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John's Gospel begins: "In the beginning was the Word, and the Word was with God, and the Word was God. He was with God in the beginning. Through him all things were made; without him, nothing was made that has been made."
Rocks firmly anchored to the ground and rocks floating through space fascinate us. Jewelry, houses, and roads are just some of the ways we use what has been made from geologic processes to advance civilization. Whether scrambling over a rocky beach, or gazing at spectacular meteor showers, we can't get enough of geology! The Geology Bookwill teach you: What really carved the Grand Canyon. How thick the Earth's crust is. The varied features of the Earth's surface - from plains to peaks. How sedimentary deposition occurs through water, wind, and ice. Effects of erosion. Ways in which sediments become sedimentary rock. Fossilization and the age of the dinosaurs. The powerful effects of volcanic activity. Continental drift theory. Radioisotope and carbon dating. Geologic processes of the past. Our planet is a most suitable home. Its practical benefits are also enhanced by the sheer beauty of rolling hills, solitary plains, churning seas and rivers, and majestic mountains - all set in place by processes that are relevant to today's entire population of this spinning rock we call home.
In this astute mix of cultural critique and biblical studies, John H. Walton presents and defends twenty propositions supporting a literary and theological understanding of Genesis 1 within the context of the ancient Near Eastern world and unpacks its implications for our modern scientific understanding of origins.
In the 1950s the brethren at the Benedictine Abbey of Saint John the Baptist in Collegeville, Minnesota—the largest Benedictine abbey in the world—decided to expand their campus, including building a new church. From a who’s who of architectural stars—such as Walter Gropius, Richard Neutra, Pietro Belluschi, Barry Byrne, and Eero Saarinen—the Benedictines chose a former member of the Bauhaus, Marcel Breuer. In collaboration with the monks, this untested religious designer produced a work of modern sculptural concrete architecture that reenvisioned what a church could be and set a worldwide standard for midcentury religious design. Saint John’s Abbey Church documents the dialogue of the design process, as Breuer instructed the monks about architecture and they in turn guided him and his associates in the construction of a sacred space in the crucial years of liturgical reform. A reading of letters, drawings, and other archival materials shows how these conversations gave shape to design elements from the church’s floor plan to the liturgical furnishings, art, and incomparable stained glass installed within it. The book offers a rare detailed view of how a patron and architect work together in a successful building campaign—one that, in this case, lasted for two decades and resulted in designs for twelve buildings, ten of which were completed. The post–World War II years were critical in the development of religious and architectural experiences in the United States—experiences that came together in the construction of Saint John’s Abbey and University Church and that find their full expression in Victoria M. Young’s account of the process. Using the liturgy of the mid-twentieth century as a cornerstone for understanding the architecture produced to support it, her book showcases the importance of modernism in the design of sacred space, and of Marcel Breuer’s role in setting the standard.
Traces history of Art Brut from Adolf Wolfli to American folk artists.
Building on many years of research and study in Johannine literature, Andreas Köstenberger not only furnishes an exhaustive theology of John's Gospel and letters, but also provides a detailed study of major themes and relates them to the Synoptic Gospels and other New Testament books. --from publisher description
Sosa Siliezar investigates the presence and significance of creation imagery in the Gospel of John. He argues that John has intentionally included only a limited (albeit significant) number of instances of creation imagery and that he has positioned them carefully to highlight their significance. Sosa Siliezar contends that the instances of creation imagery used in varying contexts function collectively in a threefold way that is consonant with John's overall argument. First, John uses them to portray Jesus in close relationship with his Father, existing apart from and prior to the created order. Second, John uses creation imagery to assert the primal and universal significance of Jesus and the message about him, and to privilege him over other important figures in the story of Israel. Third, John uses creation imagery to link past reality with present and future reality, portraying Jesus as the agent of creation whom the reader should regard as the primal agent of revelation and salvation. The book concludes by underscoring how these findings inform our understanding of John's Christology and Johannine dualism.
Studies of the historical Jesus typically reduce John the Baptist to a subordinate role in the story of Christian origins. This meticulous historical study focuses on John himself, revealing his extensive and enduring influence. In the popular imagination, John the Baptist plays the supporting role of Jesus’s unkempt forerunner. But meticulous historical study reveals his wide-reaching and enduring influence on the history of religion. The first study of its kind, John of History, Baptist of Faith sheds light on the historical John the Baptist and his world. James F. McGrath applies historical-critical methodology not only to the New Testament but also to the Mandaean Book of John, a holy text of the last extant gnostic sect. McGrath uses the teachings of John’s pupil, Jesus, as a window into his mentor’s beliefs. Along the way, he brings new clarity to questions of contention among scholars, such as John’s use of immersion as a substitute for temple sacrifice. Bold in its claims yet careful in its method, John of History, Baptist of Faith lends fresh insight into John, Jesus, and their world. McGrath’s pioneering monograph will challenge and intrigue students and scholars of the New Testament and Second Temple Judaism.
If, as some scholars attest, Christianity has been complicit in the destruction of the environment, then Christianity can and must also have a role in changing human behavior in a way that helps to solve this massive problem. In Creation is Groaning, a set of highly regarded theologians and Scripture scholars offer a theology and spirituality of creation based on principles of eco-justice and environmental responsibility. Contributors to this volume are Denis Edwards, Antoinette Collins, Dermot Nestor, Laurie Woods, Mary Coloe, and Anthony Kelly. Key elements of their project include: tracing the development of Israel's view of creation through different historical situations and key writings, with a particular focus on what ethical responsibilities toward creation emerge from its theology examining Israel's theology of Sabbath" and its developing understanding of the end time, thus encompassing creation in its origins and its final destiny considering the cosmic impact of the Jesus event as Paul and John understood it Together, the authors establish a firm foundation for a new ethic that promotes the flourishing of all planetary life and a just global community.