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A treatise concerning papal powers and rights in the politics and temporal affairs of France, written during the clash between King Philip IV of France and Pope Boniface III. -- p. 11.
A NEW YORK TIMES "SUMMER READING" PICK! From the incomparable John Baxter, award-winning author of the bestselling The Most Beautiful Walk in the World, a sumptuous and definitive portrait of Paris through the seasons, highlighting the unique tastes, sights, and changing personality of the city in spring, summer, fall, and winter. When the common people of France revolted in 1789, one of the first ways they chose to correct the excesses of the monarchy and the church was to rename the months of the year. Selected by poet and playwright Philippe-Francois-Nazaire Fabre, these new names reflected what took place at that season in the natural world; Fructidor was the month of fruit, Floréal that of flowers, while the winter wind (vent) dominated Ventôse. Though the names didn’t stick, these seasonal rhythms of the year continue to define Parisians, as well as travelers to the city. As acclaimed author and long-time Paris resident John Baxter himself recollects, “My own arrival in France took place in Nivôse, the month of snow, and continued in Pluviôse, the season of rain. To someone coming from Los Angeles, where seasons barely existed, the shock was visceral. Struggling to adjust, I found reassurance in the literature, music, even the cuisine of my adoptive country, all of which marched to the inaudible drummer of the seasons.” Devoting a section of the book to each of Fabre’s months, Baxter draws upon Paris’s literary, cultural and artistic past to paint an affecting, unforgettable portrait of the city. Touching upon the various ghosts of Paris past, from Hemingway and Zelda Fitzgerald, to Claude Debussy to MFK Fisher to Francois Mitterrand, Baxter evokes the rhythms of the seasons in the City of Light, and the sense of wonder they can arouse for all who visit and live there. A melange of history, travel reportage, and myth, of high culture and low, A Year in Paris is vintage John Baxter: a vicarious thrill ride for anyone who loves Paris.
This book makes use of vivid primary documents to provide a fascinating portrait of Paris in the year 1200: a key moment in its history, when the modern French capital was being born.
"In July 1905, in Paris, a young woman, a bride, becomes Marie Schad. In April 1984, in London, Marie Schad is declared to be no more--indeed, to never have been, and returns to France. Paris Bride pursues this no-woman in a wild attempt to glimpse her face in the modernist crowd. With increasing desperation the pages of Stephane Mallarmé, Oscar Wilde, Franz Kafka, Virginia Woolf, Katherine Mansfield, Louis Aragon, André and Walter Benjamin are all ransacked for traces of Marie. What is pieced precariously together is an experimental life--a properly modernist life, a life that, by its very obscurity, lives the obscure life of modernism itself.
A hilarious, candid account of what life in France is actually like, from a writer for Vanity Fair and GQ Americans love to love Paris. We buy books about how the French parent, why French women don't get fat, and how to be Parisian wherever you are. While our work hours increase every year, we think longingly of the six weeks of vacation the French enjoy, imagining them at the seaside in stripes with plates of fruits de mer. John von Sothen fell in love with Paris through the stories his mother told of her year spent there as a student. And then, after falling for and marrying a French waitress he met in New York, von Sothen moved to Paris. But fifteen years in, he's finally ready to admit his mother's Paris is mostly a fantasy. In this hilarious and delightful collection of essays, von Sothen walks us through real life in Paris--not only myth-busting our Parisian daydreams but also revealing the inimitable and too often invisible pleasures of family life abroad. Relentlessly funny and full of incisive observations, Monsieur Mediocre is ultimately a love letter to France--to its absurdities, its history, its ideals--but it's a very French love letter: frank, smoky, unsentimental. It is a clear-eyed ode to a beautiful, complex, contradictory country from someone who both eagerly and grudgingly calls it home.
Since 1997 John Lichfield, The Independent's correspondent in France, has been sending dispatches back to the newspaper in London. More than transient news stories, the popular ‘Our Man in Paris' series consists of essays on all things French. Sometimes serious, at other times light-hearted, they offer varied vignettes of life in the hexagone and trace the author’s evolving relationship with his adopted country. Many of Lichfield’s themes concern the mysteries of Paris and its people. Who is responsible for the city’s extraordinary plumbing? How can you drive around the Arc de Triomphe and survive? He also ponders the phenomena that intrigue many foreigners, such as the eloquence of the capital’s beggars and the identity of the intimidating but fast disappearing concierge. Visiting places as different as the Musée d’Orsay and Disneyland, he explores culture high and low as well as the everyday pleasures and problems of living in Paris.
French writing and French thought have always been held in a certain glamorous esteem. For young, radical philosophers of the 1960s searching out intellectual enlightenment in Left Bank cafes and bookshops, for serious-minded semiologists wishing to deconstruct everything around them, and for fans of the formal novel, France has remained a source of stimulation and fresh ideas. John Sturrock has written for many years about French literature and thought, and here presents a wonderfully accessible guide to the major figures of the last fifty years. Reviewing the various movements that have dominated the French intellectual scene—existentialism, the nouveua roman, structuralism, the OuLiPo—he illustrates how their proponents inspire and excite. How Jean-Paul Sartre, originally an author of little-known fiction, fused politics and philosophy to become one of the best known public intellectuals of the century; how Jacques Lacan's flamboyantly expressed ideas made him a hero to professors of literature while offending many of his fellow psychoanalysts; and how Boris Vian, who trained as an engineer, celebrated in his writing much of what was enjoyable to the French about America: jazz music, a mysterious criminal underworld, an irrevocable youthfulness. Written with great elegance and expertise, the essays in The Word from Paris make for an illuminating journey through the intellectual and cultural terrain of twentieth-century France.
Drawing on Freudian theories of sexuality and Kant's conception of the beautiful, French art historian Hubert Damisch considers artists as diverse as Raphael, Picasso, Watteau, and Manet to demonstrate that beauty has always been connected to ideas of sexual difference and pleasure. Damisch's tale begins with the judgment of Paris, in which Paris awards Venus the golden apple and thus forever links beauty with desire. The casting of this decision as a mistake—in which desire is rewarded over wisdom and strength—is then linked to theories of the unconscious and psychological drives. In his quest for an exposition of the beautiful in its relation to visual pleasure, Damisch employs what he terms “analytic iconology,” following the revisions and repetitions of the motif of the judgment through art history, philosophy, aesthetics, and psychoanalysis. This translation brings an important figure of the French art historical tradition to Anglo-American audiences.
In the ultra-competitive junior hockey leagues in the early 1960s, a young man could tolerate nearly anything that helped him stand out from the hordes of other prospects, so John Paris, Jr. did just that. The African-Canadian from Nova Scotia dazzled and dominated on the ice -- often facing racism on and off the ice. It took courage. They Called Me Chocolate Rocket is the story of John’s life from his childhood in the Curry’s Corner section of Windsor, Nova Scotia, where he was rated one of the top junior prospects in Eastern Canada and scouted by the legendary Scotty Bowman, to his eventual decision to coach, beginning with the Montreal-area minor systems and on to the pro ranks with the IHL’s Atlanta Knights. Although John has an impressive resume, it is the stories of the complex life that he has lived -- persevering in a hockey world where blacks were rare -- that propel the book. From John being befriended by Rocket Richard as a junior, to being brought back from near-death in a Montreal hospital at age 25, to getting a “street lesson” in Atlanta when caught in a gang fight, and more. Now living in Dallas, Texas with his wife and young daughter, John is actively involved in hockey as a coach and principal instructor for top-level prospects, and works in prestigious U.S. junior development camps.