sylvia Yount, the Lawrence A. Fleischman Curator in Charge of the American Wing at the Metropolitan Museum of Art, provides a foreword to the volume. Contributors: Sara C. Arnold Daniel Belasco Lynne Blackman Carolyn J. Brown Erin R. Corrales-Diaz John A. Cuthbert Juilee Decker Nancy M. Doll Jane W. Faquin Elizabeth C. Hamilton Elizabeth S. Hawley Maia Jalenak Karen Towers Klacsmann Sandy McCain Dwight McInvaill Courtney A. McNeil Christopher C. Oliver Julie Pierotti Deborah C. Pollack Robin R. Salmon Mary Louise Soldo Schultz Martha R. Severens Evie Torrono Stephen C. Wicks Kristen Miller Zohn