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Collected interviews with the director of Boys N the Hood, Poetic Justice, Four Brothers, and other films
At twenty-four John Singleton became the youngest filmmaker and only African American ever to be nominated for Best Director (and Best Screenplay) for Boyz N the Hood, his debut feature film. Only a year after receiving such sensational acclaim for that debut, Singleton has returned to the Hood. His new film, Poetic Justice, which stars Janet Jackson and features the poetry of Maya Angelou, gives voice to young African-American women.
"A stunning biography…[A] truly singular account of the American Revolution." —Amanda Foreman, author of A World on Fire Through an intimate narrative of the life of painter John Singleton Copley, award-winning historian Jane Kamensky reveals the world of the American Revolution, rife with divided loyalties and tangled sympathies. Famed today for his portraits of patriot leaders like Samuel Adams and Paul Revere, Copley is celebrated as one of America’s founding artists. But, married to the daughter of a tea merchant and seeking artistic approval from abroad, he could not sever his own ties with Great Britain. Rather, ambition took him to London just as the war began. His view from abroad as rich and fascinating as his harrowing experiences of patriotism in Boston, Copley’s refusal to choose sides cost him dearly. Yet to this day, his towering artistic legacy remains shared by America and Britain alike.
"Colonel Mosby was a 'Virginian of the Virginians', educated at the State's University, and seemed destined to pass his life as an obscure Virginia attorney, when war brought him his opportunity for fame. The following pages contain the story of his life as private in the cavalry, as a scout, and as a leader as partisans"--Introduction.
The nurses call this place the Bin. We have to get out. We have to run away before they hurt us for good. But there's no escaping Dr Dearly and his brutality � is there? Four extraordinary children face a terrifying ordeal. Their only hope is local hard-case Nail � but has he got what it takes to save them? Brutal, tender and unforgettable, Angel Blood creates its own extraordinary and brilliant world.
This book provides an introduction to band theory and the electronic properties of materials at a level suitable for final-year undergraduates or first-year graduate students. It sets out to provide the vocabulary and quantum-mechanical training necessary to understand the electronic, optical and structural properties of the materials met in science and technology and describes some of the experimental techniques which are used to study band structure today. In order to leave space for recent developments, the Drude model and the introduction of quantum statistics are treated synoptically. However, Bloch's theorem and two tractable limits, a very weak periodic potential and the tight-binding model, are developed rigorously and in three dimensions. Having introduced the ideas of bands, effective masses and holes, semiconductor and metals are treated in some detail, along with the newer ideas of artificial structures such as super-lattices and quantum wells, layered organic substances and oxides. Some recent `hot topics' in research are covered, e.g. the fractional Quantum Hall Effect and nano-devices, which can be understood using the techniques developed in the book. In illustrating examples of e.g. the de Haas-van Alphen effect, the book focuses on recent experimental data, showing that the field is a vibrant and exciting one. References to many recent review articles are provided, so that the student can conduct research into a chosen topic at a deeper level. Several appendices treating topics such as phonons and crystal structure make the book self-contained introduction to the fundamentals of band theory and electronic properties in condensed matter physic today.
This beautifully and thoroughly illustrated book, which constitutes the first serious investigation of the relationship between Benjamin West and John Singleton Copley, will be of considerable interest to both British and American art historians, and appeal to art lovers from both countries.00The book begins with a brief prologue discussing the earliest of West?s depictions of recent historical events and of subjects set in America, painted prior to Copley?s arrival in England. It then follows the year-by-year evolution of Copley?s painting from 1775 to his death in 1815, with an underlying focus upon his ongoing give-and-take with West, and it ends with examination of hitherto little-known and unstudied major late paintings, from after 1800, by both artists.
This book analyzes the competitive forces which dominate this major sector, and traces how the nature of competition has evolved during the last two hundred years. Through an analysis of key factors, including demand, related and supporting industries, firm strategy, structure and national rivalry, chance and government policy, the author explains how and why the locus of competitive advantage in textiles and apparel has moved from country to country, particularly in the period since 1945.
Features the uncensored life story of John Singleton: his mates, his women, and his larrikin ways. Kerry Packer calls him one of the few men who he would trust with a handshake. Four of his ex-wives still think of him as the most charming, romantic man they will ever meet. Yet, he is also a figure of controversy. This work presents his biography.
A lavish, illustrated volume published to accompany an exhibition of Copley's work that will be traveling to several cities during 1996. The focus is on the paintings, miniatures, and pastels that Copley, the supreme portraitist of the colonial era, produced before he moved to London in 1774. Four principal essays place the work in historical and social context and bring new critical methods to bear upon the study of portraits and portraiture; four shorter essays treat various aspects of Copley's art and techniques. Catalog entries detail the sitters' lives and the ways in which Copley enhanced his subjects' status and presence. 10x12.25" Annotation copyright by Book News, Inc., Portland, OR