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John Joseph Mathews (1894–1979) is one of Oklahoma’s most revered twentieth-century authors. An Osage Indian, he was also one of the first Indigenous authors to gain national renown. Yet fame did not come easily to Mathews, and his personality was full of contradictions. In this captivating biography, Michael Snyder provides the first book-length account of this fascinating figure. Known as “Jo” to all his friends, Mathews had a multifaceted identity. A novelist, naturalist, biographer, historian, and tribal preservationist, he was a true “man of letters.” Snyder draws on a wealth of sources, many of them previously untapped, to narrate Mathews’s story. Much of the writer’s family life—especially his two marriages and his relationships with his two children and two stepchildren—is explored here for the first time. Born in the town of Pawhuska in Indian Territory, Mathews attended the University of Oklahoma before venturing abroad and earning a second degree from Oxford. He served as a flight instructor during World War I, traveled across Europe and northern Africa, and bought and sold land in California. A proud Osage who devoted himself to preserving Osage culture, Mathews also served as tribal councilman and cultural historian for the Osage Nation. Like many gifted artists, Mathews was not without flaws. And perhaps in the eyes of some critics, he occupies a nebulous space in literary history. Through insightful analysis of his major works, especially his semiautobiographical novel Sundown and his meditative Talking to the Moon, Snyder revises this impression. The story he tells, of one remarkable individual, is also the story of the Osage Nation, the state of Oklahoma, and Native America in the twentieth century.
Challenge Windzer, the mixed-blood protagonist of this compelling autobiographical novel, was born at the beginning of the twentieth century "when the god of the great Osages was still dominate over the wild prairie and the blackjack hills" of northeast Oklahoma Territory. Named by his father to be "a challenge to the disinheritors of his people," Windzer finds it hard to fulfill his destiny, despite oil money, a university education, and the opportunities presented by the Great War and the roaring twenties. Critics have praised Sundown generously, both as a literary work and a vignette into the Native American past.
The author recounts his experiences living alone for ten years in the northeastern part of Oklahoma, and shares his observations on nature
When John Joseph Mathews (1894–1979) began his career as a writer in the 1930s, he was one of only a small number of Native American authors writing for a national audience. Today he is widely recognized as a founder and shaper of twentieth-century Native American literature. Twenty Thousand Mornings is Mathews’s intimate chronicle of his formative years. Written in 1965-67 but only recently discovered, this work captures Osage life in pre-statehood Oklahoma and recounts many remarkable events in early-twentieth-century history. Born in Pawhuska, Osage Nation, Mathews was the only surviving son of a mixed-blood Osage father and a French-American mother. Within these pages he lovingly depicts his close relationships with family members and friends. Yet always drawn to solitude and the natural world, he wanders the Osage Hills in search of tranquil swimming holes—and new adventures. Overturning misguided critical attempts to confine Mathews to either Indian or white identity, Twenty Thousand Mornings shows him as a young man of his time. He goes to dances and movies, attends the brand-new University of Oklahoma, and joins the Air Service as a flight instructor during World War I—spawning a lifelong fascination with aviation. His accounts of wartime experiences include unforgettable descriptions of his first solo flight and growing skill in night-flying. Eventually Mathews gives up piloting to become a student again, this time at Oxford University, where he begins to mature as an intellectual. In her insightful introduction and explanatory notes, Susan Kalter places Mathews’s work in the context of his life and career as a novelist, historian, naturalist, and scholar. Kalter draws on his unpublished diaries, revealing aspects of his personal life that have previously been misunderstood. In addressing the significance of this posthumous work, she posits that Twenty Thousand Mornings will challenge, defy, and perhaps redefine studies of American Indian autobiography.”
Perhaps once in a generation a great book appears on the life of a people--less than a nation, more than a tribe--that reflects in a clear light the epic strivings of men and women everywhere, since the beginnings of time. The Osages: Children of the Middle Waters is such a book. Drawing from the oral history of his people before the coming of Europeans, the recorded history since, and his own lifetime among them, John Joseph Mathews created a truly epic history. This account of the Osages, a Siouan tribe once centered in the area now occupied by St. Louis, later on small streams in southwestern Missouri and southeastern Kansas, then in northeastern Oklahoma, is a spiritual one. Their quest in the centuries-long record was for the meaning of Wah'Kon-Tah, the Great Mysteries. In war, in peace, in camps and villages, in their land of the Middle Waters, the Osages met all of the changes and hardships people are likely to meet anywhere. Mathews tells the Osages' story with rare poetical feeling, in rhythms of language and with dramatic insights that surpass even his first book, Wah'Kon-Tah: The Osage and the White Man's Road, which was selected by a major book club when published in 1932. Mathews managed his vast canvas with consummate skill, marking him as one of the major interpreters of American Indian life and history.
Located in the Oklahoma Collection.
This revealing book presents a selection of lost articles from “Our Osage Hills,” a newspaper column by the renowned Osage writer, naturalist, and historian, John Joseph Mathews. Signed only with the initials “J.J.M.,” Mathews’s column featured regularly in the Pawhuska Daily Journal-Capital during the early 1930s. While Mathews is best known for his novel Sundown (1934), the pieces gathered in this volume reveal him to be a compelling essayist. Marked by wit and erudition, Mathews’s column not only evokes the unique beauty of the Osage prairie, but also takes on urgent political issues, such as ecological conservation and Osage sovereignty. In Our Osage Hills, Michael Snyder interweaves Mathews’s writings with original essays that illuminate their relevant historical and cultural contexts. The result isan Osage-centric chronicle of the Great Depression, a time of environmental and economic crisis for the Osage Nation and country as a whole. Drawing on new historical and biographical research, Snyder’s commentaries highlight the larger stakes of Mathews’s reflections on nature and culture and situate them within a fascinating story about Osage, Native American, and American life in the early twentieth century. In treating topics that range from sports, art, film, and literature to the realities and legacies of violence against the Osages, Snyder conveys the broad spectrum of Osage familial, social, and cultural history.
A framework for understanding the contributions of Vine Deloria Jr. and John Joseph Mathews, two American Indian Intellectuals, as part of the struggle for tribal sovereighty, and argues that the contemporary reality of Native people can and should be part of the past, present, and future of Indian America.
The nine short stories in this collection by distinguished Osage author John Joseph Mathews are sure to be recognized as classics of twentieth-century nature writing and the wildlife conservation movement. The characters in Old Three Toes and Other Tales of Survival and Extinction are coyotes, mountain lions, deer, owls, sandhill cranes, prairie chickens—and human beings, who sometimes kill their prey but are often outsmarted by the largest and smallest animals. Mathews shows us the world through the animals’ eyes and ears and noses. His convincing portrayals of their intelligence recall the fiction of Jack London and Ernest Thompson Seton. Like these literary ancestors, Mathews originally intended his nature stories for boys, but the stories transcend boundaries of age, gender, and geography. Mathews writes not just to inspire his readers with nature’s beauty but also to demonstrate the interrelatedness of humans, animals, and the landscapes in which they interact. Timely and relevant to discussions of ecology and the environment, his stories will reach a wide audience today, more than fifty years after they were written. These stories show Mathews’s ability to write precise descriptions—of a coyote catching a field mouse, a crane eating a frog, a mountain lion playing. A hunter himself, Mathews understood both the animals’ readiness to fight and man’s instinct to survive. And he let readers share the dignity of the animal characters and their refusal to acquiesce to their own extinction, particularly in the face of human ignorance and carelessness. Susan Kalter’s afterword provides a poignant portrait of Mathews and traces the inspirations for the short stories in this collection. Thoughtfully annotated, these stories are the only published examples of Mathews’s hitherto unknown short fiction and will add to his stature as an important American Indian writer.
In an original, widely researched, and accessibly written book, Robert Dale Parker helps redefine the study of Native American literature by focusing on issues of gender and literary form. Among the writers Parker highlights are Thomas King, John Joseph Mathews, D'Arcy McNickle, Leslie Marmon Silko, and Ray A. Young Bear, some of whom have previously received little scholarly attention.Parker proposes a new history of Native American literature by reinterpreting its concerns with poetry, orality, and Indian notions of authority. He also addresses representations of Indian masculinity, uncovering Native literature's recurring fascination with restless young men who have nothing to do, or who suspect or feel pressured to believe that they have nothing to do. The Invention of Native American Literature reads Native writing through a wide variety of shifting historical contexts. In its commitment to historicizing Native writing and identity, Parker's work parallels developments in scholarship on other minority literatures and is sure to provoke controversy.