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This first-ever biography of John William Ward, the fourteenth president of Amherst College, explores the roots of his idealism and covers his presidency, his later success in Massachusetts politics, and the events leading up to his eventual suicide. President from 1971 to 1979, Ward served during a tumultuous period in the history of the elite liberal arts college, and in the history of the nation. He presided over the once all-male college's transition to coeducation, worked to support African-American students in their fight for equality and justice, and was arrested for civil disobedience in protest against the Vietnam War. Ward was emblematic of his time. Idealist that he was, he tried to make Amherst College a model of a democratic society. Defeated in ugly battles with the faculty, Ward resigned as president but went on to great success in the rougher world of Massachusetts politics. He made headlines for his leadership of a state commission that spent more than two years investigating corruption in the awarding of building contracts, resulting in the passage of laws that guaranteed reforms. This long-overdue volume is the first complete study of Ward--a self-made man, proof that the American Dream could come true, but who ultimately saw his personal and professional life collapse. It sheds light on Amherst College, on higher education more broadly, on suicide, and on the United States in the 1960s and '70s.
Was the man who lent his name to "Jacksonian America" a rough-hewn frontiersman? A powerful, victorious general? Or merely a man of will? Separating myth from reality, John William Ward here demonstrates how Andrew Jackson captured the imagination of a generation of Americans and came to represent not just leadership but the ideal of courage, foresight, and ability.
During John William Ward’s time as president of Amherst College, he dealt with issues of gender and sexuality through the integration of women into a traditionally masculine culture, as well as issues of race, generational differences, a growing student dissatisfaction with American intervention in Vietnam, and the difference between academic theory and action. Like the examination of any college president’s tenure, an examination of Ward’s is an examination of the relationships between the college administration and the students, faculty, staff, and alumni.
The first major collection of master photographer John Ward's gorgeously detailed black-and-white images of the American West
The Ward family often told William Ward that he saw and experienced more miracles than any man alive. In this volume of inspiring true stories, Dr. Ward recounts the most outstanding miracles he saw God do over a span of more than eighty years.
This first-ever biography of John William Ward, the fourteenth president of Amherst College, explores the roots of his idealism and covers his presidency, his later success in Massachusetts politics, and the events leading up to his eventual suicide. President from 1971 to 1979, Ward served during a tumultuous period in the history of the elite liberal arts college, and in the history of the nation. He presided over the once all-male college's transition to coeducation, worked to support African-American students in their fight for equality and justice, and was arrested for civil disobedience in protest against the Vietnam War. Ward was emblematic of his time. Idealist that he was, he tried to make Amherst College a model of a democratic society. Defeated in ugly battles with the faculty, Ward resigned as president but went on to great success in the rougher world of Massachusetts politics. He made headlines for his leadership of a state commission that spent more than two years investigating corruption in the awarding of building contracts, resulting in the passage of laws that guaranteed reforms. This long-overdue volume is the first complete study of Ward--a self-made man, proof that the American Dream could come true, but who ultimately saw his personal and professional life collapse. It sheds light on Amherst College, on higher education more broadly, on suicide, and on the United States in the 1960s and '70s.
A black child protests an unjust law in this story loosely based on Rosa Parks' historic decision not to give up her seat to a white passenger on a bus in Montgomery, Alabama, in 1955.
Like the holiday itself, Seven Days of Kwanzaa celebrates people pulling together to make things better. John Ward's illustrations illuminate a text that honors the richness of African-American culture and traditions--from lighting candles to singing songs to storytelling. Full color.
These were unique, complex, personal and professional relationships between master director John Ford and his two favorite actors, John Wayne and Ward Bond. The book provides a biography of each and a detailed exploration of Ford's work as it was intertwined with the lives and work of both Wayne and Bond (whose biography here is the first ever published). The book reveals fascinating accounts of ingenuity, creativity, toil, perseverance, bravery, debauchery, futility, abuse, masochism, mayhem, violence, warfare, open- and closed-mindedness, control and chaos, brilliance and stupidity, rationality and insanity, friendship and a testing of its limits, love and hate--all committed by a "half-genius, half-Irish" cinematic visionary and his two surrogate sons: Three Bad Men.