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JOHN STEVENS’ COURTSHIP BY SUSA YOUNG GATES John Stevens' Courtship is a novel by Susa Young Gates. In this story of love, we hark back to a rugged setting of pioneer days and war, where a young woman must find her way. KEY FEATURES OF THIS BOOK This book was written especially for Latter-day Saints This is an unabridged reprint of the original manuscript Available in multiple formats: Paperback Hard cover eBook Large print paperback Large print hard cover Audiobook Properly formatted for aesthetics and ease of reading. Custom Table of Contents and Design elements for each chapter The Copyright page has been placed at the end of the book, as to not impede the content and flow of the book. ABOUT THIS BOOK Original publication: 1909 Chapters: 42 Words: 85,000 This book makes a wonderful addition to any Latter-day Saint library ABOUT US At Latter-day Strengths we have taken the time and care into formatting this book to make it the best possible reading experience. We specialize in publishing classic books for Latter-day Saints and have been publishing books since 2014. We now have over 500 book listings available for purchase. Enjoy!
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1909 edition. Excerpt: ... II. DIANTHA FORGETS JOHN HE next morning at daybreak, the party began the long steady climb amidst crags and pine covered hills, up through the rocky windings of "The Stairs," and still up. The party laughed, sang, walked, climbed, or rested for a moment beside the churning, foaming mountain stream or beneath the shadowing pine trees which bordered the newly made road. As the long cavalcade wound in and out between the hills, the two girls in the wagon drawn by John Stevens' spirited horses, sang and laughed in gayest abandon. Aunt Clara's eyes were full of tender gratitude for such happiness, for she had known the sorrows of many mobbings and drivings.. This haven of peace and joyous plenty was a foretaste of heaven to the faithful heart which had braved more than the persecution of strangers; for Aunt Clara had left home, parents, and all she held dear for the sake of that Gospel which spelled Truth and Life Everlasting to its faithful votaries. "Oh, John," cried Diantha at last, "You must let Ellie and me walk; I just can't resist the pleading call of those gorgeous flowers. Bluebells, and red-bells--and oh, the exquisite columbines! Look, Ellie, look! Stop, John, stop! Ellie and I will walk." John himself was walking beside his team up the heavy, seemingly never-ending grade of that twenty mile ascent, while Tom Allen and Charlie Rose placed an occasional block under the wheels; or stood upon them, while the panting horses rested for a moment. "Here you are," called Charlie, as he heard Dian's plea, " 'my waiting arms will hold you, '" and he held out his arms in mock pleading. "Aunt Clara's lips will scold you," jeered Dian as she climbed safely down on the other side. But Ellen jumped gayly into the grasp of the waiting cavalier, ...
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Counted as one of the first members of the Church of Jesus Christ of Latter-day Saints. Lydia Knight's life story is full of hardships and revelations. The plot introduces her as a broken-hearted young mother. Lydia gets invited to Joseph Smith and Syndey Rigdon and the church. It gave her renewed hope and strength. These qualities guided this faithful pioneer woman as she moved from one place to the next, many times driven by an angry mob.
Judith Sargent Murray (1751-1820), poet, essayist, playwright, and one of the most thoroughgoing advocates of women's rights in early America, was as well known in her own day as Abigail Adams or Martha Washington. Her name, though, has virtually disappeared from the public consciousness. Thanks to the recent discovery of Murray's papers—including some 2,500 personal letters—historian Sheila L. Skemp has documented the compelling story of this talented and most unusual eighteenth-century woman. Born in Gloucester, Massachussetts, Murray moved to Boston in 1793 with her second husband, Universalist minister John Murray. There she became part of the city's literary scene. Two of her plays were performed at Federal Street Theater, making her the first American woman to have a play produced in Boston. There as well she wrote and published her magnum opus, The Gleaner, a three-volume "miscellany" that included poems, essays, and the novel-like story "Margaretta." After 1800, Murray's output diminished and her hopes for literary renown faded. Suffering from the backlash against women's rights that had begun to permeate American society, struggling with economic difficulties, and concerned about providing the best possible education for her daughter, she devoted little time to writing. But while her efforts diminished, they never ceased. Murray was determined to transcend the boundaries that limited women of her era and worked tirelessly to have women granted the same right to the "pursuit of happiness" immortalized in the Declaration of Independence. She questioned the meaning of gender itself, emphasizing the human qualities men and women shared, arguing that the apparent distinctions were the consequence of nurture, not nature. Although she was disappointed in the results of her efforts, Murray nevertheless left a rich intellectual and literary legacy, in which she challenged the new nation to fulfill its promise of equality to all citizens.
Women Writers of the American West, 1833–1927 recovers the names and works of hundreds of women who wrote about the American West during the nineteenth and early twentieth centuries, some of them long forgotten and others better known novelists, poets, memoirists, and historians such as Willa Cather and Mary Austin Holley. Nina Baym mined literary and cultural histories, anthologies, scholarly essays, catalogs, advertisements, and online resources to debunk critical assumptions that women did not publish about the West as much as they did about other regions. Elucidating a substantial body of nearly 650 books of all kinds by more than 300 writers, Baym reveals how the authors showed women making lives for themselves in the West, how they represented the diverse region, and how they represented themselves. Baym accounts for a wide range of genres and geographies, affirming that the literature of the West was always more than cowboy tales and dime novels. Nor did the West consist of a single landscape, as women living in the expanses of Texas saw a different world from that seen by women in gold rush California. Although many women writers of the American West accepted domestic agendas crucial to the development of families, farms, and businesses, they also found ways to be forceful agents of change, whether by taking on political positions, deriding male arrogance, or, as their voluminous published works show, speaking out when they were expected to be silent.
A 1997 bibliography of American fiction from 1901-1925.