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As recommended by USA Today and excerpted on Rolling Stone.com! More than forty years after breaking up, The Beatles remain the biggest-selling and most influential group in the history of popular music. Fans endlessly replay their songs, craving more, while thousands of cover versions of their songs have been recorded and performed. Band biographies, pop music histories, song books, and academic titles on the Fab Four clutter shelves. But never has there been a definitive guide to the finest songs of The Beatles after they called it quits. Still the Greatest is a love song to the songwriting and recording achievements of Paul, John, George, and Ringo after each struck out on his own. In this creative history, Jackson selects the best songs in each solo career and organizes them into fantasy albums they might have formed had the legendary group stayed together. This romp through the post–Beatles history of each artist delves into the circumstances behind the composition, recording, and reception of each work, offering a refreshing take on how spectacular much of The Beatles’ second act truly is. Jackson assesses the more than seventy albums and nine hundred songs the four collectively released, selecting the crème de la crème of their output. Still the Greatest brims with facts (release dates, writing and performing credits, and information about production techniques) and insightful analyses of the music and lyrics. In telling the stories behind the songs, Jackson recounts the remarkable influence the Post Fab Four continued to have long after the big split. Both a handy reference and an engrossing cover-to-cover read, Still the Greatest is an invaluable companion for those who thought it all ended with the 1970 album Let It Be.
An account of the late Beatle's last days discusses Lennon's relationship with Yoko Ono, Yoko's heroin use and extramarital affairs, Lennon's virtual self-imprisonment in the Dakota, his battles with Yoko, and more. Reprint.
A lifetime of letters, collected for the first time, from the legendary musician and songwriter. John Lennon was one of the greatest songwriters the world has ever known, creator of "Help!", "Come Together", "Lucy in the Sky with Diamonds", "Strawberry Fields Forever", "Imagine", and dozens more. But it was in his correspondences that he let his personality and poetry flow unguarded. Now, gathered for the first time in book form, are his letters to family, friends, strangers, and lovers from every point in his life. Funny, informative, wise, poetic, and sometimes heartbreaking, his letters illuminate a never-before-seen intimate side of the private genius. This groundbreaking collection of almost 300 letters and postcards has been edited and annotated by Hunter Davies, whose authorized biography The Beatles (1968) was published to great acclaim. With unparalleled knowledge of Lennon and his contemporaries, Davies reads between the lines of the artist's words, contextualizing them in Lennon's life and using them to reveal the man himself.
In a riveting, minute-by-minute format, a best-selling author follows the events leading to the moment when Mark David Chapman killed rock icon John Lennon in New York City, in a book that also looks at the aftermath.
What was it like to be John Lennon? What was it like to be the castoff child, the clown at school, and the middle-class suburban boy who pretended to be a working-class hero? How did it feel to have one of the most recognizable singing voices in the world, but to dislike it so much he always wanted to disguise it? Being John Lennon is not about the whitewashed Prince of Peace of Imagine legend—because that was only a small part of him. The John Lennon depicted in these pages is a much more kaleidoscopic figure, sometimes almost a collision of different characters. He was, of course, funny, often very funny. But above everything, he had attitude—his impudent style somehow personifying the aspirations of his generation to question authority. He could, and would, say the unsayable. Though there were more glamorous rock stars in rock history, even within the Beatles, it was John Lennon’s attitude which caught, and then defined, his era in the most memorable way.
An illuminating look at the most tumultuous decade in the life of a rock icon—the only McCartney biography in decades based on firsthand interviews with the ex-Beatle himself. As the 1970s began, the Beatles ended, leaving Paul McCartney to face the new decade with only his wife Linda by his side. Holed up at his farmhouse in Scotland, he sank into a deep depression. To outsiders, McCartney seemed like a man adrift—intimidated by his own fame, paralyzed by the choices that lay before him, cut loose from his musical moorings. But what appeared to be the sad finale of a glorious career was just the start of a remarkable second act. The product of a long series of one-on-one interviews between McCartney and Scottish rock journalist Tom Doyle, Man on the Run chronicles Paul McCartney’s decadelong effort to escape the shadow of his past, outrace his critics, and defy the expectations of his fans. From the bitter and painful breakup of the Beatles to the sobering wake-up call of John Lennon’s murder, this is a deeply revealing look at a sometimes frightening, often exhilarating period in the life of the world’s most famous rock star. Sensing that he had nowhere to go but up, Paul McCartney started over from scratch. With emotional—and musical—backing from Linda, he released eccentric solo albums and embarked on a nomadic hippie lifestyle. He formed a new band, Wings, which first took flight on a ramshackle tour of British university towns and eventually returned Paul to the summit of arena rock superstardom. In Man on the Run, Doyle follows McCartney inside the recording sessions for Wings’ classic album Band on the Run—and provides context for some of the baffling misfires in his discography. Doyle tracks the dizzying highs and exasperating lows of a life lived in the public spotlight: the richly excessive world tours, the Japanese drug bust that nearly ended McCartney’s career, his bitter public feuds with his erstwhile Beatle bandmates, and the aftermath of an infamous drug-and-alcohol-fueled jam session where McCartney helped reconcile the estranged John Lennon and Yoko Ono. For Paul McCartney, the 1970s were a wild ride with some dark turns. Set against the backdrop of a turbulent decade, Man on the Run casts the “sunny Beatle” in an entirely new light. Praise for Man on the Run ““Tom Doyle’s detailed chronicle, which includes rare interviews with McCartney and former Wings members, portrays a band that was far more contentious than eager-to-please hits like 1976’s ‘Let ’Em In’ had us believe, fronted by a legend who wanted to be both boss and buddy. The book is larded with tales of Seventies rock-star excess, Paul and Linda’s love of weed, docked paychecks, and grousing musicians.”—Rolling Stone “Well-researched but still breezy and engaging, the book offers a comprehensive tour of the shaggy, bleary-eyed decade when the hardest-working ex-Beatle reached the zenith of his creative and commercial success. . . . Man on the Run makes an excellent contribution to the burgeoning literature devoted to McCartney’s post-Beatles career.”—The Boston Globe “In the 1970s, a depressed, heavy-drinking Paul McCartney walked away from The Beatles and reinvented himself as the leader of another hitmaking rock ’n’ roll band. A new book by longtime Q magazine contributing editor Tom Doyle about that turbulent period in the legendary rock star’s life, Man on the Run, catches him in mid-flight.”—Billboard
For the first time, John Lennon: 1980 Playlist examines the music this legendarily figure was listening to in the year of his creative rebirth, and how that music impacted his life. Reggae, new wave, blues, country, R & B, early rock and roll, ambient and gospel; John listened to it all and loved it all. Readers will learn:* What John thought about punk bands like the Clash and the new wave music so popular in 1980.* That John's eclectic musical taste made him an unlikely fan of Bing Crosby, Noel Coward, and even Morris Albert's schmaltz classic "Feelings."* How Paul McCartney, Bob Dylan and Bob Marley each inspired John to write a new song of his own in 1980. * How songs by Queen and the B-52s inspired John to re-enter the recording studio for the first time in five years.* The event that spurred John and Yoko to return to the studio just a couple of weeks after Double Fantasy was released.* The Doobie Brothers track that lent its title to one of John's Double Fantasy songs.* The rock, disco, funk, country, and pop songs John was listening to that year.John Lennon: 1980 Playlist examines the music of an incredibly diverse list of artists that provided the soundtrack to John's final year including David Bowie, Dolly Parton, Elton John, Bruce Springsteen, Elvis Presley, Jermaine Jackson, the Knack, Kate Bush, Devo, B.B. King, Yoko Ono, Elvis Costello, the Vapors, Donna Summer, Tina Turner, Bobby Darin, Christopher Cross, Olivia Newton-John and the Cars, to name but a few. In John Lennon: 1980 Playlist readers will learn not only what John had to say about these artists, but how their music resonated in John's life, sometimes even influencing crucial decisions he made that year. All of this is placed in the context of the time, the turbulent year of 1980.Even the most jaded of Beatlemanics will learn something new in John Lennon: 1980 Playlist.Even the most jaded Beatlemaniacs will discover new information and insights in John Lennon: 1980 Playlist!
Mary’s Prayer, Mary McGuinness’ first book, charted her journey to health through a lengthy period of illness from depression. She told how she was healed by the power of prayer and through her love of music; she possessed an inner drive and commitment to improve her life in the long term. The Meaning of Contentment, a sequel to the first book, covers a period of almost six years. In total, the two volumes chronicle almost twenty years of her life, charting the gradual changes taking place during two decades on the journey to middle age. This second book reflects on these natural changes and also on the personal transformation that occurred because of the varied perspectives of McGuinness’ experiences. This memoir shares the story of how a meeting with her Uncle John changed the course of her life. The Meaning of Contentment tells how she strengthened both her identity and the familial bond while helping him. It focuses on the friendship and the interactive learning experience that dramatically impacted on her future.