Download Free John Zoffany Ra His Life And Works Book in PDF and EPUB Free Download. You can read online John Zoffany Ra His Life And Works and write the review.

William Pressly presents for the first time a close analysis of two important, neglected paintings, arguing that they are among the most extraordinary works of art devoted to the French Revolution. Johan Zoffany's Plundering the King's Cellar at Paris, August 10, 1792, and Celebrating over the Bodies of the Swiss Soldiers, both painted in about 1794, represent events that helped turn the English against the Revolution. Pressly places both paintings in their historical context—a time of heightened anti-French hysteria—and relates them to pictorial conventions: contemporary history painting, the depiction of urban mobs in satiric and festival imagery, and Hogarth's humorous presentation of modern moral subjects, all of which Zoffany adopted and reinvented for his own purposes. Pressly relates the paintings to Zoffany's status as a German-born Catholic living in Protestant England and to Zoffany's vision of revolutionary justice and the role played by the sansculottes, women, and blacks. He also examines the religious dimension in Zoffany's paintings, showing how they broke new ground by conveying Christian themes in a radically new format. Art historians will find Pressly's book of immense value, as will cultural historians interested in religion, gender, and race.
Catalog accompanying an exhibition held at the Yale Center for British Art, New Haven, Conn., Oct. 27-Feb. 12, 2012, and at the Royal Academy of Arts, London, Mar. 10-June 10, 2012.
Mrs Papendiek’s Memoirs record events at court from 1761 – when the future Queen Charlotte came to England to marry King George – until 1792. The Papendieks knew many musicians, including John Christian Bach (son of Johann Sebastian), William Herschel (who became an astronomer) and Haydn. The memoirs also record meetings with artists of the day, such as Thomas Lawrence and Thomas Gainsborough. They are a unique resource, recording significant information about living conditions, dress, education and Anglo-German relations.Volume 1 spans 1765–1840.
"[Leppert's] originality is immensely encouraging to those of us who are convinced that musicology is undergoing a paradigmatic change."—Derek B. Scott, author of The Singing Bourgeois "A wonderfully stimulating book. . . . Will be of great importance to musicologists and students of culture generally."—Ruth Solie, editor of Musicology and Difference
In one of the most sensational and perplexing incidents in naval history, Rear Admiral Richard Kempenfelt, a much-voyaged veteran and outstanding officer, drowned along with more than 800 crew and many civilian visitors, male and female, on a calm summer’s morning and in a familiar anchorage. This new work examines that tragedy – the sudden capsizing at Spithead on 29 August 1782 of the mighty flagship HMS Royal George. This is the first comprehensive account of the calamity and is based on a wide variety of contemporary sources, including reports by survivors and eyewitnesses. It discusses such issues as how and why she sank; on whom, if anyone, the blame should fall; the number and nature of the casualties; and the disaster's impact on the nation's psyche, including its treatment in literature. In its pages are encountered, by name and fate, some of the hitherto anonymous seamen who were on the ship and who lived to become the last remaining survivors; these included the only woman to be picked up alive, out of perhaps 300 who were on board. As well as describing the sinking, the book provides information never before uncovered on the life and career of Kempenfelt, whose flagship Royal George was, ranging from his hitherto unknown maternal ancestry (through which it is shown that he was related to his great contemporary, Admiral Rodney) to accounts of his whereabouts when the ship sank. These call into question the now-set-in-stone scenario in William Cowper's famous poem, which depicts Kempenfelt writing in his cabin when she foundered. Although the Royal George has receded from national memory in recent years, the tragedy was for a long time front and centre in representations of British naval culture, and this absorbing account – part detective story, part historical narrative – will bring to a new audience an extraordinary tale from the heyday of Britain’s naval power.
Global Gifts considers the role that the circulation of material culture played in the establishment of early modern global diplomacy.
This is the first biography of Thomas Harris: confidant of George III, ‘spin doctor’, philanthropist, sexual suspect, brothel owner, and the man who controlled Covent Garden theatre for nearly five decades.