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"This study examines the impact of Rome and its vibrant culture upon Milton in the course of two two-monthly sojourns in the city in 1638-1639. Focusing on his neo-Latin writings pertaining to that period ("Ad Salsillum," the three Latin epigrams in praise of the soprano Leonora Baroni, and Epistola Familiaris 9, addressed to Lucas Holstenius), it presents new evidence of the academic, literary, and musical contexts surrounding Milton's pro-active integration into seicento Rome. Highlighting Milton's self-fashioning as one who was hospitably embraced by Catholic Rome, it traces his networking with distinguished Italian humanists (upon whom he left no slight an impression)"--
This collection of original essays by literary critics and historians analyzes a wide range of Milton’s writing, from his early poetry, through his mid-century political prose, to De Doctrina Christiana, which was unpublished in his lifetime, and finally to his last and greatest poems. The contributors investigate the rich variety of approaches to Milton’s engagement with Catholicism and its relationship to reformed religion. The essays address latent tensions and contradictions, explore the nuances of Milton’s relationship to the easy commonplaces of Protestant compatriots, and disclose the polemical strategies and tactics that often shape that engagement. The contributors link Milton and Catholicism with early modern confessional conflicts between Catholics and Protestants that in turn led to new models and standards of authority, scholarship, and interiority. In Milton’s case, he deployed anti-Catholicism as a rhetorical device and the negative example out of which Protestants could shape their identity. The contributors argue that Milton’s anti-Catholicism aligns with his understanding of inwardness and conscience and illuminates one of the central conflicts between Catholics and Protestants in the period. Building on recent scholarship on Catholic and anti-Catholic discourses over the English Tudor and Stuart period, new understandings of martyrdom, and scholarship on Catholic women, Milton and Catholicism, provides a diverse and multifaceted investigation into a complex and little-explored field in Milton studies. Contributors: Alastair Bellany, Thomas Cogswell, Thomas N. Corns, Ronald Corthell, Angelica Duran, Martin Dzelzainis, John Flood, Estelle Haan, and Elizabeth Sauer.
From the dawn of the early modern period around 1400 until the eighteenth century, Latin was still the European language and its influence extended as far as Asia and the Americas. At the same time, the production of Latin writing exploded thanks to book printing and new literary and cultural dynamics. Latin also entered into a complex interplay with the rising vernacular languages. This Handbook gives an accessible survey of the main genres, contexts, and regions of Neo-Latin, as we have come to call Latin writing composed in the wake of Petrarch (1304-74). Its emphasis is on the period of Neo-Latin's greatest cultural relevance, from the fifteenth to the eighteenth centuries. Its chapters, written by specialists in the field, present individual methodologies and focuses while retaining an introductory character. The Handbook will be valuable to all readers wanting to orientate themselves in the immense ocean of Neo-Latin literature and culture. It will be particularly helpful for those working on early modern languages and literatures as well as to classicists working on the culture of ancient Rome, its early modern reception and the shifting characteristics of post-classical Latin language and literature. Political, social, cultural and intellectual historians will find much relevant material in the Handbook, and it will provide a rich range of material to scholars researching the history of their respective geographical areas of interest.
The early modern period in Britain was defined by tremendous upheaval - the upending of monarchy, the unsettling of church doctrine, and the pursuit of a new method of inquiry based on an inductive experimental model. Political Turmoil: Early Modern Literature in Transition, 1623–1660 offers an innovative and ambitious re-appraisal of seventeenth-century British literature and history. Each of the contributors attempts to address the 'how' and 'why' of aesthetic change by focusing on political and cultural transformations. Instead of forging a grand narrative of continuity, the contributors attempt to piece together the often complex web of factors and events that contributed to developments in literary form and matter - as well as the social and religious changes that literature sometimes helped to occasion. These twenty chapters, reading across traditional periodization, demonstrate that early modern literary works - when they were conceived, as they were created, and after they circulated - were, above all, involved in various types of transitions.
"This study examines the impact of Rome and its vibrant culture upon Milton in the course of two two-monthly sojourns in the city in 1638-1639. Focusing on his neo-Latin writings pertaining to that period ("Ad Salsillum," the three Latin epigrams in praise of the soprano Leonora Baroni, and Epistola Familiaris 9, addressed to Lucas Holstenius), it presents new evidence of the academic, literary, and musical contexts surrounding Milton's pro-active integration into seicento Rome. Highlighting Milton's self-fashioning as one who was hospitably embraced by Catholic Rome, it traces his networking with distinguished Italian humanists (upon whom he left no slight an impression)"--
Maps the literary import of Naples on Milton in the course of his one-month sojourn and beyond. As the first book devoted solely to "Manus," arguably the most accomplished of Milton's neo-Latin writings pertaining to his Italian period, it offers a series of fresh interpretations of the poem. It does so by situating it alongside Milton's seemingly voracious reading of contemporary Italian literature while abroad; by assessing the poem's academic, religious, topographical, and linguistic contexts; and by analyzing its classical, neo-Latin, Italian, and English intertexts. It also draws upon the writings of two Italian poets who benefitted from Manso's care and patronage, namely, Torquato Tasso and Giambattista Marino.