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Concrete Ideas: Material to Shape a City is about possibilities in concrete architecture. It visually speculates, through a series of montages, drawings, and photographs, about concrete architecture's capacity as an urban catalyst, its capacity for de fining cites and for virtuosity in urban renewal. It is another iteration of speculations begun in a graduate architecture studio at the University of Toronto, which asked: given the now mainstream nanotechnologies that transform the performance of materials at the molecular level without fundamentally changing the material aesthetic, can we anticipate and provoke a change in its inherent authority, perception, and aesthetic culture? The work uses the case of Toronto with its predominant 1960s and 1970s brutalist stock and unique minus 30 °F to plus 30 °F Canadian climate to test these speculations with building projects that challenge the limits of concrete performance. With contributions from architects and thinkers such as Mark West, George Baird, Will Bruder, and Charles Waldheim among others, Concrete Ideas is meant to create a seductive argument for the reconsideration of this age-old building material as supple, light, and instrumental in the re-presentation of existing concrete "citizens.
The essential guide to beginning your career in architecture The Architecture Student's Handbook of Professional Practice opens the door to the vast body of knowledge required to effectively manage architectural projects and practice. A professional architect is responsible for much more than design; this book is specifically designed to help prepare you for the business and administrative challenges of working in the real-world—whether you are a student or are just starting out in practice. It provides clear insight into the legal, financial, marketing, management, and administrative tasks and issues that are integral to keeping a firm running. This new edition has been restructured to be a companion textbook for students undertaking architectural practice classes, while also fulfilling the specific knowledge needs of interns and emerging professionals. It supplements information from the professional handbook with new content aimed at those setting out in the architectural profession and starting to navigate their careers. New topics covered in this new edition include: path to licensure, firm identity, professional development, strategic planning, and integrated project delivery. Whether you want to work at a top firm, strike out on your own, or start the next up-and-coming team, the business of architecture is a critical factor in your success. This book brings the fundamentals together to give you a one-stop resource for learning the reality of architectural practice. Learn the architect's legal and ethical responsibilities Understand the processes of starting and running your own firm Develop, manage, and deliver projects on time and on budget Become familiar with standard industry agreements and contracts Few architects were drawn to the profession by dreams of writing agreements and negotiating contracts, but those who excel at these everyday essential tasks impact their practice in innumerable ways. The Architecture Student's Handbook of Professional Practice provides access to the "nuts and bolts" that keep a firm alive, stable, and financially sound.
"Although much of my work is architectural in character, I do not represent real spaces. Rather, my work has its origins in the spaces I have abandoned - the mood of Rome and the landscape of Texas - and the paintings are of spaces I know that look nothing like what I paint ...They are essentially meditations on essences of architecture like enclosure, surface and light. "Born in Italy in 1943, Lauretta Vinciarelli passed away in New York in 2011. Trained as an architect in Rome but a watercolorist by vocation, her works reside in numerous private collections and among the holdings of prominent institutions, including the Museum of Modern Art in New York, the National Gallery in Washington DC, and the San Francisco Museum of Modern Art. Noted for their luminous qualities of color and light, her depictions of imagined spaces open up a world of enclosed rooms, sweeping landscapes, watery materiality, and atmospheric ephemerality. Describing her work, a noted theorist and critic once said, "They are not architecture exactly, but evidence that it exists." This book brings together paintings from 1981 onwards in the most complete collection of Vinciarelli's work to date. It also includes texts from knowledgeable commentators and for the first time presents sketch materials that provide insight into Vinciarelli's working methodology. Vinciarelli's technique often operated at the very limits of her medium; sometimes even to the point of failure. In these paintings, color is used as a device for shaping space, with watercolor the chosen medium for its rich portrayal of light and the conceptual simplicity of the act of mixing paste with water.
Lucien Hervé (b. 1910), one of the great architectural photographers of the twentieth century, collaborated with Le Corbusier from 1949 until the renowned architect died in 1965. Hervé approached his subjects seeking not only to document the buildings he was commissioned to photograph but also, especially, to convey a sense of space, texture, and structure. Through light and shadow, Hervé defined the dialogue between substance and form. By delineating a strong contrast between light and shadow as well as placing emphasis on building details, the photographer was able to communicate the depth of a room, the surface of a wall, or the strength of a building's framework. For too long, Hervé the master of architectural photography has eclipsed Hervé the photographer whose career began as early as 1938 and whose subject matter varied widely. Featuring more than one hundred of his photographs in every genre, this book celebrates Hervé's work as an artist, creating images that serve not simply as records but stand as works of a singular imagination.
"Clear geometric forms become sculptural buildings when given a thin skin of decorative patterns by Neutelings Riedijk Architects. Their buildings are icons whose facades give surprising views inwards. Inside, the space is captured as a formgiving element tantalizing the senses. this book takes the reader through the many layers in their work, past comptetition entries and from realized to unrealized projects." Book jacket.
Alvar Aalto (1898-1976) is the most prestigious Finnish architect of the last century, and the father of Nordic Modernism. He once said, God created paper for the purpose of drawing architecture on it. Everything else is at least for me an abuse of paper. In the U.S. Aalto's critical reception began with his design for the Finnish Pavilion at the 1939 World Fair in New York: Frank Lloyd Wright described it as a work of genius. After World War II, Aalto also designed MIT's student dormitory. Prior to this, the architect's Paimio Sanatorium (1929) and Viipuri Library (1935), both in Finland, had already attracted international praise. He was also an outstanding town planner, painter and sculptor. Aalto's Modernism entailed the use of natural materials, warm colors, and undulating lines, and he is considered an important early exponent of Organic Design as a result. Of his design work outside of architecture, Aalto's vases, lamps, glassware and laminated bent-plywood furniture (pioneered and produced through the design company he co-founded, Artek) are equally esteemed. Iconic pieces include the Savoy Vase, the Paimio Chair and the Beehive Lamp. This monograph on Aalto's highly collectible furniture designs expands our understanding of the diverse abilities of this influential architect/designer.
Architecture with and Without Le Corbusier documents two architectural masterpieces: the Church at Firminy and The Miller House. The church is a late work by Le Corbusier that was left unfinished for 40 years. José Oubrerie, a protégé of the great master who had worked on the project from its inception, completed and built the canonical work, adapting it to current needs and standards while respecting the integrity of the original design. The Miller House, Oubreries own late masterpiece from the 90s, is a landmark in Lexington where the architect devotes his mature years to academic leadership at the University of Kentucky. It is firmly on its way to securing a permanent place in the modernist canon. The thorough documentation of the two buildings with an extensive collection of previously unpublished drawings, documents and photographs builds a precise and vivid testimony of Oubreries unique architectural trajectory with Le Corbusiers formidable legacy as a formative and creative influence. The two seminal works, presented side by side with commentary by George Ranalli and Kenneth Frampton yield insight into the evolution and current resonance of modernist architecture in a story that spans two worlds and two distinguished careers. A collaboration between the City College of New York Bernard and Anne Spitzer School of Architecture and Oscar Riera Ojeda Publishers
In Situ Design sums up the theoretical position embodied in the work of New York architect George Ranalli. Over the past 32 years, George Ranalli has worked on projects in New York, other states in the U.S., and across the world that have involved large-scale urban design, houses in the landscape, additions, renovations of major landmark buildings and new constructions * George Ranalli is internationally celebrated and published for his work in historic settings, National Register Historic Landmark buildings and settings with rich design and craft traditions. In Situ is his operational strategy in the design of these new buildings and additions to these complexes, providing contemporary and creative structures that also blend in seamlessly with their historic environments * The projects have developed a rich craft and design vocabulary, which links this work to the origins and roots of the longer craft tradition in design and architecture.