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Analyzes the modern myth of the cowboy as it appears in movies, advertising, the rodeo, and fiction, and gauges its effect on American thought
In the world of Western films, Randolph Scott, Joel McCrea, and Audie Murphy have frequently been overlooked in favor of names like Roy Rogers and John Wayne. Yet these three actors played a crucial role in the changing environment of the post-World War II Western, and, in the process, made many excellent middle-budget films that are still a pleasure to watch. This account of these three Western stars' careers begins in 1946, when Scott and McCrea committed themselves to the Western roles they would play for nearly twenty years. Murphy, who also joined them in 1946, would continue his Western career for a few years after his cohorts rode into the film sunset. Arranged chronologically, and balanced among the three actors, the text concludes with Audie Murphy's last Western in 1967. Covering both the personal and professional lives of these three Hollywood cowboys, the book provides both their stories and the story of a Hollywood whose attitude toward the Western was in a time of transition and transformation. The text is complemented by 60 photographs and a filmography for each of the three.
In this collection featuring rough-and-tumble outlaws, four popular romance authors serve up sexy stories, including one by Jodi Thomas, in which Cozette Camanez, in order to save her family's ranch, forces an unsuspecting thief into marriage. Original.
"USA Today"-bestselling author Thomas headlines a collection of stories that feature four rugged, red-blooded Texas Rangers and the women who tame them. Includes contributions by Linda L. Broday, Dewanna Pace, and Phyllis Miranda. Original.
The horses that captured the moviegoers’ hearts are the common denominator in Hollywood Hoofbeats. As author Petrine Day Mitchum writes, “the movies as we know them would be vastly different without horses. There would be no Westerns—no cowboy named John Wayne—no Gone with the Wind, no Ben Hur, no Dances with Wolves…” no War Horse, no True Grit, no Avatar! Those last three 21st-century Hollywood creations are among the new films covered in this expanded second edition of Hollywood Hoofbeats written by the daughter of movie star Robert Mitchum, who himself appeared on the silver screen atop a handsome chestnut gelding. Having grown up around movie stars and horses, Petrine Day Mitchum is the ideal author to pay tribute to the thousands of equine actors that have entertained the world since the inception of the film medium. From the early days of D.W. Griffith’s The Great Train Robbery to Quentin Tarantino’s Django Unchained, this celebration of movies promises something for every Hollywood fan… the raucous comedy of Abbot and Costello (and “Teabiscuit”) in It Ain’t Hay, a classic sports films like National Velvet starring Elizabeth Taylor, a timeless epic with Errol Flynn, and films featuring guitar-strumming cowboys like Gene Autry and Roy Rogers. INSIDE HOLLYWOOD HOOFBEATS Movie trivia and fascinating anecdotes about the stars of yesterday and today An inside look at the stunts horses performed in motion pictures and the lingering controversies Hundreds of illustrations, including rare movie posters, movie stills, and film clips Updated, expanded text including coverage of new movies and photographs Chapters devoted to action films, Westerns, comedies, musicals, child stars, and more Famous TV programs and their horses including Mr. Ed and Silver (Lone Ranger)
This revelatory biography shows how both the facts and fictions about John Wayne illuminate his singular life.
Over 450 entries provide information on cowboy history, culture, and myth of both North and South America.
Seminar paper from the year 2008 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,3, University of Rostock (Institut für Anglistik/Amerikanistik), language: English, abstract: In the following pages of this term-paper, a comparison, amongst the characters of Sheriff John T. Chance played by John Wayne and Outlaw Josey Wales personated by Clint Eastwood, will be exerted. For this endeavor, two films that constitute a remarkable landmark for those very particular actors are going to be considered – “Rio Bravo” by Howard Marks filmed in 1959 and “The Outlaw Josey Wales” self-directed by Clint Eastwood in 1976. Both movies embody a threshold-situation for each one of them. In Rio Bravo John Wayne, the “bigger-than-life-cowboy-hero”, became older and was no longer the lonesome stranger as opposed to his previous appearances. With the role of the Sheriff John T. Chance, Howard Hawks took Wayne out of the fifties and brought him into the sixties. That shift is illustrated as Wayne was now seen with a rifle instead of a pistol and furthermore exemplified because he saw others who were faster. In conjunction with this he now transformed into the leader of a team, and this was representative of the significant change which had taken place in western movies, with the transition from adult western to professionalism. Clint Eastwood is praised as the supernatural “Man with No Name” to the undead, the one who wreaks vengeance to the unforgiven, whose veneer of renunciation gives away revelations of guilt and terror. Unlike in the Leone-Trilogy, his character was transformed into a man named “Josey Wales”, but he maintained all of his abilities. Wales says little, keeps his face hidden in the shadows, has an almost godlike personal invulnerability and lives by a code we have to intuit, because he would rather die than explain it aloud. He has the aptitude to wipe out six, eight, or even ten bad guys before they can fire off a single shot. He plays it extremely cool and keeps the audience believing that he has everything under control in any situation, no matter how thrilling the situation may be – a MAN. Both – Wales and Chance – can be considered heroes but what kind of heroes? How do they embody their heroism? Do they have a past, a family, and friends or do they appear from no-where? What is remarkable for each one of the characters and what is similar? These questions are an integral component of the comparison of the two hero roles and the following pages of this term-paper shall try to give some answers.